Super Grover

Continuity mistake: Achilles runs up the stairs of Apollo's temple, kills some men, including one after he runs up the stone base of the gold statue. He then turns around, with the two blades in his hands, to be face to face with a Trojan whose helmet is all askew and Achilles pushes the tips of the blades into the center of the soldier's chest armor. At the start of the very next shot the man's helmet is perfectly straight, and Achilles' two blades are conspicuously not in the soldier's chest, both are clearly visible at the soldier's side, under his left arm (NOT in his chest), already bloody, with the dripping blood stain on the center of his armor where the blades should be. Then Achilles pulls the blades 'out of' the soldier accompanied by the dramatic sound effect. (00:43:20)

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Deliberate mistake: When Achilles reaches the bottom of the stairs of Apollo's temple a Trojan pulls on Achilles' spear so he elbows that Trojan in the face, then turns and slices another one. When Achilles turns around he is face to face with a particular Trojan, who has two decorative clasps in his long hair, then he slices him across his face and he falls. In the next shot he fights another couple of Trojans. The following shot is the exact same shot as the previous one with the Trojan, who has two decorative clasps in his hair, that he proceeds to slice across the face again. (00:42:55)

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Continuity mistake: While Achilles stands on Apollo's temple stairs and then when Hector climbs them, the position of the bodies lying on the stairs differs between shots. (This does NOT refer to when Achilles walks out the back of the temple, where there are no bodies. Note that the temple's front and back have different types of statues, stairs...) (00:44:00)

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Continuity mistake: While Menelaus and Paris duel, Menelaus punches Paris in the face (the first time) and as he spins around spitting blood, the red bruise on Paris' right cheek is perfectly visible, yet in the very next close-up his face is quite pristine - the bruise and blood are actually gone. But of course in the next close-up Paris' cheek bruise is back with blood on his chin as well, and in the following shots the amount of blood goes back and forth. (01:14:35)

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Continuity mistake: In Sparta, when Paris enters Helen's room, she faces him and says, "You shouldn't be here," When she turns around to face the wall, now there are short curls at her forehead and the hair curls at the sides of her face are now curlier and neater. Then when she is standing in front of Paris with her hands at her sides, in the two shots facing her, her hair goes from the front of her shoulders to behind, and the cute curl at her forehead is gone. This type of thing occurs throughout the film in consecutive shots. (00:11:40)

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Continuity mistake: While in Phtia after Odysseus says, "My wife will feel much better...I'll feel much better," Achilles takes the sword out of Patroclus' hand and then pats him on the bottom with his own sword. As he does this in the shot from behind Achilles, the ground area in front of the bushes is sword free. However, as Odysseus says, "A thousand ships," there is a sword lying on the ground in front of the bush. This is either a continuity error or simply the lack of sound of a sword being thrown to the ground, since it's likely to be Patroclus' sword that Achilles threw. (00:23:30)

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Continuity mistake: As Achilles and Patroclus sword play in Phtia, at the bottom of a particular area with stairs, in the first shot after the first close-up of the horses' hooves, there are large clumps of greenery at the corners of these individual stairs. However, when Odysseus speaks with them and says, "My wife will feel much better if she knows you're by my side..." now some of the clumps of greenery are gone from the stairs, and there is a water 'canteen' on the third step, which Achilles drinks from. There are a number of significant differences among surrounding shrubbery and small rocks, including from the opening aerial shot, and the sun's shadow changes drastically during this entire scene. (00:21:35 - 00:23:25)

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Other mistake: While the Trojan warning gongs ring, in the shot of the citizens when they run past the guards to return to the safety within the walls, there is something stuck to the left side of the camera (it looks like a long piece of hair), which flickers on the screen as the camera continues to pan in closer. (00:35:30)

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Continuity mistake: In Phtia, as Achilles and Patroclus sword play, their positions as the duel with the wooden swords in relation to each other, and/or where they stand, change between shots. (00:21:20)

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Continuity mistake: Aboard the ship going back to Troy, when Paris walks over to Hector he places his hands on the rail of the ship, and the collar on Paris' left side hangs off his shoulder, yet in the next close-up it's properly on by his neck. (00:14:45)

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Continuity mistake: When Menelaus travels to his brother, Agamemnon, their positions differ when they speak and embrace, e.g., in the shots facing Menelaus two of his brother's fingers are on the cloak at his shoulder, yet in the shots facing Agamemnon his entire left hand lies on Menelaus' cloak. (00:18:25 - 00:19:20)

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Continuity mistake: When Achilles goes to see his mother, Thetis, as they speak the position of her long hair differs repeatedly, e.g., behind her shoulder then in front, depending on the camera angle. (00:25:30)

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Revealing mistake: The characteristics of the severe scars on Ajax's forehead, cheek and shoulders differ significantly in his close-ups. (00:41:35)

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Continuity mistake: As Helen says, "They're coming for me. The wind is bringing them closer..." she leans on the large pillar, even as Paris walks over she stands beside it when they embrace. In the following wide shot, as Paris lets go of her, they are not standing in the same location as the previous close-ups. (00:32:00)

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Continuity mistake: When Menelaus bursts into Helen's room, as he confronts the handmaiden about her whereabouts, Menelaus' hair curl is in front of his shoulder when the shot faces the woman, but not when the shot faces Menelaus. The same thing happens with Paris when he is with Helen, with Glaucus when he says goodbye to Hector, when Hector speaks with Lysander at the armory and so forth. Throughout the film all the men's hair in front and back - its position, neat or not, curls or not, etc., noticeably changes between shots. (00:15:50 - 01:54:45)

Super Grover ★

Continuity mistake: In the opening shot when the camera pans in, as the ship sails back to Troy with Hector and Paris, the position of the sail and rigging differs significantly from the subsequent shot aboard the ship as Paris walks over to Hector. (00:14:30)

Super Grover ★

Continuity mistake: When Menelaus goes to see Agamemnon, as he walks toward his brother in the shot facing Agamemnon people stand aside and bow. In the next shot facing Menelaus some people appear or disappear from where they stood in the previous shot. The shadows differ as well. (00:18:05)

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Continuity mistake: A boy is sent to get Achilles, to battle what he later says is, "The biggest man I've ever seen." In the shot facing Achilles, as the boy tries to wake him, Achilles firmly grabs hold of the boy's right arm. However in the next shot facing the boy, Achilles has him by the neck to pull him closer. (00:05:35)

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Show generally

Revealing mistake: When Wonder Woman (Diana) uses her bracelets to dodge bullets, the many sparks that the bracelets emit, as the bullets hit, are controlled by wired remotes held in Lynda Carter's hands. They are quite visible in her fists in many episodes. Small red bits around the circumference of the bracelets also appear, which provide the flashing spark special effects.

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Out of Sight, Out of Mind - S5-E3

Trivia: When Hawkeye is temporarily blinded, he meets a soldier, Tom Straw, whose face is covered in bandages having just been blinded in battle. He is played by Tom Sullivan, who is actually blind in real life. This is the first episode that Judy Farrell, ex-wife of Mike Farrell (B.J.), appears as Nurse Abel.

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