Sammo

Death on the Nile - S9-E3

Continuity mistake: Poirot gnaws the pearls Cornelia returned and deems them to be fake. He indignantly tosses them on the desk, where they show up in the following shot neatly arranged. (01:05:15)

Sammo

Death on the Nile - S9-E3

Plot hole: Much like the 1978 movie adaptation, in this version there is an absurdly short time elapsing between Linnet leaving the bridge table and the incident and murder; it's barely two minutes when she'd have to go to her cabin, do everything a proper lady of the time would do to prepare to go to bed, and fall sound asleep. That's because the witness character (Cornelia Robson here) in the novel is supposed to be droning about her boring life for a long time, but there are no gaps in her speech to imply that a long time passed - at most there's the waiter bringing a drink at the very beginning who sorta comes out of the blue.

Sammo

Death on the Nile - S9-E3

Factual error: The night of the murder, before Jackie has her nervous outburst Ferguson is reading a magazine. It's Life magazine from January 1937 with FDR on the cover. The episode is set in January 1936 (as you can see from the date on Pennington's ticket).

Sammo

Death on the Nile - S9-E3

Factual error: When Jacqueline surprises the Doyles revealing her presence on the boat, she was initially covering her face with the December 1938 issue of Vogue. The story is set in January 1936.

Sammo

The Double Clue - S3-E7

Plot hole: Since the Countess was the only person to be at every dinner when the jewelry thief was in action, it takes a very special kind of idiot to not identify her as the culprit. Japp here did not need at all Poirot's acumen, but simple due diligence cross-checking the guest lists, something there is absolutely no reason he wouldn't do, and yet she is never treated as a special suspect. Also, Japp's job is described as being in jeopardy after the first 3 thefts, a 4th happens, he does not quite solve it (but retrieves at least the necklace), but he's off the hook despite the thief being unidentified, at large and with still the jewelry stolen from the first 3.

Sammo

The Tragedy at Marsdon Manor - S3-E6

Factual error: It is well established that the episode takes place in 1935 (Nairobi Daily Press dated Saturday July 27 1935, the poster in town advertises the meeting for "Today, Wednesday September 4th", day of the week consistent with the year), but Poirot and Hastings are stopped on their way to the train station by a Wolseley Series II - 14/56, a model that entered production in mid 1936. (00:17:00)

Sammo

The Double Clue - S3-E7

Factual error: At the party, Marcus Hardman tells Bernard that the Countess recently arrived from Russia, and she describes herself as being in exile. Which made sense in the source material, set right after the Russian Revolution, but less sense in this adaptation, set in the mid 1930s. If she stayed in Russia that long, she would have spent 15-20 years with zero privileges from her rank at that point, and nothing from her old wealth, seized by the communist government.

Sammo

The Tragedy at Marsdon Manor - S3-E6

Plot hole: The murderer is in possession of chloroform from the doctor's cabinet, but there's no realistic timeframe when they could have done it, nor any explanation why the doctor notices it completely at random when Poirot visits, just approaching the medicine cabinet, something he routinely opens and looks through during the day.

Sammo

The Tragedy at Marsdon Manor - S3-E6

Other mistake: Investigating Poirot's investigation, the clumsy constable crushes a tiny egg under his foot. Poirot crawls to him and points with his cane at the other eggs in the bush. But he points practically at his shoe, and the eggs are in a different spot to the left. (00:20:10)

Sammo

The Tragedy at Marsdon Manor - S3-E6

Plot hole: The murderer planned everything making it seems accidental. They perfectly managed to fool the coroner and need only to be alone at the mansion to get rid of the murder weapon. So what they do is...they go through great risks to make everyone know someone tried to murder the wife too, making it obvious that there is a killer at large, which only makes the investigation more stringent and most importantly, keeps the police on the premises for surveillance preventing them from disposing of the weapon (like almost everything in this episode's plot it is not a flaw of the original story, but of the dramatization, who added practically every minor character).

Sammo

The Double Clue - S3-E7

Continuity mistake: The Countess arrives at the hotel at the beginning of the episode. In the overhead shot she reaches the top of the stairs with nobody close to her, just the porters behind her, but in the next shot there are other people in the lobby, who at the next cut are even closer to her to fit in frame. (00:02:10)

Sammo

The Mystery of the Spanish Chest - S3-E8

Continuity mistake: When Poirot pulls out of the drill hidden in the handle, he holds it triumphantly in his right hand. In the next shot he mounts it on the handle starting the motion with the drill already in the left hand and the rest of the gimlet in the right. (00:40:00)

Sammo

The Double Clue - S3-E7

Continuity mistake: At the end of the 'lovely day' with the Countess, Poirot stops a cab and opens the door for her. Just before the cut, notice a woman with a white dress and a brown hat crossing the street in front of the taxi. The extra crosses the street again in the same direction when he says "Oui" in the following shot. (00:28:50)

Sammo

The Double Clue - S3-E7

Continuity mistake: During the exhibition of the much acclaimed contralto, at one point it is shown that Lady Runcorn is going upstairs and is looking at the smoking person. Back to the host who is on his own at his table. At the first cut, suddenly there are more people standing in attendance in the background (pretty much everyone was seated earlier) and his glass has also refilled. (00:10:15)

Sammo

The Tragedy at Marsdon Manor - S3-E6

Plot hole: It is revealed towards the end of the episode that the painting Mrs. Maltravers did when the murder took place was not painted that day and that time of the day, because it had the wrong shadows. But we actually saw what was on the canvas when the secretary was leaving to go to the bank, and it was that exact painting in an early state. She also came up with the idea for the murder the night before, making even more unbelievable that she'd just have the alibi painting ready and waiting the morning after. That without mentioning the fact that the murder itself as described is not something that would have required an amount of time needed to make a whole painting, and that she could have finished it later anyway (she gave it to Hastings a day later, after all).

Sammo

The Mystery of the Spanish Chest - S3-E8

Continuity mistake: During the party, the colonel expresses to Poirot his disappointment for the jazz record being played, music "from the inferior races." He puts a tart in his mouth, closing his lips past the piece of fruit. Cut to the wider shot, and he is still holding a tart that sports the strawberry he just chewed on. (00:19:00)

Sammo

The Double Clue - S3-E7

Factual error: Poirot is visiting an art exhibition with the Countess, and expresses his admiration for a painting by Marc Chagall. Amazingly enough, that painting is "Les Plumes en Fleurs", something Chagall will create in 1943, years after the time when this pre-WW2 episode takes place. (00:24:50)

Sammo

The Mystery of the Spanish Chest - S3-E8

Continuity mistake: Poirot enters Japp's office when the inspector is dealing with the tribulations of modern machinery. As Poirot sits down, you can notice the crumpled paper by the phone being different in the reverse shot, when you can also see Japp's hand being at the corner of the typewriter. But he brings it up from his lap in the next shot. (00:38:15)

Sammo

Agatha Christie's Poirot mistake picture

The Double Clue - S3-E7

Factual error: Attention to detail in props is always extremely high in this series, and tubular flashlights have been in circulation since the beginning of the century. However the one that the supposed burglar is holding as they make their way through the top floor of the villa looks perfectly modern and unlike any model compatible with the 30s. (00:10:20)

Sammo

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