Question: How could one of the three have been in prison during the murder at the barbershop? Did he have a twin?
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Question: Who is the woman that pops out of the lake and grabs Chris near the end? This is the first and last time that we see her, but who was she? And, was Chris dreaming/hallucinating or did it really happen?
Answer: It was the decomposing body of Jason's mother, Pamela Voorhees. (Who, as I'm sure you know, was the killer in the original movie.) And it was just a nightmare. It didn't actually happen.
Question: Why does the tank point at Guy when he asks for a cappuccino? The cop says, "someone's getting shot" as if the game will kill him if he doesn't follow his code, but we know that's not the case. (00:09:12)
Answer: The cops are there to enforce the rules of the game and Guy's not following them. In GTA-type games like Free City, when you get Wanted, every cop in the game knows right where you are. This is playing on that.
Question: Why are Cecilia and her sister Emily so distant?
Answer: From what I could see, it was never specified what caused their strained relationship. Many sisters just don't get along for a variety of reasons-jealousy, resentment, rivalry, personality clashes, etc. Of course, it serves the plot and is a common movie trope that Cecilia has little family support to help with her situation, adding to the suspense as she tries to escape Adrian on her own.
Answer: Controlling husbands like Adrian severely restrict who their wives can see and talk to, so Adrian most likely interfered with Cecilia maintaining a positive relationship with her sister. Cecilia's sister probably did not know how controlling and manipulative Adrian was, so assumed it was Cecilia who did not want to be close to her. Adrian made it appear as though it was Cecilia's choice, but it was actually the restrictions he placed on Cecilia that caused the strain between the sisters.
Answer: Because an email was sent from Cecilia but really from Adrian (the invisible man) saying that her sister was suffocating her. And that Cecilia didn't want to see her anymore.
And these were the types of stunts Adrian had been doing for years, creating tension and causing spite between the sisters.
Question: At the end of the film, Phil finally wakes up in bed with Rita on the day after Groundhog Day (meaning he's finally broken out of the time-loop and temporal continuity is restored). Doesn't this necessarily imply that everything he did the day before will have repercussions for him? I mean, as far as everyone knows, Phil Connors just suddenly became a local sensation in one day, flashing a lot of money on the same day as the armored car robbery. Wouldn't Phil naturally fall under suspicion?
Answer: On that particular previous day, he didn't rob the armored car. All he did was spend the day doing good deeds and the only repercussions will be people thinking highly of him.
A huge part of his "good deeds," no doubt, was his flashing a lot of money around town, buying a full insurance package from Ned, paying the piano teacher a significant wad of cash, gifting the newlyweds tickets for their honeymoon, etc. That's a big part of how Phil became so beloved by so many townspeople in one day. Plus, he bought the ice-carving chainsaw and who knows what else. He wasn't just pulling all that cash out of thin air. I think robbing the armored car every morning had become second-nature to Phil.
Phil seemed to be trying to do everything just right to break the cycle. It's unlikely he would choose to rob the armor truck. And it's unlikely the truck was robbed that day. However, Phil was a professional with a good paying job. Rita herself had almost $400 in cash on her. If Phil didn't have that much cash on him, he could easily get it from the bank and then write checks (or use a credit card) for everything else.
Question: Before Old Arthur leaves the room, why did he get the feeling that him and Richard met before?
Answer: Because they had met before. When Richard went back in time to 1912, Arthur was a five-year-old boy. Old Arthur remembers, or at least recognizes, Richard from that time.
Except that Richard hadn't travelled into the past yet.
Like all time-travel fiction, if he will, then he already did. The portrait he saw in the gallery of Jane Seymour is another example: He brought the smile to her face and IIRC, she changed her pose upon seeing him.
Exactly right. Time-travel films rarely make sense plot-wise. They employ a "suspension of disbelief" where the audience just accepts the premise so the story can be told, regardless of whether or not everything makes sense. As I recall, Jane Seymour's "old character" told Richard to "come back to her," meaning she wanted him to go back in time to when she was young.
Time Travel movies and shows do this sort of thing often. This movie actually keeps to the premise of time travel pretty well.
Answer: He already did, when the elder Elise approached him and said, "Come back to me." When he visited her home and listened to the music box and replied. "That's my favorite song." He found his name in the old hotel register in the storage room. At the end of the movie, when he returned to the future, Elise was holding his pocket watch, which she returned to him when she was old. All that concludes he did time travel, he just hadn't done it yet.
Thanks. Time travel movies sure are confusing.
Question: Why were Henry's coat sleeves ripped off after he demanded that the ship go in another direction?
Question: Two questions. 1. Since Frederick knew that Annabelle was cheating on him with David, why didn't Frederick just file for a divorce? 2. Since Frederick's plan was to murder Annabelle and David, then why invite the others? Why not just take Annabelle to the house, kill her and then invite David and do the same thing? If nobody else had been at the house, he could have got away with it especially since the acid would have left no trace of Annabelle or David.
Answer: Because then there wouldn't be a movie. It's called "suspension of disbelief", where we accept that movie characters often make decisions that, in real life, they would not. This only becomes a problem if it negatively affects the believability of the story within the universe of the film. If the entire plot depends on a questionable/unrealistic choice, then the filmmakers really have no choice but to lean into it and hope the audience goes along for the ride.
Question: Did Chessy overhear "Hallie" talking on the phone in the middle of the night? Or was it Nick that overheard, and he told Chessy about it?
Answer: The movie doesn't say, but since Chessy brought it up, it was most likely her. She noticed small differences about Hallie's mannerisms when she came back from camp, while Nick was more oblivious.
Question: Why did the old T-800 prevent his younger self from killing three punks and stealing their clothes? I mean, these punks were meaningless to it, so why did it save them?
Answer: The T-800 "Pops" was working with Sarah Connor, and they were trying to eliminate any Terminator sent back in time. The punks were incidental and the aim was not necessarily to save them, but Sarah probably also wanted to minimise the collateral deaths as much as possible by destroying the machines as soon as they emerged.
Question: When the Lakota go to save Dunbar, Bauer gets away, one of the Lakota kills him. Should've the hatchet been in his back and not the front? (02:49:11)
Answer: He wasn't killed by the ones chasing him. He was killed by Smiles a Lot.
Question: I, like Marge, don't know much about football. Why is Homer disappointed to own the Denver Broncos team? I know his first choice was owning the Dallas Cowboys, but he seems to especially dislike the Broncos.
Answer: I don't think the writers had anything particular in mind when choosing the Denver Broncos to be the butt of the joke. But I wonder if it's meant to be a clue where Springfield is. But, while this episode did air late 1996 when the Broncos had a winning season, given the amount of time needed to produce the episode, it was written when the Broncos were a mediocre team at best. From '92-'95 they had a 32-32 record and never finished higher than 3rd in their division. And the Cowboys and Broncos are in separate conferences, so they're not particularly rivals. But as Phaneron points out, the Broncos ended up winning back-to-back Super Bowls in the following 2 season after this episode aired, so Homer is a very lucky guy.
Probably also worth mentioning that by the time this episode had aired, the Broncos had an 0-4 record in the Super Bowl, and to this day I believe they hold the record for most Super Bowl losses.
The Buffalo Bills also had an 0-4 record at the time of airing having lost 4 straight years.
The Vikings are also 0-4 in the Super Bowl. The Patriots have 5 losses (although only had 1 at the time this episode aired).
True, and they would have been a funnier pick for Homer to end up owning, given that two consecutive of those four Super Bowl losses were to the Cowboys. Although Homer fantasizing about being John Elway in the episode Cape Feare makes his disdain for the Broncos rather funny.
Question: Since the new film "Spider-Man: No Way Home" establishes that the MCU, the Tobey Maguire Spiderman trilogy, the two "Amazing Spider-Man" films and these "Venom" films all exist in the same multi-verse, could Tom Hardy's Eddie Brock possibly be native to the same universe as Andrew Garfield's Spiderman?
Answer: Possibly, but very unlikely. The mid-credits scene in Spider-Man: No Way Home sees Eddie Brock telling his bartender that he intends to go to New York to "talk to this Spider-Man guy" (paraphrased), which would suggest he's never heard of Spider-Man before, and if he occupied the same universe as the Andrew Garfield version, he would definitely know who Spider-Man is, not least because Eddie is an investigative journalist, and Spider-Man would undoubtedly be one of, if not the most, famous persons on the planet.
Answer: No, it's established that Tom Hardy's Venom is in a universe of his own. The mid-credit scene of "Let There Be Carnage," shows him jumping into the MCU and seeing Spider-Man for the first time. At the end of "No Way Home," he wants to go to New York, but is pulled back, but leaving a piece behind. Somebody will be Venom in the MCU, maybe rich kid Eddie Brock, his arrongance would be perfect for Venom.
Venom, as in the symbiote, knows who Spider-Man is and has been to multiple universes. It's Eddie Brock that seems unaware of Spider-Man. Although there was that "incident at the Daily Globe", which in the comics is what started Brock's hatred of Spider-Man.
Answer: I agree it's unlikely he's in the Garfield universe. At the time of the film, Tom Holland was already Spider-Man. It would be different if this Venom film came out before 2016. But the Symbiote has been to other universes in the multiverse as explained in "Venom: Let There Be Carnage", so it's possible it's been to the Garfield universe and could be the same one from the Maguire universe.
Question: In the beginning of the film, the sea monster thing was mistaken for a level 10-11 earthquake. If it was that powerful, wouldn't it be creating tsunamis? The same thing with their thermal energy core that Sarah blows up. Wouldn't it cause a tsunami? I don't really know geology very well so sorry if this is stupid.
Question: McElroy is gutshot at close range. Operated on w/ rusty pliers, no drugs. Minutes later he walks around, and next day seems fine as he rides in a posse. Totally impossible! Shouldn't he be dead?
Answer: Obviously. But to quote Josephus, movies is magic.
Question: How did the police not come across the fact that Nichols drove Richard's car, meaning he had access to the keys to the house or that a phone call was made from the car while it was in his possession? Surely this would have been known or mentioned to the investigators since they had a timeline of Richard being at the fundraiser?
Answer: Yes, but as is shown in the film, the police investigation was incompetent at best. They decided very early on that Richard was guilty, and did only the most rudimentary of legwork to prove their theory, while not following up on leads like this one that would just muddy the waters. Definitely a misstep on behalf of Richard's defense not to bring it up at trial, of course.
For sure, the Chicago PD thought they had an easy open and shut case and did no real investigation. That's why they are still mad at the end because they were jerks who didn't want to admit how lazy they were.
Question: Why does Brad take the blame for Charlie for shooting April with the slingshot? If he tells dad that Charlie had done that, he would've told him it was an accident.
Answer: Charlie had become a chronic drunk and the town considered him a crackpot with his claims about alien abductions being foretold through his dental work. Even though it was an accident, he could have been declared incompetent and a danger to himself and others; he possibly could have been involuntarily committed. Brad is protecting him.
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Answer: It was probably to check that she was all right before tending to Ron. She had been slung around quite a bit by the Whomping Willow before being tossed into the tunnel. She likely had some cuts and scrapes. She is wearing a bandage on her hand.
raywest ★
Should they not have tended to Ron first though? His injury was more severe.
From what I can see through the jumbled, flashing images, it looks like Hermione is in the infirmary before Ron. He is probably being assisted off-screen, then later is transferred to the bed, where we see him with his bandaged leg. Also, as he could not walk, transporting him from the Whomping Willow back to the castle would take longer. Hermione probably went on ahead and was seen first. There may also be a different treatment room he was first taken to.
raywest ★