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The Night Demon - S2-E20

Continuity mistake: When the creature paints on the rock, the carving of the word 'TO' changes between the wide shot and the close-up.

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The Night Demon - S2-E20

Continuity mistake: When the creature writes on the rock, the lighting changes between shots - the rock alternates between being in shadow and sunlit.

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The Night Demon - S2-E20

Continuity mistake: Jaime, disguised as the creature, throws powder at Lyle, staining his jeans with a white streak. In the following scene outside the cave, the stain is completely gone.

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The Night Demon - S2-E20

Revealing mistake: When Jaime discovers the creature costume, its eyes and body subtly move, revealing that someone is actually inside.

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The Night Demon - S2-E20

Continuity mistake: When Jaime kneels with the Geiger counter, the position of her feet and the cable around them changes between the wide shot and the close-up.

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The Night Demon - S2-E20

Continuity mistake: At the excavation site, Thomas walks away with the statue, leaving Lyle alone. However, in the close-up of Lyle, Thomas's hand and the statue reappear in the frame. (00:02:43)

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The Night Demon - S2-E20

Continuity mistake: When Jaime begins following the wolf tracks, it's nighttime - but in the next shot, it's suddenly broad daylight. Then it swaps back to nighttime.

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The DeJon Caper - S2-E19

Continuity mistake: The position of the hands around the painting's frame shifts between shots as it is presented to the buyer.

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The DeJon Caper - S2-E19

Revealing mistake: Although the title says we're in Cannes, France, the Helmsman statue from Marina del Rey, California, is visible.

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The DeJon Caper - S2-E19

Continuity mistake: When Michel and Pierre talk inside the car, the background shows a field, but in the following shot, there are arches and bridges instead.

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The DeJon Caper - S2-E19

Visible crew/equipment: Crew member in a yellow coat and a set light reflected on Beaumont's car when he drove away.

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The DeJon Caper - S2-E19

Continuity mistake: When Jaime jumps toward the window, the room appears dark from outside—but in the interior shot, it's brightly lit.

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The DeJon Caper - S2-E19

Continuity mistake: When Jaime exits the apartment building and jumps to the window, her heeled shoes suddenly switch to flat ballerinas.

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The DeJon Caper - S2-E19

Continuity mistake: When Fournier meets Jaime, the way he holds his trousers shifts between shots—just look at the position of the belt.

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The DeJon Caper - S2-E19

Trivia: When Jaime arrives at a small square in France, it's unmistakably the same location used to represent Germany in S2E12 and also Germany in S3E7. While it's common for TV shows to reuse sets, the reuse here is particularly blatant and hard to overlook.

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Beyond the Call - S2-E18

Continuity mistake: When Kim lies next to the cliff, her position keeps changing between shots—alternating from lying face down to face up.

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Beyond the Call - S2-E18

Revealing mistake: The stunt double for Kim on the horse is an adult with a different hairstyle, not matching young Kim.

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Beyond the Call - S2-E18

Revealing mistake: The same shot of Jaime trimming the leg of the chair is blatantly reused, despite the leg being a different one.

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Beyond the Call - S2-E18

Continuity mistake: As Kim runs away, the scene jumps from night to full daylight to dusk between shots.

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Beyond the Call - S2-E18

Continuity mistake: The way the medals lie in Cross' hands changes between the wide shot and the close-up.

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