Question: At the end of the film Blondie, sitting on the horse, turns around, aims his rifle, fires, and severs the rope with a single shot. Lets face it, that rope would be a very small target, and difficult to hit with precision, even from ten or twenty feet, and Blondie is now so far from Tuco that he would no longer even be able to see the rope. Could anyone hit such a small target from such a distance with such incredible accuracy?
Questions about specific movies, TV shows and more
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Question: It is implied that Satan and the forces of evil are always watching out for Damien so that when anybody gets anywhere near to hurting him they invariably meet a very sticky end. So how is it that, at the end of the film, Kate Reynolds is able to stab Damien to death with such apparent ease when all previous efforts to kill him have failed so dismally?
Question: Something that puzzles me about the thee Omen films taken together. In the first film of the series the very young Damien is taken into a church. As the son of the Devil he has a great aversion to all things Christian, so he has a huge tantrum, and screams, struggles and resists going into the building. So how is it, that, as the series progresses, he can enter Christian buildings without any ill effects? (The denouement of the third and final Omen film is set in Fountains Abbey, a venerated Christian church in Yorkshire).
Question: At the end, Orson Welles is wounded and flees up a ladder out onto the face of the church clock. The clock contains an automata of statues that move in front of the clock face. One statue holds a sword which impales Orson Welles. We have a distance shot in which the sword is sticking out of Orson Welles' back. Orson Welles presses against the statue to withdraw the sword and falls to his death. Is such an end feasible? Surely, for a sword to fully pierce a human body it would have to be very sharp and be driven with incredible force and speed. Would the statue be moving with anything remotely approaching such force and speed? And surely a statue on a clock would not carry a real sword, but a facsimile, meant to look like a weapon from a distance? And, if somebody was pierced completely through with a sword, could they press their body forward to fully withdraw the weapon? (01:34:45)
Question: In this version the Phantom was a highly gifted composer, who, as a grown adult, was horribly disfigured in an accident. Much of the Hammer version centres on the performance of the Phantom's masterpiece, an opera about Joan Of Arc, segments of which are shown during the film. I am not an expert on opera, but it seemed to me that the Phantom's musical take on the Joan Of Arc legend was one of the dullest musical performances I have ever seen, consisting of perfectly ordinary (and uninspiring) dialogue, sung on a single (and rather monotonous) octave. (Imagine some people who can't sing very well singing the text of a second rate historical novel.) Did anybody else who saw this little known film of the classic horror story have any opinion on the Joan Of Arc opera?
Question: During the movie when a viewer can make decisions, I chose to honk the horn twice which saved Frankie's life. Later in the film, Frankie is being arrested by two officers. The scene pauses and a question appears asking if it was right to save his life. I chose "yes" and because of this he is seen being taken away. If I had chosen "no", what would have happened to Frankie?
Question: Gulliver's attempt at avoiding a fight with the Blefuscian at sea sea fails. He've been surrounded and shot at. He grabs at the ropes coming from each ship's bow and drags them away. Now, why were there ropes coming from each of the ships and how did they end up infront of them so that he could grab onto them?
Question: When the Creeper lands on top of the bus, you can see he is missing his right wing and his left arm is mangled to the bone. After eating Dante's head, he flies away with two wings and both arms. However, he didn't eat either of Dante's arms and there weren't any extra wings lying around to eat. So how did he get his left arm and right wing back? (00:53:55)
Question: How long has it been since the last movie? It is said in the fake mission briefing in the beginning that Ethan has been tracking the Syndicate for "the past year", a mission he received at the end of the last movie. Yet I've also heard that the movies are set in the years they come out (2011, 2015, etc) In either case I find it hard to believe that the IMF has not received a new secretary yet if it has been well over a year since the last one died. At the end of Ghost Protocol the IMF is already up and running again. Why haven't they appointed a new head? And who is giving orders/missions in the absence of one? Who gave Hunt the mission to investigate the Syndicate at the end of GP for example?
Question: What exactly were Atlee's intentions with Ilsa? Why did he originally send her to infiltrate the Syndicate and why did he send her back later in the movie? If all he wants to do is keep the Syndicate hidden, what does he hope to accomplish with Ilsa as his woman on the inside? Does he actually know what is on the flashdrive she brings him, or does he also think it's a ledger? It makes sense for him to want to delete it in both cases, so I'm confused trying to figure out which it is. Either way, does Atlee send her back to get killed? Hunt later says he wanted to "frame" her, but I don't understand how.
Question: How did Ethan figure out Atlee's true intentions? He only just learned his name a bit earlier and now he's impersonating him and know exactly how to play him, that he's trying to hide the Syndicate, that he created it, that the PM knows it too. How did he learn all this?
Question: When Ilsa presents Ethan with his supposed 3 options, she says she's proof the Syndicate exists, but I'm not sure how exactly. She also says the CIA wouldn't believe them right afterwards. They all assume at this point the disc is a ledger though, so why wouldn't that definitively prove the Syndicate is real? I know of course that since it's encrypted they can't open it, but Ilsa doesn't know that! I don't see how she could come to the conclusion that the CIA won't believe them.
Question: Why would Jessie's friend take the chance of stealing that piece of paper with Ally's number on it, while their gangster "friend" who is supposed to be pretty scary is right there, when he is sitting there filming the whole damn thing and could just go back and get the number off the camera? (01:01:50)
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