Plot hole: Being transported from the west of Costa Rica all the way to Northern California by ship would take about a week. Are we to assume that Owen, Claire and Franklin were staying put in the back of the truck the whole time undetected? They would have to eat and use the restroom, at least.
Suggested correction: Maybe they did have to sneak around but the director thought making us watch Owen sneaking away at night to take a whiz wasn't really important to the plot.
It was established in the plot's timeline that the ship travelled overnight. A ship like this travels at about 12 knots and would take for them about 9 days to complete that voyage.
Plot hole: The whole premise of the movie is that due to a botched spell, people who happen to know that "Peter Parker is Spider-Man" are pulled inside this universe. It's a bit of a stretch already that amongst those people is...Peter Parker himself, twice over, but let's say it makes sense. The problem is that Jamie Foxx's Electro does not meet this condition; he never found out. You could say it's a retcon or it's a different universe from the original movie's, but even this cop-out explanation is negated by the movie itself when Max Dillon makes a joke that shows that he didn't know Spidey's identity or even race.
Suggested correction: Although Max didn't discover Peter's identity on film, an explanation of why Max knows his name IS offered. When the villains are talking about what happened before they found themselves in the MCU, Max indicated that once he tapped fully into the power grid and information systems, there was nothing he didn't know at that point. Since we know there is a clandestine organization tracking Peter from the end of ASM1, it's possible Max gained the info from their database.
In the interest of clarity, you refer to the one line that goes "I was stuck in the grid, absorbing data."? Nothing about tapping fully, and becoming omniscient as the correction presents. So we have to give it that specific meaning and make a connection to the obscure postcredit scene by Fiers in the unfinished trilogy that asks Connors if he said anything to the boy imagining that it produced data that was 'on the grid' somehow, and Electro never processed this information in the movie. Not sure if it's quite an"explanation offered", since the movie offers none. It's a 'possible' explanation like the other one people use, about hearing Gwen say Peter's name (I like this one better because at least it would give a special meaning to a throwaway line and I do I love attention to details).
Suggested correction: I don't find it such a stretch that he knew Peter's name but didn't know what he looked like.
When Spider-Man is explaining his plan to defeat Electro to Gwen, Gwen addresses him as "Peter." Electro was laying on the ground nearby and likely would have heard this. Presumably, knowing that Spidey's real name was Peter was enough to pull him in.
There are almost 10,000 "Peter" in New York alone in our world. Knowing just the super-common first name wouldn't cut it and the movie does nothing to support this theory, in fact does everything to undermine it (Strange's explanation, Electro's joke, complete lack of addressing it, etc). Also if he overheard that bit in the original movie, he would have also learned their plans to defeat him.
Suggested correction: I guess we're all going to ignore the fact that this Electro has a completely different look than the Max we saw previously. It's quite possible he's from a different universe.
He's not from a different universe than the Electro from The Amazing Spider-Man 2. The Lizard and the Andrew Garfield version of Spider-Man both know who he is, and he talks about events from the aforementioned film. His different appearance is also explained in the film.
All that means is he went through similar experiences and has a similar appearance as the Max they knew. Ala J. Jonah Jameson.
Suggested correction: It's not people who know who is Spider-Man that are spilling in, it's people who are connected to him in any way.
No, no. Strange says it explicitly "That little spell you botched, when you wanted everyone to forget that Peter Parker is Spider-man? It started pulling in everyone who knows that Peter Parker is Spider-man" and so on. That's why in the end they fix it by making everyone forget who Peter Parker is, not who Spider-man is.
Plot hole: When Vlad enters Mehmed's tent, the entire floor is covered in silver coins and Mehmed remarks on Vlad's weakness to it. There's no way that Mehmed could have known about Vlad being a vampire or about his weakness to silver, as Vlad had killed every Turk after becoming a vampire, so nobody would be alive to tell him. Even the Turk found on the battlefield in the morning lived long enough only to deliver Vlad's message, but died immediately after that.
Plot hole: At the angle of descent and the speed it was traveling (still burning from reentry even), when the space shuttle crashed in the opening of the film, it would not have left much of anything behind. The kinetic explosion that would have resulted would have downed the forest around it for a good distance leaving a crater, and the clean up crews would have been lucky to find any piece of the ship itself still intact bigger than a football. Much less been able to find any discernible remains of the crew. Yet bodies were being taken out in still relatively good condition. And probably most unbelievable is that the glass containers holding the Symbiotes were not even broken.
Suggested correction: Since this is in the Marvel universe the capsule could have at least partially been made of Vibranium or Adamantium.
Adamantium is exclusive to the X-Men films which for the time being are under Fox, and Vibranium is exclusive to films within the Marvel Cinematic Universe. This film is part of neither. There were rumors and speculation prior to this film's release that it would be adjunct to the MCU, but there are things within the film that contradict it. Particularly Eddie Brock being dismissive of the symbiote being an alien life form. An alien invasion was one of the major plot points of the first Avengers film, so an alien being wouldn't be something people would be skeptical of going forward.
Like Phan said. But also, i'm referring to the glass of the container staying in tact. Those two super metals don't make glass.
I just thought that although there can't be a mention of Vibranium, it doesn't mean it's not there. What I mean is if Vibranium softens the bow of the impact the glass containers would stay intact. But I suppose if it's not allowed to exist for the films, then I guess it doesn't exist. The glass can be nanotechnology though.
I see what you're saying, but that wouldn't mater with an impact like that. Space Shuttles are even made of Titanium, and would still be smashed to millions of little pieces from a reentry impact like that. The momentum and resulting kinetic explosion would devastate everything around it and level the forest for a good distance, leaving a massive creator, possibly as big or bigger than a football field. We are talking a few megatons of force.
This movie is not set in the Marvel Universe. It has been confirmed by the film crew that Venom is a standalone movie so it doesn't take place in the MCU at all.
I didn't say MCU, I said Marvel Universe. Some Marvel Universe anyway.
There's only the MCU and since this movie doesn't take place in it, the ship is probably only made from the materials that most rocket ships are constructed from.
Plot hole: Right after Bond escapes Blofeld and joins Tanaka and Kissy, they say they need to get to the control room (that Bond just left from). They look at the "front door" to the room, and Tanaka says, "Impossible! It's too well defended!". Why did they not go back the way Bond just came from, through Blofeld's "apartment"? Instead, they fight their way across the entire launching complex and go through another entrance, which also leads through Blofeld's apartment.
Plot hole: In the final showdown, when Bond is fighting with Stamper, the girl is wrapped in a chain, hanging from a crane and dropped into the sea. After the boat blows to bits, the chain continues to hang down, even though there's nothing holding it. It even keeps hanging after Bond's swum down to untie her. What's keeping it there? Do all stealth battleships come with buoyant chains? With both arms at least partially free, why doesn't she just climb back up the chain?
Plot hole: Dafoe and Bullock leave the ship a long time before it hits the tanker and there is a lot more time before it crashes into the town and even more before Alex gets on that speedboat. No matter how fast he could have gone, there is no way he would have caught up with them.
Plot hole: Hiding in a fridge (or anything else) in order to be conveniently blown out of the way by an exploding nuclear device is absurd beyond belief. The fridge is just so much extra reaction mass and would be vaporised by the expanding nuclear explosion - it wouldn't be daintily picked up and thrown a few kilometers to safety. If it was, why doesn't it land in a shower of similar artifacts which have also been dislodged and thrown around? Incidentally, even if it was thrown out of the way as shown, anyone inside it would be turned into a smear of strawberry jam by the acceleration required to beat the shock and heat wave of a nuclear blast, and then liquefied by the deceleration involved in hitting the ground at that speed.
Plot hole: During the scene where Merida gives her speech on "breaking tradition", her mother, as a bear, moves silently behind the majority of the crowd, so they don't see her. Fair enough. However, Merida and her father's clan are all looking in the same general direction (towards the crowd) while she's speaking - how does no one from Merida's clan see a bear moving at the back of the room?
Plot hole: When Frank Martin steals the Mercedes, how does Lai manage to open the rear door, get in the back and hide - all with her hands bound behind an office chair? Not to mention actually closing the door and hiding herself (and the chair) in the rear footwell long enough for Frank to drive off and not notice her until they are out on the road. (00:29:25)
Plot hole: Since they took down the telephone network, it would have been impossible for Justin Long to even be speaking to the emergency response woman for the car, much less send a signal to start the car up.
Suggested correction: Is it possible this is a satellite phone call akin to Onstar?
No, the BMW system requires a cell signal to work, which was taken down earlier in the movie.
Plot hole: After Superman has reversed time the Hoover Dam reverts to its previous undamaged state as it should, but Jimmy Olsen should then have been replaced back on the dam. Instead he interrupts the potential kiss between Lois and Superman and complains of being abandoned by Superman in the desert.
Suggested correction: Superman is moving at speeds fast enough to turn back time. He can spend 5 seconds to yank Jimmy away from the top of a dam he knows is going to be destroyed just to be safe in case he can't actually stop it all from happening again.
Plot hole: At the start when the guys are infiltrating that building they parachute down to the roof. They are dressed in black so they can't be seen, but their parachutes are white. (00:02:50)
Plot hole: In Paris, why does the assassin go to the ridiculous amount of trouble of swinging into the room on a rope with a machine gun when he came in from the lobby (as proved by the dead woman downstairs)? Alternatively, if his intention was always to surprise Bourne by coming in through the window, why venture downstairs at all? (00:44:07)
Plot hole: In the unedited video footage of the helicopter incident shown to the crowd, the last shot of Arnie getting knocked out is seen from his perspective and as such could never have been filmed by any camera.
Plot hole: The movie is based on one huge plot hole: if it wasn't for the "professional" hitman's sloppy work, Bullitt and his team wouldn't have been needed for much. The hitman enters the hotel room, wounds the policeman, then shoots the target with one shotgun blast to his upper left shoulder area. Any hitman worth his fee knows that this is not likely to be an immediately fatal wound. The hitman had a pump shotgun and should have finished the job right then and there. Surely he had more than two shells. Instead, he sees the target is slumped unconscious, then leaves the hotel room without checking to see that his victim really is dead. Nothing seems to be immediately threatening the hit team, though. The hitman spends the rest of his life trying to finish his job and pays the ultimate price for being lazy.
Plot hole: In all scenes where special or heavy items are used against the sixers, they are 'zeroed' in waves or circles. This can be seen by their stations turning red in clusters. This makes no sense as the stations have fixed positions, meaning that the sixers would have identical positions in the Oasis and have no freedom or own will to move relative to each other.
Suggested correction: From a military point of view it makes perfect sense. AOE weapons would be most likely to hit members of the same squads, companies or battalions. It would make sense for squad mates in the oasis to stick together in stations as well. I just watched that scene. As long as the Sixers are trained soldiers or players it makes perfect sense.