Hogan's Heroes

Standing Room Only - S5-E21

Visible crew/equipment: As Burkhalter is talking to Strauss and Klink in front of the office door, you can see the shadow of the boom mic moving over each as they talk.

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Two Nazis for the Price of One - S3-E17

Visible crew/equipment: A string is seen attached to Colonel Klink's cap that is used to yank off the cap after Colonel Mannheim fires his pistol at Klink.

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The Defector - S5-E10

Visible crew/equipment: As Hogan, Le Beau, Kinch, and Schultz talk at the car, the boom mike is reflected in the chrome and on the hood.

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Watch the Trains Go By - S4-E19

Visible crew/equipment: As Carter and Newkirk are caught by the wire, the shadow of the camera pulling back is seen on the ground.

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The Missing Klink - S4-E15

Visible crew/equipment: As Hogan and Carter approach the staff car, the crew and film equipment are reflected on the chrome of the lights and radiator.

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The Flame Grows Higher - S1-E31

Visible crew/equipment: Toward the end of the episode, after the two women are taken out by the Gestapo, Shultz, Hogan, Lebeau, and Newkirk are standing having a drink. The camera goes in for a close-up on Shultz, there is a noticeable shadow of the camera on Shultz's coat, and right arm.

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How to Win Friends and Influence Nazis - S3-E7

Visible crew/equipment: When Hogan gets up in the hotel room they're all in, the shadow of the boom mike plays on the wall he heads toward.

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Diamonds in the Rough - S2-E3

Visible crew/equipment: When Le Beau signals the plane, the camera crew is reflected in the flashlight.

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The Battle of Stalag 13 - S2-E5

Visible crew/equipment: As first Feldkamp, then von Kattenhorn, get in their respective staff cars, the camera crew and equipment is reflected on the doors and glass.

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Klink for the Defense - S6-E19

Visible crew/equipment: As Newkirk and Hogan enter the office, the shadow of the boom mike plays on the wall.

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Kommandant Schultz - S6-E7

Visible crew/equipment: As Schultz calls for attention, the studio lighting is reflected in his monocle.

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Never Play Cards with Strangers - S4-E7

Visible crew/equipment: As Hogan takes off with Von Treger's car, the camera crew and equipment are reflected in the windows.

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Watch the Trains Go By - S4-E19

Visible crew/equipment: As Schultz stops the car, studio equipment is reflected in the windows.

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Watch the Trains Go By - S4-E19

Visible crew/equipment: As Linkmeyer and Klink get in the car, a man in a white shirt can be seen moving around the camera position in the reflection on the car under her window.

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Art for Hogan's Sake - S2-E16

Visible crew/equipment: After Hogan, Le Beau and Schultz get into the car, and as it starts to move, chairs, people and equipment are reflected on the glass.

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Klink's Rocket - S2-E14

Visible crew/equipment: As the General gets in his staff car and it leaves, the film crew and equipment are reflected on the sides.

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The Big Broadcast - S6-E12

Visible crew/equipment: As Schultz drives away from the boys, the camera crew and equipment is reflected in the window.

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Kommandant Schultz - S6-E7

Visible crew/equipment: As Schultz looks at the prisoners after being told of the escape, the studio lighting rig is reflected on his monocle.

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The Gestapo Takeover - S6-E6

Visible crew/equipment: As the man gets in the passenger side of the car after the agreement is signed, the studio lighting rig is reflected in the glass.

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Get Fit or Go Fight - S5-E16

Visible crew/equipment: As Klink and Schultz approach the barracks where Le Beau is "weightlifting", there is a cord or cable along the ground that would be for studio equipment.

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The Missing Klink - S4-E15

Visible crew/equipment: As the car with the kidnapped Klink takes off, the Stalag 13 buildings are reflected in the windows, along with the camera equipment and lighting.

00:01:20

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One in Every Crowd - S3-E10

Visible crew/equipment: As Klink's car pulls up, and Klink comes around the front of it, the shadow of the camera is visible.

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Hello, Zolle - S1-E19

Visible crew/equipment: As Hogan and Le Beau crawl through the car and shut the door, the camera rig, equipment, and cameraman are reflected in the window.

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Hold That Tiger - S1-E2

Visible crew/equipment: As Klink gives the info on the Tiger tanks, in the close ups, the studio light is reflected in his monocle.

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The Informer - S1-E1

Visible crew/equipment: As Burkhalter looks down at the floor under the water tower, the studio lighting positions are distinguishable on the visor of his cap.

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The Big Dish - S4-E24

Visible crew/equipment: As the two German officers come out of Klink's office and approach the radar truck after Kinch leaves, the shadow of the cameraman, the camera, and the camera tripod are plainly visible on the left side of the scene on the ground.

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The Big Dish - S4-E24

Visible crew/equipment: When the radar truck comes into the camp, as it slows, you can see the lighting rigs for the cameras.

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A Klink, a Bomb and a Short Fuse - S2-E8

Visible crew/equipment: When Burkhalter gets out and goes toward the office, as the camera pans to follow, you can see the shadows of the film crew and equipment.

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Movies Are Your Best Escape - S1-E8

Visible crew/equipment: When the staff car is entering and coming to a stop in the compound, the reflection of the crew member, camera and lighting rig can be seen in the chrome of the radiator.

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Go Light on the Heavy Water - S1-E9

Visible crew/equipment: When the staff car entering the compound stops, you can see a reflection of the crew member stopping the car, the light rig, and the camera in the chrome.

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Bombsight - S5-E7

Visible crew/equipment: After Carter (hidden in the trash can) switches the fake blueprints for the real ones, Kinch wheels the trashcan past Klink. As he does so, the shadow of the camera is seen on the can.

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Happy Birthday, Adolf - S1-E17

Visible crew/equipment: When spying on a gun emplacement, LeBeau is dressed as a little old lady. When putting on his shawl before going back, you can see the studio lighting reflected on the glasses he wears.

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Anchors Aweigh, Men of Stalag 13 - S1-E16

Visible crew/equipment: When in Klink's office, Hogan gives Klink the bum's rush, convincing him that he's tired. After Klink sits, the camera pans around. As it does so, you can see the shadow of the camera rig.

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Will the Real Colonel Klink Please Stand Up Against the Wall? - S4-E13

Visible crew/equipment: When Hogan opens the window, there is a reflection of the studio lighting on the top pane.

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Watch the Trains Go By - S4-E19

Visible crew/equipment: When Klink is by the fence acting busy and talking to Schultz, twice you can see the shadow of the camera on Klink's overcoat.

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The Antique - S5-E12

Visible crew/equipment: When Burkhalter first comes into the office, the camera rolls a little closer. As it does, you can see the shadow of the camera on Burkhalter's arm.

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Show generally

Visible crew/equipment: Many times that there is a close up on Klink, there is a reflection of the studio lighting.

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The Dropouts - S6-E14

Visible crew/equipment: When Major Hochstetter's car arrives at Stalag 13, it drives towards the camera. The shadow of a crewman's hand raised to stop the car is visible on the ground.

00:16:40

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Quotes

Captain: Auf Wiedersehen, Colonel. Heil Hitler!
Klink: Heil Hitler, and get out.

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Mistakes

General Burkhalter is eating Klink's dinner. When finished he places a metal cover over the plate. In the next shot the cover is lying on the table and there is extra food on the plate.

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Trivia

When Klink is begging Hogan to trade places with him for fear of assassination, he says to him something like."I want to live til 80...all my family has lived til 80." Werner Klemperer, who played Klink, passed away in 2000 aged 80.

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