Question: In the scene where Jessica Rabbit performs, when she's interacting with different objects in the room, such as the cloth napkin on Mr. Acme's table (to polish his bald head) and Eddie Valliant's tie and coat, how did they accomplish that if Jessica was drawn on the film later (so I've been led to believe is the process with cartoon/reality movies). Did they actually have a stand-in/actress that they drew over?
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Question: This is more for the book than the movie, but how was Rue able to enter the arena with a "homemade" sling shot if no weapons could be taken in there?
Chosen answer: The tributes could not take anything in with them, but the arena is filled with different types of weapons and tools, if they can get them. Rue was clever and agile, and she could have found or stolen the slingshot or the tools with which to make one. Also, anyone, for a price, can send "gifts" into the arena to sponsor a favorite tribute.
Answer: In the book Rue never received any gifts she only grabbed a few things from the cornucopia so the slingshot must have been one of them.
Question: I'm surprised no one has asked this question. The whole tense moment during the final battle is someone making it safely down the trench to shoot the exhaust holes and destroy the death star. Besides dramatic effect why would they all start from so far away?
Answer: It's explicitly stated that the targeting computers will have difficulty targeting the small exhaust port. The long approach was to give the computers time to make their calculations as accurate as possible.
Chosen answer: The trench near the exhaust port is protected by laser cannon batteries. To come in below them, the trench run has to be started from a long distance away.
Question: Twice in the film, Bumblebee is shown turning around and a close up of his license plate is show, reading 900 STRA. Is this a reference to anything?
Chosen answer: There is no reference. 900 STRA was just the number plate of the car he adapted from.
Question: If Myers switched with the paramedic (as shown at the start of the next movie) and the medic couldn't speak because his larynx was crushed, why didn't he take the mask off to show Laurie it wasn't Myers? At the end you can see that he was able to have full use of his arms and hands when he got out of the body bag, then got up after he got hit by the van and when he was pinned he raised his hands to her.
Chosen answer: There is no answer to that. Its simply bad work by the writers. They never tried to explain that. You could perhaps assume shock had prevented the paramedic from immediately taking the mask off. Unlikely though,.
Answer: Because they didn't think there'd be another movie, as this one appeared to be Myers' swan song, as it should've been.
Answer: And seriously, only a Michael Myers could survive all of that trauma. It was a Hollywood ending that could go either way and if the ratings and the income was savory enough, the paramedic dies! So yes, maybe this paramedic was a Myers relation.
Question: At one point Rita says she "had it and then lost it." How does she know she became mortal again? The only way Cage knows he's immortal is by dying and then waking up again.
Question: When Prime leads the Dino bots into battle with the prototypes, how do the Dinobots know not to attack the Autobots or how to distinguish between them and the prototypes?
Chosen answer: Easy answer, the prototypes are shooting at them. It's easy to tell who the bad guys are.
Question: How exactly did Optimus wind up in a beat down theater in Texas? Didn't they say the ambush that he escaped from was in Chicago? If he was hit by the missile there, or wherever it was that he was hit, how did he get to that theater in the middle of Texas and some how wind up inside. It seemed by how he reacted when he was revived that he was still in the heat of it when he went unconscious from the attack, and didn't get to the theater after the fact to just fade away. So how?
Chosen answer: The battle that lead the government to hunting all transformers was in Chicago, but the incident that took Optimus out of commission was not. He'd been on the run for however long, even changing his appearance to avoid detection, when he was ambushed. Wounded, he snuck into the theater to hide before transforming one last time into vehicle form at which point he basically passed out, lost consciousness, or whatever it is robots call it when they involuntarily shut down (stasis). His aggressive reaction upon waking is simply down to his instinctive warrior reflexes immediately kicking in. All humans are a potential threat to him now, so he reacted accordingly in an instant.
Question: When the movie first came out, there was a whole different song playing near the end when Mark and Stacy see each other in the mall. In more recent years, "So In Love" is the song playing whenever this scene is shown. Why did the music change over the years? (I believe the song is different now in the swimming pool scene when Mike and Mark go into the pool from what I remember too). Anyone agree with this or have an explanation?
Answer: From what I can gather, "So Much in Love" by Timothy B. Schmit was in the original release of the film, but due to licensing rights issues, home video and cable TV versions of the film replaced this and two or three other tracks. For the 1999 DVD release, the rights seem to have been renewed and the soundtrack matches the original theatrical release.
Question: Why did Kurt Russell sound the alarm when the thing was attacking the dogs? He was nowhere near the area and could not see what was going on. Also before he pulled the alarm, the sound he would hear was too faint to think something was wrong.
Answer: Remember that he'd just spent the whole day investigating how something mysterious and horrible destroyed the Norwegian camp, so he's already in a spooked state of mind. Hearing the dogs screaming at night is already unusual on its own, and also reminds him how this whole episode all started with a crazed Norwegian trying to kill a dog. Deep down he knows whatever happened to the Norwegians is now starting at their own camp.
Chosen answer: He sensed something was wrong and wanted as much help from the others as possible.
Answer: Having investigated the Norwegian camp, he could have conceived that the use of fire would be helpful. As such, he would need fire extinguishers after combating whatever the thing might be with the flamethrowers. It could have been foresight on his part that by ringing the fire alarms, somebody was more likely to bring fire extinguishers with them, thus allowing better control of the fire.
Question: If Binx could talk the moment he became a cat, why didn't he talk to his dad?
Answer: Notice that Max, Dani and Allison can only understand Binx after Max lights the black flame candle. Max is fulfilling a centuries-old prophecy and therefore is becoming part of the same magic that was used to curse Binx. Binx does try to talk to his father right after the Sanderson sisters are hung, but it only comes out as meows.
Answer: Back in the 1600s in Salem, cats were considered to be servants of witches and were killed if caught. If Binx tried to talk to his dad, his dad would most likely believe that the cat was possessed by a demon and would have definitely killed him, not knowing that he had killed his own son.
But his dad couldn't have killed him because of the immortality curse.
Answer: It's never really explained and most likely a missing plot hole. Binx might have felt guilty for nor being able to rescue his sister.
Question: Two questions: 1. Robbie joins the army to be released from prison. Does that mean he would be a "free man" if he had returned from the war? 2. Wouldn't Robbie, as a healthy young man, be conscripted into the army anyway sooner or later?
Answer: Remember that Robbie wanted to become a doctor, and had he been able to achieve that dream he most likely would not have been drafted into the army as a combatant.
Answer: 1. Yes he'd be free once the war has ended or if he's injured and hospitalized. Also, the release form might have specified the duration of service. 2. Yes he would have, but he was already in prison before the war was imminent.
Question: Why can't Jedi get married or have children?
Chosen answer: Because this leads to them being attached to someone. A Jedi is supposed to be selfless, put others before themselves, and act on the behalf of maintaining the order and balance of things. A Jedi must be willing to throw themselves in harm's way for the betterment of the galaxy and must act in a way not thinking of him or herself. If a Jedi is married and or has children, they suddenly will have other priorities. He or she may be reluctant to act in a dangerous situation in fear of death, and leaving behind loved ones. Or as is very likely the case, enemies of the Jedi getting a hold of the Jedi's family and using them against them.
The Hand That Rocks the Wheelchair - S9-E12
Question: In the beginning of the episode Lois says Meg looks like Rachel something in a condescending way. Was there another joke there?
Answer: The "Rachel something" Lois was referring to was Rachel Maddow. Also, Lois never said Meg looked like Rachel Maddow, she said Bonnie said she was pretty and Meg asked how it came up and Lois replied "Oh! You know, we were talking about pretty people, and I said Rachel Maddow and she kind of took the baton from there and said Meg Griffin". The joke here is that later in this scene, Meg asked who Rachel Maddow was and Lois replied "A model", however, Rachel Maddow isn't actually a model, she's a presenter, political commentator and author. Lois was just trying to get Meg to take care of Joe and Susie for the week.
Question: If Meatloaf is shot in the head, how would they get him back to the house and why would they bother? Did the security guard just leave after he shot him?
Answer: Most likely they either went back afterwards or chased the security guard off somehow. It's also possible with all their inside connections that they stole the body from police custody.
Question: I'm wondering why Evan's necklace was never mentioned at all during the film? He wore it during every stage of his life, showing that it must have been very important to him, yet it was never talked about. I'm guessing it was a gift from his father before he was institutionalized, I just find it strange that they would leave something like that out.
Chosen answer: They expect you to make the connection on your own. His necklace is the necklace of Saint Christopher. A martyr who "the world gave a heavy burden" by carrying Christ across the river. Originally, Evan's name was going to be "Chris Treborn" aka Christ Reborn and was going to martyr himself in his mother's womb (this can be seen in the director's cut). Eventually, this all was changed, but the character still continues to carry the burden of the world on his shoulders like Saint Christopher.
St. Christopher is also the patron saint of travelers which is a good connection as well because he is traveling through time.
Question: Topanga said in one episode that she has a weird middle name, did she ever say what it is?
Answer: Topanga's middle name is never specified. Considering her sister's name is Nebula Stop-the-war Lawrence, Topanga's is probably something equally unusual.
Question: Before Alan takes the sword to help Peter, he says something that I can't understand. I can't check subtitles, as I have the VHS of the movie. What is Alan saying?
Answer: He is saying "Sorry, Angus" to his ancestor who founded the town Allen lives in, Brantford, New Hampshire.
In that same scene, after breaking the case, grabbing the sword, and removing it from its sheath, Alan says something additional which I could not fully make out. His statement sounds like he is surprised in some way by the sword. All I could make out from what he said is "all this time." Not sure if that is what he really said, but was curious if you knew what he says and if there is anything he may be reacting to. Thanks.
He says "whoa" when the sheath comes off. Then he says "harvest time."
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Answer: According to the Disney Wiki (http://disney.wikia.com/wiki/Who_Framed_Roger_Rabbit) : "During production, one of the biggest challenges faced by the makers of the film was how to get the cartoon characters to realistically interact with real on-set props. This was ultimately accomplished in two different ways. Certain props (such as Baby Herman's cigar or the plates Roger smashes over his head) were moved on-set via motion control machines hooked up to operator who would move the objects in exactly the desired manner. Then, in post, the character was simply drawn 'over' the machine. The other way of doing it was by using puppeteers. This is most seen in the scene in the Ink & Paint club. The glasses held by the octopus bartender were in fact being controlled by puppeteers from above, whilst the trays carried by the penguin waiters were on sticks being controlled from below - both the wires and the sticks were simply removed in post and the cartoons added in." While Jessica's performance model is credited as Betsy Brantley, it appears she was the basis for the animation, rather than actually being present on-set.
Michael Albert