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Peril at End House - S2-E1

Continuity mistake: During the sentence when Hastings tells Poirot he's got "No imagination at all", the lady sitting behind the Belgian faces the other way between shots. (00:02:25)

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Continuity mistake: First meeting with Lazarus; the pastor sits down, his wife is just about to, and Verdean's assistant has placed her bag on the table. Next shot, pastor and wife seated, but Miss Jensen is still just only then approaching the chair and putting the bag down. (00:08:25)

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Continuity mistake: The gang Bo is reluctantly part of gets to Maurice's crib where he is playing cards with his homies. The red jacketed one is defiant, and grabs a handful of red and blue chips in front of him tossing them in Angelo's face. But if you check out of the table in the wide shots before this occurs, you'll notice that red chips were never in the stack in front of him to begin with. (00:19:05)

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Continuity mistake: Looking at the security monitor as he talks to the young Maria, Kiril has a balloon between his hands that is balanced differently between shots. (01:26:40)

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Peril at End House - S2-E1

Continuity mistake: When Japp talks to Poirot and Hastings about the gallery troubles, the peppermint rock candy he is waving is wrapped differently between shots. (01:13:40)

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Peril at End House - S2-E1

Continuity mistake: Poirot meets Hastings about to go play golf with a Stiffie. Hastings holds his hat by the brim, which turns into the crown in the reverse shot. (01:02:05)

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Continuity mistake: Katie enters the room where Gail is posing Indian-style. Lucy Hale's hair changes position in front of her shoulders repeatedly between shots. (00:02:25)

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Continuity mistake: Angela brings Katie the gift box; when she 'ta-daa!'s and Katie reaches for it, it's turned 180° compared to when Angie put the box on the bed. (00:29:20)

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Continuity mistake: Victor takes off his headset when Bev and Katie enter his room, hands off; in the following shot he is touching the left headphone. (00:58:10)

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Continuity mistake: Katie puts Angie's sari back in the box twice in different shots. It also sticks out in different ways the first time around. (00:29:40)

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Continuity mistake: The protagonist dismounts from the bed, grabs a CD, turns it around. Cut, and the CD is held differently and turned the other way. (00:02:00)

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Continuity mistake: Eddie is taken into the staff room to be introduced to the team and on the wall there's a big digital clock, making rather obvious the various takes combined in editing, creating a bunch of errors in continuity. When Vance starts mocking Mason, the clock is on 8:48, going back to 8:47 when Mason stands up from the chair. Ruby enters the room and the clock flips from 8:47 to 8:48 at the very first cut. (00:15:00 - 00:16:00)

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Continuity mistake: After display the taser, Vance gets the uniform for Eddie. As he brings it to him, at the edge of the frame Mason turns around in his chair, casting an annoyed look around. He repeats the gesture in the following shot. (00:16:55)

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Continuity mistake: It was not a suicide attempt after all, and much relieved, CC grabs the bag of groceries to bring it inside the kitchen. He is carrying the bag to his right with the torso tilted, but in the reverse shot here he is, tilted in the opposite direction, the bag weighing against his left side. (01:37:45)

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Continuity mistake: During the sequence when CC and Fran are playing gin with her recovering from the sleeping pills, close-ups of Shirley MacLaine have hard light come from her left side, while the wider shots with Lemmon in it have light coming from (her) right side. (01:25:00 - 01:28:10)

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Continuity mistake: To revive Fran, Dr. Dreyfuss slaps her repeatedly and breaks capsules for her to smell. One of the capsules is on the armrest of the chair, and it is positioned and tilted differently each time a cut intervened with Jack Lemmon going to the windows and back. (01:09:00)

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Continuity mistake: During the second round of drinks, the amount of ice left in the frozen daiquiri changes depending on the camera angle. It's poofy and opaque in the side view, and deflated and almost fully transparent in the tighter close-up on Shirley MacLaine, with an intermediate angle and state. (00:38:10)

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Continuity mistake: In the first elevator scene, when Shirley MacLaine calls the floor number (19), between her, Jack Lemmon and the wall there are a man with a fedora reading the New York Times, and a woman with a turban. When the elevator doors open and people come out of the cabin, the woman is nowhere to be seen. (00:17:05)

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Continuity mistake: CC opens the door to Mr. Kirkeby who is back for the galoshes; you can see Jack Lemmon casting a pronounced shadow over the light switch by the door in the close-ups, but in the wider shots of the room Kirkeby is searching and then exits, that shadow is not showing, just one on the door itself. (00:06:45 - 00:07:30)

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Continuity mistake: In the first movie, it was explicitly stated that Reacher was sort of a ghost who was born in an army base somewhere and spent his entire career abroad; he entered United States "for only the second time in his life" (the first being West Point), to disappear living a life off the grid. In this movie, it turns out he had a cozy office (with the same desk as Major Turner's), and was stationed in DC.

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