Hogan's Heroes

Hogan's Heroes (1965)

426 mistakes

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Bad Day in Berlin - S4-E11

Continuity mistake: As Hogan, Carter, and Newkirk go to get out of the Army truck, the ambulance doors are wide open. As Hogan walks by, the doors are straight out toward the truck.

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The Gasoline War - S5-E4

Other mistake: As Schultz goes to stick a pin in the map, he supposedly hits his finger. But if you look closely, he actually stuck it in the map at the very tip of his finger. This is clear because he didn't move the pin at all.

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The Well - S5-E2

Continuity mistake: In this episode, the Notausgang (Emergency Exit) sign is over the door. In other episodes, it is on the door.

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Hogan Goes Hollywood - S5-E1

Continuity mistake: The bridge Buckles and the boys put TNT on is significantly different than the one blown up. Also, the one destroyed is a re-used shot of a bridge being blown up.

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Hogan Goes Hollywood - S5-E1

Other mistake: As Buckles holds up the scale model of the Bismarck, the diagonal cut where it's supposed to "break" is visible.

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Monkey Business - S3-E29

Continuity mistake: The apple that Freddie is eating at the end goes from green to red.

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Hogan, Go Home - S3-E19

Continuity mistake: When Hogan is by the truck, Newkirk responds to his question about packages. Crittendon has his swagger stick under his arm, then it's suddenly in front if him in his hands.

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Is There a Doctor in the House? - S3-E18

Other mistake: As Carter gets ready to clean out the stove, Newkirk closes his eyes and winces just before the bellows Carter has blows.

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An Evening of Generals - S3-E13

Continuity mistake: In Klink's office, the lower corner of the poster Hogan holds up alternates between being over the right side of his chest, to being tucked under, and back.

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An Evening of Generals - S3-E13

Continuity mistake: In the barracks, after Hogan asks Newkirk about volunteering, the coffee cup Newkirk has is held with his left hand fingers in the handle. After the angle cut, the cup is in his hand with the handle toward the camera.

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Clearance Sale at the Black Market - S4-E1

Revealing mistake: After Kiegel shoots out the bulb the light takes a couple of extra seconds to fade out.

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One in Every Crowd - S3-E10

Visible crew/equipment: As Klink's car pulls up, and Klink comes around the front of it, the shadow of the camera is visible.

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Hot Money - S3-E9

Other mistake: When Hogan is using the periscope to look at the incoming vehicles, the angle seen is from an elevated position. The view from the periscope should have been straight on, rather than elevated.

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Nights in Shining Armor - S3-E8

Other mistake: When Hogan shoots the vest, it stays still for a couple of seconds then swings in a way that is not normal.

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The Safecracker Suite - S1-E27

Continuity mistake: After saying "I hate to be a killjoy", Newkirk has his fork up and pointed towards Kinchloe. A second later, it's pointed down.

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Show generally

Factual error: Numerous times throughout the series, there are palm trees seen in different shots. Stalag 13 was supposed to be just on the outskirts of Hammelburg. The only place anywhere near there that could support palms was the area around the Bodensee (Lake Constance), so therefore the palms seen are a big mistake.

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Anchors Aweigh, Men of Stalag 13 - S1-E16

Audio problem: As the last German soldier before Hogan goes up the ramp, Le Beau is heard saying "schnell, schnell!" (fast, fast). As he says it, his mouth doesn't move.

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Anchors Aweigh, Men of Stalag 13 - S1-E16

Continuity mistake: After saying that Michaels disappeared, truck and all, Klink brings his hands together, and interlaces his fingers. A second later, the fingers interlace again.

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Anchors Aweigh, Men of Stalag 13 - S1-E16

Continuity mistake: In Klink's office, as Hogan tries to make a fast exit, Klink calls him back with "I'm not finished with you yet." As he does, his hands are clasped in front of him, then a second later, they are down on the desk.

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Happy Birthday, Dear Hogan - S4-E26

Plot hole: In the cinema, Hogan and his female underground contact avoid attention from a passing plain clothes policeman by kissing. This is wrong for three reasons. Firstly, 3rd Reich Germany wasn't so liberal that open kissing in the cinema would have passed as normal, it would probably rather have been viewed as libertine and offensive. Secondly, the scene takes place with a speech of Hitler as the background, which can hardly be viewed as romantic, and thirdly, this is even more true for the Gestapo, who was tasked with ratting out political dissent. To a Gestapo officer, ignoring the F├╝hrer's speech and kissing instead would make them stand out doubly.

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