Trivia: To make the water in the glass on the dashboard 'jump', they strung a guitar string from the underside of the dashboard to a bolt on the floor and then plucked the string.
Trivia: At the climax of the movie when Russell Crowe confronts Senator Collins about his involvement with the death of the senate research aid, he goes outside to leave and is accosted by the assassin, Robert Bingham. Bingham is apparently going to kill Crowe when the police show up in force. Bingham raises his M-16 to shoot Crowe and the police shoot him. In the next scene Crowe is entering the news article in the newspaper's computer. The camera gives us a glimpse of the computer screen. If you pause it and read the story it says that the assassin, Bingham, is found by the police dead at his apartment from an apparent suicide instead of being shot down in a fusillade of police gunfire in front of Senator Collins' office.
Trivia: When Jigsaw and Eric escape the lair via a hidden elevator, the film's low budget prevented the construction of an actual working elevator. Thus, some trick photography and editing was implemented. For the first shot of Jigsaw and Eric "going down", the scene was shot by raising the camera vertically to give the impression they were descending. For the next wide shot, simple digital effects were added to make it appear that the room was "lowering." And for the final shot where we see the top of the elevator going down an elevator shaft, stock footage from the film "Hollow Man" was used.
Trivia: In addition to the more obvious nods to the original (including the name "Alan Parish" being scratched into the hut), all of the statues in the world of Jumanji are modeled after the game-pieces and box from the original film.
Trivia: The Mask is based off the Dark Horse Comic of the same name. The only difference is that Dark Horse Comics carry a lot of dark tones in their comics. When Chuck Russell was directing The Mask, it was supposed to be set in that way. When Jim Carrey was given the role of Stanley Ipkiss, it was turned into a comedy.
Trivia: Producers Gale Anne Hurd and Sam Mercer wanted to film the movie at the American Museum of Natural History in New York. However, the museum's administration was afraid that the film would not only cast the museum in an unflattering light, but it would also scare kids away from the museum. They were given permission by the Field Museum of Natural History in Chicago to film there, because they loved the movie's premise.