Super Grover

Continuity mistake: When Zia is having dinner with Eugene's family, as they all clink their glasses together, Kostya holds his glass up in his right hand, but next shot it is his left hand that holds the glass. (00:12:35)

Super Grover ★

Continuity mistake: The rearview mirror in Eugene's car repeatedly disappears and reappears.

Super Grover ★

Continuity mistake: After being told that Desiree moved, Zia gets into the front seat of the car and hands Mikal, who is sitting in the backseat, the 'turquoise' flowers. However, as Eugene drives away, Mikal is now in the front seat and Zia is in the back. (00:46:00)

Super Grover ★

Continuity mistake: When Filkins drives his car in order to chase the three boys, before they run into the garage, the rearview mirror disappears and reappears.

Super Grover ★

Continuity mistake: During the high speed police pursuit behind the Fratellis, once the second police cruiser pulls behind the first, the squad cars' positions change - in some shots the second police cruiser leads and in some shots the first, just note the different bumpers. (00:02:30)

Super Grover ★

Continuity mistake: At the start, when Data's suction dart attaches itself to the orange drum, there are tall metal pieces of junk behind the grey drum which disappear, as the orange drum is being pulled forward toward Data. (00:03:55)

Super Grover ★

Continuity mistake: When Data shoots the suction dart at the orange drum, he stands in front of grey drums and other junk, but in the close-up as Data opens the belt's dart compartment, the area behind him is completely different. (00:03:50)

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Continuity mistake: When Francis Fratelli pours the gasoline in front of the County Jail, there's a parked police cruiser at the corner of the building next door, in front of its windows. After he ignites the fire, there is a close-up of the ORV's tire as the vehicle pulls away, and in the background that squad car is gone, but in the next overhead shot that parked police cruiser is back. (00:02:10)

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Continuity mistake: During the jail escape, when Jake is trying to open the locked door, there is a close-up of Mama Fratelli shouting, "Jake, up!" and we see a police cruiser parked on her left. When they leave, in the overhead shot that space is empty, but next shot a vehicle is there, though it isn't a police cruiser. (00:01:55)

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Continuity mistake: After letting the air out of Brand's bike tires, Mouth shuts the picket fence door (the door near the boat) and then Mikey begins to ride away on his bike, but next shot as he rides past, that fence door is wide open. (There are two fence doors - one near the boat and the other one Chunk used earlier.) (00:23:25)

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Continuity mistake: On the beach, when Mr. and Mrs. Walsh leave the van and then rush to Mikey and Brand, Mikey's knit hat is pulled down low over his ears, but next shot it is folded up above his ears, though he never touches it. (01:41:55)

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Other mistake: When the Inferno is in the cave the vessel's sails hang or are furled a specific way on the masts, but when the ship sails past the beach the rigging differs significantly. (01:23:45 - 01:47:40)

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Continuity mistake: When the kids first see the Inferno, in the wideshot facing all of them, Brand stands between Stef and Mouth with Data and Mikey off to the side, but next shot facing the ship Brand is now at the other side hugging Mikey. (01:23:50)

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Continuity mistake: When the kids first see the the skeleton bone keys, Stef and Andy are arm in arm with each other, but next shot facing the skeleton Stef is standing behind Andy. (01:18:15)

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Revealing mistake: During the police chase, when the Fratellis turn left in the close-up (just before the shot of Mouth's TV), sitting in the passenger seat instead of Francis we see a man who is taller, wears no glasses and is at least 25 years older than our Francis. Also note the man who is driving instead of the real beloved Mama Fratelli. (00:03:10)

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Continuity mistake: When the Fratellis leave the County Jail, the first police cruiser which makes the U-turn has a smooth chrome bumper with only a recessed license plate at the center, but when they make the first left turn, that squad car now has a chrome bumper with driving lights at each end and bumper guards on both sides of the license plate. It's funny how when they make the next right turn, the car style actually changes mid-turn, between shots - just before the second police cruiser joins the pursuit. (00:02:25)

Super Grover ★

Revealing mistake: At the start, when Data is being pulled towards the chained orange drum, due to the angle of the close-up, we see that the soles of Data's Nikes are not actually touching the ground (since there is a rolling mechanism under his feet). Despite the fact that Data is quite inventive, we see in the next shot there's nothing attached to Data's Nikes. (00:03:55)

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Continuity mistake: At the start, when Data shoots the suction dart at the orange drum, the drum's scratches, dirt and dents are different in the following shot, as it is being pulled towards Data. (00:03:55)

Super Grover ★

Continuity mistake: Having just arrived at the house in Ireland, when Sharon is about to walk into the kitchen, in the shot facing the sink we can see the vase of flowers on the wood table, right beside the envelope. In the shot facing Sharon there is a white tablecloth under the vase. (01:01:40)

Super Grover ★

Trivia: Some notable cameos: The director of photography, Nick McLean, plays Mouth's father, Mr. Devereaux. The second unit's first assistant director, Newt Arnold, plays one of the men in the shower at the Astoria Country Club. The film's stunt coordinator, George Robotham, plays the guard at the County Jail. The executive assistant to director Richard Donner, Jennie Lew Tugend, plays Data's mother, Mrs. Wang.

Super Grover ★