Casual Person

Visible crew/equipment: Just after Edouard goes outside and Marianne is left alone in the art studio, Marianne walks around the room and looks at some of the drawings, before resting on the couch. Right before she sits down on the couch, just as she extends her leg, a boom mic can be seen in the bottom right hand corner of the shot, briefly entering the frame. (02:12:48)

Casual Person

Trivia: When the Protagonist and Neil exit the shipping container and begin running past the wreckage of the plane to get to the turnstile inside the Freeport, the ambulance that they steal later in the scene after going through the turnstile can be seen among the emergency vehicles that they run past. It is definitely the same ambulance shown on both occasions as it has the number "02-06" on top and has the same number plate "ZXI04712." The Protagonist, wearing the same armor, can also be seen sitting in the driver seat. It is not something that the camera focuses on, but it can be noticed in the background of shot. (01:40:52)

Casual Person

Other mistake: Sator and another man run into the turnstile when the soldiers arrive and exit on the other side. As soon as the two of them enter the opposing room, the other man immediately begins running towards the door on the opposite side of the room, to open it. Whilst he is doing that, Sator begins watching the events that just occurred in the opposite room unfold in reverse, all of which last for about ten seconds. But after those ten seconds, the man is still shown running towards the door. The distance between the turnstile and the door was not very far and it shouldn't have taken that long to run to it. (01:24:28)

Casual Person

Visible crew/equipment: After going through the turnstile in Oslo, the Protagonist walks up to an ambulance, knocks out the driver and steals it. When he begins to drive off, the shadow of a huge stage light can be seen cast on the side of the ambulance. (01:44:34)

Casual Person

Continuity mistake: Just after the interrogation has been shown from Sator's perspective, it cuts back to the Protagonist and the other soldiers in the present. There is a shot of a medic looking over Kat, where his left hand is shown placing his gun on the ground. It then cuts to a different angle where his left hand is now placed over Kat's stomach. (01:25:41)

Casual Person

Other mistake: In the end credits, the cast is listed in order of appearance, but the listing of some cast members is inconsistent with how they first appear in the movie. Immediately following the credit for Crosby (Michael Caine), the next few characters listed are Shipley's Representative - Kat - Max - Volkov - Gaunt Russian - Nanny. This does not match up with the movie. After the scene with Crosby, the Protagonist is shown watching Kat outside a school visiting Max, who is with the Nanny. The next scene he goes to Shipley's, where he is greeted by the representative, and in the scene after that, he goes to a restaurant where he meets Volkov and fights the Russian bodyguards. The correct order should be Kat - Max - Nanny - Shipley's Representative - Volkov - Gaunt Russian. (02:26:07)

Casual Person

Audio problem: When Priya is explaining the nuclear sites in which the algorithm parts are hidden to the Protagonist, at one point she says "Nine sets of the most closely guarded materials in the world." When she begins saying "Nine sets of the most", her lips appear to perfectly sync up with the audio, but when she says "closely guarded", her lips do not sync up with the audio heard, revealing that the line was dubbed over mid-sentence. (01:48:00)

Casual Person

Continuity mistake: The Protagonist and Priya are walking along a pathway in a park whilst talking about the creator of the algorithm. There are multiple points in this scene where the direction of their head changes between cuts. When the Protagonist says "The past", Priya is looking forwards, but when the shot cuts, she is looking more to the left. Later, Priya says "Nine sets of the most closely guarded materials in the world" and the Protagonist is shown looking at her, but when the shot cuts, he is suddenly looking forwards. She then says "The best hiding place possible" looking at the Protagonist, but is then looking forwards in the next shot. Seconds after that, when she says "Find and assemble the algorithm" she is looking at the Protagonist, but is then shown looking forwards when the shot cuts. After the Protagonist asks why they chose Sator, Priya replies looking at the Protagonist, then looking forwards, then looking slightly to the left, then back to looking forwards in the next shot. (01:47:55)

Casual Person

Continuity mistake: When Ives is briefing the red team about the mission before they go to Stalsk-12, in the first shot inside the tent, there is a brunette woman in the front row to the right of shot, who is shown is pulling her hood down and then begins smoothing her hair. The shot then cuts to an angle in front of the soldiers, but when the shot cuts again, that same woman is shown pulling her hood down and smoothing her hair a second time. (01:56:42)

Casual Person

Revealing mistake: When the Protagonist and Neil are walking through the Freeport area whilst the plane is being hijacked, just after the worker fills in the numbers on a keypad and opens the door to the vault, he walks through and is followed by Neil. The Protagonist is shown holding a small cup of espresso and briefly looks around before walking in with them. The interior of the cup can be seen when he does this, and there is no liquid inside of it. (00:40:12)

Casual Person

Continuity mistake: Just before the plane is about to crash into the Freeport, there is a shot of Mahir climbing down an emergency ladder, but when it cuts to a wide shot of the plane headed towards the building, Mahir has suddenly disappeared from the ladder. (00:42:10)

Casual Person

Continuity mistake: When the bodyguards begin to pull the Protagonist and Kat out of the inverted vehicle after stopping it, Volkov is the only person who is first shown grabbing onto the Protagonist to try and pull him out. It then cuts to a closer shot, and a second bodyguard has suddenly appeared, to help Volkov pull the Protagonist out of the vehicle. (01:21:57)

Casual Person

Continuity mistake: When the Protagonist and Neil first see the inverted vehicle driving backwards towards them, there is a bridge (with an Alexela sign) shown in front of them and just ahead of the bridge is a gas station shown to the right of shot. It then cuts back to the Protagonist and Neil, where Neil asks "The hell is that?" and when it cuts back to outside the windscreen again, the bridge (with the Alexela sign) and the gas station are no longer visible, presumably having driven past them. It then cuts to a shot focusing on the Protagonist, and when the shot cuts back to the inverted vehicle bumping into the wing mirror, they are suddenly behind the bridge and gas station again and are yet to drive past it. (01:18:30)

Casual Person

Continuity mistake: When Sator confronts Kat in her bedroom, he begins to unbuckle his belt. He is first shown with both hands beginning to unbuckle the belt near the front of his trousers, but when the shot cuts, his right hand is suddenly shown pulling the belt out of the belt loops on the right hand side of the trousers. (01:03:25)

Casual Person

Continuity mistake: When the Protagonist and Neil walk into the two rooms with the turnstile in the Oslo Freeport, just after the Protagonist tells Neil not to touch the bullet holes in the window, Neil asks "What the hell happened here." At this point, his head is turned about 90° to the right. In the next shot, his head is turned more forwards and much less to the right. (00:44:50)

Casual Person

Continuity mistake: When the bodyguards have the Protagonist cornered in the kitchen, they place his hand on a chopping board. In one shot, just as one of the bodyguards raises a utensil he is holding to hit his hand with, the Protagonist is shown raising his fingers slightly, right before the shot cuts. It then cuts to a different angle where his hand is now flat on the chopping board. (00:32:40)

Casual Person

Continuity mistake: Just after the Protagonist has shot Priya, Kat is shown closing her phone after using it. Behind her, a man and woman are shown walking past on the sidewalk, and then after that, two women are shown walking past. In the next shot, these people suddenly disappear from the sidewalk completely. (02:23:56)

Casual Person

Other mistake: Just after Kat kills Sator, the Protagonist looks up at the timer on the bomb, sees there is ten seconds left on it, and continues counting down. Neil then drops a rope inside the cave. After he does this, it cuts to Neil above ground in the vehicle, waiting for the Protagonist and Ives to tie themselves to the rope, watching the helicopters flying away. He then looks at the timer on his watch, which is perfectly synced up with the timer on the bomb, and seven seconds is shown on it. The moment where Neil is shown in the vehicle and watched the helicopters flying away lasted much longer than three seconds. No way could only three seconds have passed on the timer. (02:16:50)

Casual Person

Continuity mistake: When Priya is preparing to have Kat assassinated, the Protagonist gets inside her car and shoots the gunman. Priya then turns the mirror around to see the Protagonist's reflection. In the shot after this, she is shown lowering her hand away from the mirror. It then cuts back to the mirror and her hand is suddenly back on it again. (02:23:03)

Casual Person

Continuity mistake: In Stalsk-12, Wheeler and a blue team soldier take cover inside a house in which chunks of rubble have been blown out of the wall. When the pieces of rubble begin to reassemble back into the wall, Wheeler runs out and the soldier attempts to run out but gets sealed back in. Right after Wheeler runs out of the hole, and the soldier begins screaming, he is shown standing upright. But in the next shot, right before the rubble chunks go back into the wall, the soldier can be seen now kneeling over the hole in the wall. (02:05:45)

Casual Person