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Continuity mistake: During the initial standoff between Ben Brigade and Billy John, the natural light varies in the different camera angle - just look at the way the sun shines on Randolph Scott's jacket.

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Continuity mistake: During the final fight between Street and Chaney, Chaney's shirt rests on the car's front in different ways between shots; you can tell for instance when they struggle by the car (a moment before the shot when Speed yanks Poe out of the way). The shirt shows its buttons; a minute later they are back fighting by the car and the shirt is folded the other way. (01:24:45 - 01:25:40)

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Continuity mistake: When Speed tells Gandil that he's always going to smell like fish, the moustached henchman in the background is holding the coat with one arm, but at the cut he is holding it over both crossed arms. (01:21:50)

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Continuity mistake: Chaney walks away from Street, Gandil and Jim Henry turning down the fight offer; the balls on the billiard table change positions between shot and reverse angle. (01:10:35)

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Continuity mistake: When Speed proposes a toast to "The Napoleon of Southern sports"; Bronson is looking at him with his shoulders straight, but the next shot shows him leaning back to the railing. (00:55:30)

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Continuity mistake: The good guys are celebrating at a club after winning the fight with Gandil's man. Speed says "Hey, Chaney." Bronson and Jill Ireland are sitting down normally, but in the reaction shot on them, Jill Ireland suddenly has her arm on the back of the seat. (00:54:35)

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Continuity mistake: When Gayleen looks at Speed gamble away his winnings, her hand is on, then off the table. (00:56:50)

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Continuity mistake: When the commissioner - who somehow delivers adoption papers too - hands the documents to Chin's cousin, she holds them in her left hand, which is entirely free in the next shot. (01:20:15)

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Continuity mistake: Diana and Chin are chained up in the back of the van. She begs him to leave the child alone; the position of her hands changes entirely between shots. (01:13:20)

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Continuity mistake: At the double murder scene, the commissioner asks the eyewitness about the van. In the background, a policeman opens the trunk of the car, fully. He is back in the process of opening it in the next shot. (00:44:15)

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Continuity mistake: After the disco scene, the protagonist is back home. She receives a phone call from Jacques and meets him. When she has a wine glass in hand, the glass switches hand from left to right in the cut when she sits down.

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Continuity mistake: The police inspector threatens Diana implying that for a blind woman like she is, life in prison would be a nightmare. He does that casually leaning against the wall with his hand held up high above his head. In the reverse shot, his hand is chest-high. (00:38:15)

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Continuity mistake: The police shows up at Diana's door looking for the kid. As Diana opens the door, look at her left hand getting on the top of her cane. And yet, in the reverse shot the right hand is there, the left arm is down her side. (00:37:40)

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Continuity mistake: Diana's fingers are in a different position on the phone between close-up and wider angle when she realises that Chin crept back in the kitchen as she was trying to speak with the headmistress. (00:32:30)

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Continuity mistake: When the kid is eating cereals in Diana's kitchen, the glass is touching the tablecloth in the first close-up, and it is not in the wider camera angle. (00:31:35)

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Continuity mistake: Diana gives her business card to the nun, who puts it under a register on a table. That spot is under direct sunlight in the wider angle, in the shade in the close-ups. (00:29:35)

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Continuity mistake: Rita and Diana are sitting on a park bench. Diana is alarmed by the presence of a white van. She uses her white cane to stand; her hand is on very top of the cane in one shot, and lower in others. (00:25:45)

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Continuity mistake: Towards the beginning of the movie, Diana is chased by the killer in a white van. They are inside an underpass, but there's a rear mirror view that shows a bus stop and trees. (00:16:05)

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Continuity mistake: Diana's handbag is in a different position under the couch when she is fighting her violent client. (00:14:25)

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Continuity mistake: Diana is meeting a client who is really into fisting, and does not take nicely her refusal to be on the receiving end of his knuckles. As he shoves her to the floor, her hands are plainly on sight, and they hold nothing, but conveniently when she is on the floor in the next shot she is holding the mace spray can. (00:14:15)

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