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Revealing mistake: During the naval battle, a long rope runs from the side of a burning ship on the left, out offscreen, to keep it steady.

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Revealing mistake: When Mark Antony jumps on the trapeze-shaped elevator, one can see it's Richard Burton's stunt double.

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Funeral at Fifty-Mile - S1-E22

Continuity mistake: Carl arrives at the funeral in his RV and then heads to the house. When he arrives, it's a noticeably different model. The door's moved, the front right window is now segmented, and rails have appeared on the roof.

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Funeral at Fifty-Mile - S1-E22

Other mistake: In the end credits, Jesús is misspelled Hay-Soos, phonetically.

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Armed Response - S1-E20

Continuity mistake: When Jessica limps into Milton's car, she holds onto the door. A shot later, her hand is away, and it's Milton's hand instead holding onto the door.

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Armed Response - S1-E20

Continuity mistake: When Jessica (a stunt double) is knocked down, her left arm is under her body with her bag in front. An instant cut later (now Angela Lansbury), her arm and bag are behind her back.

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Armed Response - S1-E20

Revealing mistake: When Jessica is knocked down by the kids, she is replaced with a younger stunt double.

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Armed Response - S1-E20

Continuity mistake: When Milton picks up Jessica at the airport, her bag is hanging over her right shoulder. A shot later, she is holding it with her left hand.

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Armed Response - S1-E20

Visible crew/equipment: When Milton arrives at the airport, the filming crew is reflected in the glass on the right.

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Continuity mistake: Mark Antony puts his cape over Casio's hands. A shot later, his hands are uncovered.

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Continuity mistake: Mark Antony covers Casio's corpse with his cape except for his feet. A shot later, his feet are suddenly covered.

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Continuity mistake: Mark Antony throws Casio's shroud away, but a shot later it reappears over his feet.

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Continuity mistake: When Mark Antony walks over to Casio's corpse, the shroud covers the feet completely in the wide shot, but not the heels in the close-up.

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Continuity mistake: When Cleopatra's boat arrives, the curtains are opened and translucent. When seen from a distance, they're closed and opaque.

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Continuity mistake: Mark Antony lies next to Cleopatra and asks for a kiss while she holds his jawbone. A shot later, her hand is under his chin. (03:40:20)

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Footnote to Murder - S1-E18

Continuity mistake: The pad where the knife is stabbed protrudes under the writer's shirt.

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Continuity mistake: Cleopatra tosses a cushion for Caesar to kneel. Its position changes between the first and second shots.

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Deliberate mistake: Elizabeth Taylor suffered a tracheotomy while filming the movie. A noticeable scar on her throat appears and disappears randomly during the movie.

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Revealing mistake: The first panoramic shot of Alexandria has a realistic matte painting on the horizon and background, except for the rocks and trees on the left, which are a blatant flat painting. (00:06:25)

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Factual error: A large golden modern mechanical table clock is visible next to Mark Antony, centuries before it was invented. In ancient Egypt, they used sundials and water clocks. (02:31:55)

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