Visible crew/equipment: After rescuing the foreman and secretary from the structure fire with nitromethane drums, when Roy and John load them onto the ambulance, as Roy shuts the doors the reflections of multiple array lighting rigs can be seen on its window and surface.Super Grover
Continuity mistake: While John and Roy begin rehearsing in front of Marco and Chet, when John lights the flame his watch reads 10:00, but just a few minutes later when John puts the sawdust into the strainer his watch reads 10:30. When Squad 51 is dispatched to "sick child," timeout is 12:13, and after John and Roy get back to the ER the second time after searching the garage for the poison it's 1:05 at the ER. Then when they're on the Tom Jensen Show, as Roy tries to light the flame John's watch reads 11:30, but when he and Roy are treating the electrical shock victim, his watch reads 4:00.Super Grover
Visible crew/equipment: While en route to the accident, just as we hear the dispatcher inform Engine 51 that the fire is out, in the exterior shot of Squad 51 there's black tape covering much of the lightbar's chrome atop the cab, which vanishes when they roll up on the accident scene.Super Grover
Revealing mistake: When Roy's in the ambulance with the man who was rescued from under the boat, he's on the Biophone with Rampart, and just after Roy says, "So we've occluded the arterial flow in the right arm," in the next shot from inside the ambulance, we can see that they pass a couple of parked GlamourTrams. The ambulance drives around Universal's lot while shooting the footage inside the moving ambulance, en route to Rampart.Super Grover
Continuity mistake: When John and Roy are with the possible MI, while Roy's setting up the IV bag John's on the Biophone with Rampart, and after Brackett orders the IV TKO with MS, we see that Roy's pant leg has nothing on it, but then it cuts to the closeup and suddenly there are strips of torn tape (for IV as usual) on Roy's pant leg.Super Grover
Continuity mistake: During the structure fire at Kiddytime Toy Factory, when the man is downed by an electrical shock, Johnny pulls out the defibrillator and Biophone from the squad, and in Johnny's closeups with the Datascope we can see that its center knob on the right is missing, but in the Datascope's closeups the knob is back.Super Grover
Other mistake: When Tommy's on the ledge, and Roy and John are on the aerial ladder, just as Tommy jumps off the ledge and Roy catches him, we can see the young actor happy and grinning as he's being caught by Kevin Tighe, but within the very serious storyline of a 7 year old boy jumping from a ledge, looking "empty, tired and giving up", this doesn't fit. Obviously the young actor thought it was great fun to do a stunt like that.Super Grover
Continuity mistake: When Station 51 is dispatched to an 'unknown type rescue', the woman who opens the door tells them she didn't call, and when Roy asks her if he and Johnny can check on her sick husband, Roy's second shirt button is open and his undershirt is visible, but in the next shot it's buttoned up again.Super Grover
Visible crew/equipment: During Squad 51's rescue of the hunter who was injured on the cliff, in the closeups of Copter 10's pilot, at the right upper corner of the screen above the windshield, we can see the edge of the white screen used to block the view through the windshield.Super Grover
Visible crew/equipment: Right after rescuing the two injured climbers, when John and Roy are in the back of the pickup truck with them, just as the pickup drives off to follow Sheriff Bittner's squad car, we can see the reflection of crew and the camera rig on the Land Rover's windows.Super Grover
Visible crew/equipment: When Station 51 is dispatched to the possible heart attack, just as Squad 51 is leaving the apparatus bay and passing the exterior glass doors to Captain Stanley's office, the reflection of the location's array lighting is visible on the glass doors.Super Grover
Visible crew/equipment: After Station 51 is dispatched to the possible heart attack, when they arrive at the scene it cuts to the interior shot of the pregnant woman walking to the door, and we can see the shadow of the cameraman moving across the lamp and curtains.Super Grover
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