Question: So was there a point to the dressing room scene between Amy Adams and Gal Gadot? She trying to seduce her to get info or was this merely an excuse to get these two half nude?
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Question: The movie never provides a explanation for why the cops don't go in the Warzone area. Why don't they?
Answer: These areas are controlled by gangs and it is implied the police won't enter out of fear.
Question: In the hotel room scene when the landlord/manager knocks on the door and asks if he has a dead cat in the room, why is the Terminator sitting down on the bed, especially turned away from the door? If the Terminator is an indefatigable machine only resembling a human on the outside, why would it ever be seen in a relaxed pose at all, and ignoring the sole point of entry to the room it's in?
Answer: I wouldn't call him sitting a "relaxed pose." The scene is brief, but at the time he's looking through Sarah's address book but we don't know what else he was doing. We see him sitting while repairing his arm and we see him sitting when making a telephone call. So he may have been doing other things that he couldn't do standing. As far as ignoring the door (which wasn't the sole point of entry since we see him go through the window), as a terminator machine, he doesn't really have to be on alert for an attack like a person would.
Answer: The T-800 is designed to blend in with the human race. As such it will act as a human does with the aim of maintaining its cover. Another example is why do they find clothes? Sure a naked man walking round is going to attract attention of police but they are capable of dealing with such situations.
That is true when the Terminator is among humans but in this scene it is alone in the room. The question remains why it sits, looking away from the door, if there is no-one else there.
The answer provided still works, based on how the Terminators are portrayed in the sequels. They will gradually learn more and more human behaviors and adapt them to their programming. In this case, sitting down when idle. Another example is the T-1000 giving a very human-like puzzled expression when he notices the silver mannequin. Also, the T-X in Terminator 3 smirks at numerous points throughout that movie when things go her way. None of these behaviors are done for the benefit of "blending in" and appear to simply be learned behaviors.
Answer: You're right, it doesn't make sense for the Terminator to sit facing away from the threat. In the second movie we see the Terminator standing the whole night in the same position, looking outside. It seems more verisimilar, except for the gun on his shoulder pointing back.
Question: Gaston sings that he ate eggs to help him get large. Why didn't he say meat? Was he vegetarian? Was Disney deliberately supporting vegetarianism/respecting vegetarians? Are there any historical circumstances that I'm not aware of? Or am I just overanalyzing this matter?
Answer: Eggs are full of protein. Eating a lot of eggs is an excellent way to bulk up and build muscle mass.
Eggs are not good for you if you eat too many of them.
To quote Stephen Fry: "Well of course too much is bad for you, that's what "too much" means. If you had too much water it would be bad for you, wouldn't it? "Too much" precisely means that quantity which is excessive, that's what it means. Could you ever say "too much water is good for you"? I mean if it's too much it's too much. Too much of anything is too much. Obviously." That aside, while it used to be believed that the cholesterol content of eggs was a health risk, more recent studies have shown that dietary cholesterol doesn't affect blood cholesterol levels for most people. As such there's no real maximum limit on egg consumption beyond the aforementioned "too much of anything is too much".
I don't think Gaston cares much about his cholesterol.
They didn't even know the word.
Answer: While I was waiting for this question to be accepted, I found the answer to one of my questions myself. Gaston is indeed not vegetarian, considering he mentions his hunting trophies during the aforementioned song and earlier in the movie, he tells Belle to imagine him roasting his kill on the fire place.
Question: If the village is isolated, how do they get their linen and dress from time to time? Like could a one village have a blacksmith, a weaver, a shoe maker, and all?
Answer: It's implied that the villagers provide whatever they need for themselves, such as raising sheep for wool and growing cotton for weaving cloth to make clothing, tanning leather to make shoes, etc. The elders made a pact that they would have no contact with the outside world for any reason, as was seen when Lucius Hunt needed medical treatment. Ivy was finally sent to fetch medicine, but only after considerable conflict among the elders and at risk to her. Presumably most supplies, raw materials, equipment were brought with the elders when they set up the village. It is rather unrealistic that they could be as skilled and self-sufficient to the degree they were, but the film employs a "suspension of disbelief."
Answer: The elders of the village have contact with the outside world, albeit minimally, in order to purchase/obtain such articles that they can't manufacture themselves.
There is nothing in the film suggesting this arrangement.
Question: I am wondering what style of hat Danny Reagan wears in the show?
Question: Apparently Mark Ruffalo has given spoilers in the past. What spoilers were they?
Answer: He mentioned in an interview that a lot of characters were going to die. Recently on the Graham Norton Show he revealed that he had his phone on and was live streaming the premiere of the movie towards all his followers, by accident. Only for 10 minutes or something and only audio.
Question: How could Eric and Godric be hunting the werewolf pack in 1945 without Pam, who we later learn is made in 1905?
Answer: Pam doesn't have to be with Eric 24/7.
Question: Was it set in WA? This might explain why the cricket was on the TV before the kid left for school. If set in NSW/QLD (as they drive down to Sydney) it must have been an rare start time for the cricket. (00:05:02)
Question: How was Pamela Isley aka Poison Ivy able to fight Batgirl with martial arts-like skills towards the end of the movie? Pamela was a doctor and I highly doubt given her obsession with her research she had the time to take martial arts lessons in her spare time, if she had any during her stay in South America. Even after she transformed into Poison Ivy, her transformation could not have given her martial arts skills since her powers are based on plant abilities.
Answer: There's no way of knowing whether or not she "had the time" to study martial arts. Regardless of her studies, she could have made time to pursue this as an extra-curricular activity. Universities can have classes, clubs, competitions, and student groups for martial arts on campus that anyone can participate in. She may also have been studying it since childhood. She was also a botanist, so even with a rigorous academic schedule, she would likely have more free time than a medical student.
Answer: That and they had to have the women fight in here. I mean they couldn't have the guys hit her now could they? So it was necessary for her to fight competently at least.
Question: This is a two-part question: 1. How does Winona Ryder get hold of the journal of Sandler's uncle? 2. Why'd she dye her hair?
Answer: Babe Bennett stole Preston Blake's journal from Longfellow Deeds. As for why she dyed her hair, it was probably part of her disguise. She was a TV journalist pretending to be someone else (as Pam Dawson) so she could get a story on Longfellow.
Question: When towing the car across the desert, why did Marty keep checking the speedometer? Did he really expect a horse to gallop at 88MPH?
Answer: At that point in the film, Doc and Marty were looking for any possible means to move the DeLorean regardless of how fast it could actually go; while using horses may have been an unlikely option, Doc and Marty were just grasping at straws at that point and were willing to try anything.
But then Doc says that even the fastest horse in the world could only run at 35 mph so why even try it.
Answer: They were using the horses to get the DeLorean from the cave to the town. Why not test the speedo at the same time?
Question: What was the reason behind Quint blowing up the engine? Hooper told him "Don't put that much pressure on it" and he revs it up some more. The shark isn't getting any closer at slower speeds so was there really any need to try and outrun him?
Answer: Quint had become so obsessed with killing the shark that he was completely irrational. He was stubborn, combative, single-minded, and determined that no-one knew more than him about catching sharks and was not going to listen to anything that Hooper or Brody said or did, to the point of sabotaging his own boat.
Question: Why did they release the baby Rex back to the parents? Wouldn't it have made more sense to keep the baby in the trailer with them? The parents won't attack the trailer in case it hurt their kid! They had a phone inside, they could have phoned Eddie who could have come and tranquilized them, then whilst they are asleep they could have left the baby behind and hightailed it out of there.
Answer: There was no reason. It's just to serve the movie's plot. Being as T-rexes are animals, it's a stretch to assume that they would not attack the trailer because their offspring was in it. The movie took extreme liberties about the animals' intelligence and was anthropomorphic, giving them unrealistic human parental feelings and actions.
Question: Towards the end of the movie when Kyle Reese dies, what will happen to him, considering he's from the future and there is no way he could be identified?
Answer: He would likely be considered as a "John Doe," with some identifying number, then buried in a modern-day equivalent of a "Potter's Field," where unknown persons are buried. Sarah Conner could have supplied Kyle's name, though this could not be verified and he'd still be considered as an unknown.
Answer: Also, in the sequel when the T-1000 looks up John Connor's info on the police car's computer, John's father is listed as "unknown', so any info Sarah had given the police was apparently disregarded.
Answer: He'd be treated like any other John Doe corpse.
Attack Of The Mutant (2) - S2-E3
Question: How are the comics still being written? The Masked Mutant is dead and it's kind of obvious that the Galloping Gazelle is going to retire, so how is Skipper still receiving them? Also, how did he change into a superhero?
Answer: Whoever created the Masked Mutant comics would still be around to create other comics even with the Masked Mutant dead and the Galloping Gazelle retiring, so Skipper could still receive different comics with all new characters. When Skipper goes into the Masked Mutant's lair, he is hit with a beam of light that turns him into a comic book character so after saying that he's the Colossal Elastic Boy, he turns into the hero at the end of the episode.
Question: How do the "door transporters" outside Starfleet work? People just seem to walk straight into them and vanish, a) faster than normal transporters, and b) without any indication they're controlling where they're going. There's no sign saying where each door connects to, are people just hoping for the best?
Chosen answer: My guess is that they go to 1 place and they can't chose where to go. Like a highway without exits, you just end up where the highway stops.
Answer: I assume they get sent directly from those 'Doors' to a Central Transporter hub, from there they can request to be beamed to their desired destination.
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Answer: It was definitely meant to be a sexy scene, but it isn't pointless. The two were genuinely bonding during that scene and the gradual friendship built between the couples forms a major part of the plot. The sexiness between them also sets up the scene later in the film where the two kiss and Karen discretely passes a knife to Natalie. As an aside, Karen isn't played by Amy Adams, she is played by Isla Fisher. Amy Adams and Isla Fisher share a striking resemblance and are constantly mistaken for one another.
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