Sammo

Continuity mistake: When the boat approaches the Karnak, look at Salome Otterbourne; she is standing up in the shot from the right of the boat, she is one of the last ones to do that in the shot from the other side. (00:34:45)

Sammo

Inspector Kenmochi the Murderer File 1 - S1-E19

Continuity mistake: Miyuki listens all dreamy to the guy who nearly killed her. When he says that he's been in America the past years, she joins her hands together; she does it with the pinky finger of her right-hand being the bottom finger, but in the next close-up the bottom finger is her left pinky. (00:03:40)

Sammo

Continuity mistake: Mr. Ferguson and Rosalie Otterbourne say goodbye to Poirot; Ferguson is holding a suitcase in his right hand, but when Poirot says one last thing to them, the suitcase disappeared mid-stairs. (02:17:15)

Sammo

Continuity mistake: In the scene with Poirot freaking out about the 7 asymmetrical pastries, in the side view Poirot's water glass is far away from him, past the bottle. It is closer to him, to the other side of the bottle, in the overhead view. (00:12:15)

Sammo

Continuity mistake: When Poirot shouts at the ribald kite-flier, he stands up from the chair with his arms close to his body. View from behind, and his arms are wide. (00:17:10)

Sammo

Continuity mistake: Poirot and his brothers in arms are rejoicing after their victorious assault to the bridge. The guy who doubted him gives him a pat on the back. The other soldier switches hands on his rifle, and repeats the switch in the next shot. (00:04:55)

Sammo

Death on the Nile - S9-E3

Continuity mistake: Poirot gnaws the pearls Cornelia returned and deems them to be fake. He indignantly tosses them on the desk, where they show up in the following shot neatly arranged. (01:05:15)

Sammo

Continuity mistake: Inside the saloon, Poirot says he knows who killed the three victims. Maggie Smith is looking at him, her left forearm raised. In the reverse shot, her arm is down. (01:52:55)

Sammo

Continuity mistake: The 'moray eel' on Poirot's plate is shown in close-up. The garnish is on the left side of the plate. In the wide angles though (and at one point Poirot lifts the plate, so we get a good view) the plate is turned differently, the garnish being on the side opposite Poirot's seat. (01:43:00)

Sammo

Continuity mistake: Poirot uncovers the dead body in the ice cellar; he does not touch the body anymore, but the hair is scattered on the table in a different position when Race retrieves the pearls. (01:36:45)

Sammo

Continuity mistake: Poirot enters his bathroom to freshen up. There's a brush on the left side of the sink, placed on top of a box. When the cobra sticks its head up, the brush rests directly on the sink. (01:25:40 - 01:26:05)

Sammo

Continuity mistake: When Poirot and Race enter the doctor's room to check on Simon Doyle, they find him unconscious on the bed. There's a shelf behind the bed with a few books and amongst them the cable of the bedside lamp switch, all tangled up. They revive Doyle, and the cord with its switch dangles off the shelf, on the pillow. Throughout the whole scene now, the cable and switch keep getting on/off the shelf. (01:19:50)

Sammo

Continuity mistake: Jacqueline moves towards Poirot at the end of the interview with Bowers; her vest is open in the first shot, but in the second, consecutive shot she has her hand in her pocket and her other arm across to keep it closed. (01:17:40)

Sammo

Continuity mistake: When the doctor leaves Linnet's room saying he's outraged by Poirot's allegations, the cabinet to the left is closed, but in the reaction shot on Poirot and Race (and in the rest of the scene) the cabinet is open. (01:11:35)

Sammo

Continuity mistake: In the longshot where the maid approaches Mrs. Doyle's cabin, the shadows of the deck above reach just the highest part of the starboard cabin doors. When she shouts and runs to get help, the shadows cover the whole louvered top half of the doors. (01:06:50)

Sammo

Continuity mistake: When the doctor creepily shuts the door behind him to have a tete-a-tete with Linnet, in the side view his hands are in front of his belly, in a stance entirely different from the front view where his arms are down his sides. (00:53:25)

Sammo