Questions about specific movies, TV and more

Chosen answer: They don't have jurisdiction but they would be working in cooperation with Canadian authorities.

raywest

Chosen answer: It's his father's lightsaber, which Obi-wan gives him at the beginning of the film.

Chosen answer: This is a very short, but very complex question about which dissertations are written. Here is my best attempt at a brief summary. Christine lives as a sheltered child-like woman in a highly patriarchal Victorian society. She is torn between two loves. There is Raoul, who represents safety, light, and a sort of romantic, adolescent view of what true love should mean. Then there is Erik, the Phantom, with whom Christine has had a long time bond. He has been to her like a guardian angel. He gave her music. He comforted her when her father died. And yet, as his role turns from that of protector and teacher to one of lustful suitor, he comes to represent darkness, passion, lust, obsession, and danger. He is unstable, driven to madness by a world of light he can never know. He is also, let's not forget, homicidal. Christine ultimately makes the only choice society makes available to her - the safe and sane choice. From the ending of the film, we learn that Christine remained wife to Raoul, but it is unclear how happily her life turned out. She probably always shared a connection to Erik, who possessed for her a depth of love she could never know from any other man. Andrew Lloyd Weber wrote a sequel to "The Phantom of the Opera" called "Love Never Dies." In it, we learn that the Phantom did, indeed, remain in Christine's life. I won't provide spoilers here, but more information about "Love Never Dies" can be found at: http://en.wikipedia.org/wiki/Love_Never_Dies_ (musical).

New this week Answer: I believe some things stated are true, like Raou being thesafe choice the Phantom being the dark forbidden suitor. While the things I don't agree are the statements of the Phantom grooming her and kidnapping her. She always was willing to go. While yes he decieved her by saying he was her angel of music, he partly was. He gave her the chance to sing by coaching her. Did he do it from day one because he wanted to marry her? Who knows. I think she truly loved the Phantom but chosen Raoul out of safety. She would have had to live life on the run with the Phantom. The Phantom also told her to go.

Answer: First of all, Eric pretended to be a guardian angel sent from her dead father to teach her to sing. He continued this gaslighting throughout the movie / play, outright stating several times that he was her Angel of Music. Raul on the other hand, was her dear childhood friend, who represented memories with her father. Eric brought her down into his home under the pretense of having her sing for his music, then suddenly turned his tone into a romantic one and showed her and lifelike mannequin he made of her - that's incredibly creepy. At every point where things don't go his way, Eric throws a tantrum and ruins things for everyone in the Opera House. By the end of the show, Christine is terrified of him and is begging Raul to protect and hide her from Eric. We are led to believe that this is a love triangle, but this is an incel man forcing love on to an unsuspecting woman, and when she chooses another man he acts out in his typical fashion, putting them both in danger. It would be hard to love someone like that for anyone.

Chosen answer: This is a very short, but very complex question about which dissertations are written. Here is my best attempt at a brief summary. Christine lives as a sheltered child-like woman in a highly patriarchal Victorian society. She is torn between two loves. There is Raoul, who represents safety, light, and a sort of romantic, adolescent view of what true love should mean. Then there is Erik, the Phantom, with whom Christine has had a long time bond. He has been to her like a guardian angel. He gave her music. He comforted her when her father died. And yet, as his role turns from that of protector and teacher to one of lustful suitor, he comes to represent darkness, passion, lust, obsession, and danger. He is unstable, driven to madness by a world of light he can never know. He is also, let's not forget, homicidal. Christine ultimately makes the only choice society makes available to her - the safe and sane choice. From the ending of the film, we learn that Christine remained wife to Raoul, but it is unclear how happily her life turned out. She probably always shared a connection to Erik, who possessed for her a depth of love she could never know from any other man. Andrew Lloyd Weber wrote a sequel to "The Phantom of the Opera" called "Love Never Dies." In it, we learn that the Phantom did, indeed, remain in Christine's life. I won't provide spoilers here, but more information about "Love Never Dies" can be found at: http://en.wikipedia.org/wiki/Love_Never_Dies_ (musical).

New this week Answer: I believe some things stated are true, like Raou being thesafe choice the Phantom being the dark forbidden suitor. While the things I don't agree are the statements of the Phantom grooming her and kidnapping her. She always was willing to go. While yes he decieved her by saying he was her angel of music, he partly was. He gave her the chance to sing by coaching her. Did he do it from day one because he wanted to marry her? Who knows. I think she truly loved the Phantom but chosen Raoul out of safety. She would have had to live life on the run with the Phantom. The Phantom also told her to go.

Answer: First of all, Eric pretended to be a guardian angel sent from her dead father to teach her to sing. He continued this gaslighting throughout the movie / play, outright stating several times that he was her Angel of Music. Raul on the other hand, was her dear childhood friend, who represented memories with her father. Eric brought her down into his home under the pretense of having her sing for his music, then suddenly turned his tone into a romantic one and showed her and lifelike mannequin he made of her - that's incredibly creepy. At every point where things don't go his way, Eric throws a tantrum and ruins things for everyone in the Opera House. By the end of the show, Christine is terrified of him and is begging Raul to protect and hide her from Eric. We are led to believe that this is a love triangle, but this is an incel man forcing love on to an unsuspecting woman, and when she chooses another man he acts out in his typical fashion, putting them both in danger. It would be hard to love someone like that for anyone.

Chosen answer: This is a very short, but very complex question about which dissertations are written. Here is my best attempt at a brief summary. Christine lives as a sheltered child-like woman in a highly patriarchal Victorian society. She is torn between two loves. There is Raoul, who represents safety, light, and a sort of romantic, adolescent view of what true love should mean. Then there is Erik, the Phantom, with whom Christine has had a long time bond. He has been to her like a guardian angel. He gave her music. He comforted her when her father died. And yet, as his role turns from that of protector and teacher to one of lustful suitor, he comes to represent darkness, passion, lust, obsession, and danger. He is unstable, driven to madness by a world of light he can never know. He is also, let's not forget, homicidal. Christine ultimately makes the only choice society makes available to her - the safe and sane choice. From the ending of the film, we learn that Christine remained wife to Raoul, but it is unclear how happily her life turned out. She probably always shared a connection to Erik, who possessed for her a depth of love she could never know from any other man. Andrew Lloyd Weber wrote a sequel to "The Phantom of the Opera" called "Love Never Dies." In it, we learn that the Phantom did, indeed, remain in Christine's life. I won't provide spoilers here, but more information about "Love Never Dies" can be found at: http://en.wikipedia.org/wiki/Love_Never_Dies_ (musical).

New this week Answer: I believe some things stated are true, like Raou being thesafe choice the Phantom being the dark forbidden suitor. While the things I don't agree are the statements of the Phantom grooming her and kidnapping her. She always was willing to go. While yes he decieved her by saying he was her angel of music, he partly was. He gave her the chance to sing by coaching her. Did he do it from day one because he wanted to marry her? Who knows. I think she truly loved the Phantom but chosen Raoul out of safety. She would have had to live life on the run with the Phantom. The Phantom also told her to go.

Answer: First of all, Eric pretended to be a guardian angel sent from her dead father to teach her to sing. He continued this gaslighting throughout the movie / play, outright stating several times that he was her Angel of Music. Raul on the other hand, was her dear childhood friend, who represented memories with her father. Eric brought her down into his home under the pretense of having her sing for his music, then suddenly turned his tone into a romantic one and showed her and lifelike mannequin he made of her - that's incredibly creepy. At every point where things don't go his way, Eric throws a tantrum and ruins things for everyone in the Opera House. By the end of the show, Christine is terrified of him and is begging Raul to protect and hide her from Eric. We are led to believe that this is a love triangle, but this is an incel man forcing love on to an unsuspecting woman, and when she chooses another man he acts out in his typical fashion, putting them both in danger. It would be hard to love someone like that for anyone.

Chosen answer: The movie is not in continuity with the series.

Chosen answer: It might not actually have one, in which case, he'd have to go down into the club and use theirs. As for showering, going to his mother's house or a gym membership would take care of that.

Captain Defenestrator

Chosen answer: "Curb stomping" is a form of assault in which a victim's mouth is forcefully placed on a curb after which the head stomped from behind. Depending on the force of the stomping, the practice may, indeed, cause severe injuries and sometimes death. Any time you have a person's head being crushed between a hard, immovable object and an object moving with force, it is not unreasonable to posit that death can result - either immediately from the trauma, or later due to internal injury and bleeding.

Answer: The stomp is to the neck. It breaks the neck and causes death.

Chosen answer: "Curb stomping" is a form of assault in which a victim's mouth is forcefully placed on a curb after which the head stomped from behind. Depending on the force of the stomping, the practice may, indeed, cause severe injuries and sometimes death. Any time you have a person's head being crushed between a hard, immovable object and an object moving with force, it is not unreasonable to posit that death can result - either immediately from the trauma, or later due to internal injury and bleeding.

Answer: The stomp is to the neck. It breaks the neck and causes death.

Chosen answer: At some point in her relationship with Poseidon, he told her about the elevator. Otherwise, she could not have known.

raywest

Chosen answer: Gambling, especially with a mobster bookie was and is still illegal in the US.

Chosen answer: Yes she did. Whatever way she killed him she made it look like a suicide so that's what the police ruled it as. No reason to arrest her if they ruled it a suicide.

Chosen answer: Danse macabre by Camille Saint-Saëns.

Chosen answer: John Ratzenberger is the voice of Gordon, the guard.

Chosen answer: She wasn't injured by the necklace. Simply touching it cursed her. It was the curse itself that hospitalized her, not physical damage done by the necklace.

Phixius

Chosen answer: Because she knows that Teddy is really Andrew, who is an inmate/patient, and she knows that the whole FBI agent scenario is a farce. She is trying to warn him to get away while he has a chance during the charade of the "investigation" of the missing patient.

Chosen answer: You only see one staircase upstairs because the living room stairs end at the hallway above the living room. The ones you see upstairs by the bedrooms are the ones from the kitchen.

Chosen answer: According to the director, Pattycake is the toon equivalent to sex.

Chosen answer: It was just a random extra, who auditioned who the part.

Chosen answer: Lt. Ripley stands as one of the first strong female lead characters in American science-fiction. In an early version of the script, writers Dan O'Bannon and Ronald Shusett had written all of the roles as generic male ones with a note in the script explicitly stating "The crew is unisex and all parts are interchangeable for men or women." It was left to director Ridley Scott and the casting agents to choose the cast of any gender composition they wished.