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The Fossil Men - S3-E18

Revealing mistake: When Richards attacks Kowalski and the other crewman in the electrical room, he makes contact with the bulkhead, smearing it with the makeup from his arm.

Scott215

The Fossil Men - S3-E18

Revealing mistake: Set lights are reflected off the supply room door when Kowalski, Crane, and Sharkey drag Richards into the room.

Scott215

The Fossil Men - S3-E18

Revealing mistake: The metal bulkhead of the electrical room is obviously paper when Richards breaks through.

Scott215

The Fossil Men - S3-E18

Revealing mistake: After Richards strikes the doctor and opens the door to exit Sick Bay, the smeared makeup from Richards' fingers is visible on the door and door jamb from previous takes.

Scott215

The Hell Machine - S3-E28

Factual error: The German tanker intercom headsets are wrong. German panzer intercom systems used throat mikes, not headsets with the microphones close to the mouth.

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The Hell Machine - S3-E28

Factual error: The panzer caps worn by the German tankers (and later by Saunders and Gavin) are old-style pre- and early-style caps that were no longer issued later in the war.

Scott215

The Hell Machine - S3-E28

Other mistake: The view from tank driver Gavin's periscopes shows he sees an approaching German tank, but his tank has nosedived so far into the hole his tank is stuck in that there is no way he could have seen anything except a wall of earth and rocks.

Scott215

Continuity mistake: As Wonka is singing and leading his guests down the stairs into the chocolate factory, Sam Beauregard's left hand is down by Violet's left arm, but the next shot shows both of Sam's hands on Violet's shoulders.

Scott215

Continuity mistake: Todd and Margo are nearly two feet apart from each other as Margo suggests Todd slug Clark, but then they are much closer in the next shot when Margo leaves to perform the deed.

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Audio problem: After George leaves Gower's pharmacy with his new suitcase, Cousins Tilly, Eustis, and Uncle Billy are calling to George from the Building and Loan window. Uncle Billy's voice tells George not to take any plugged nickels, but it's Cousin Eustis's mouth that is moving.

Scott215

Continuity mistake: In the Denny's restaurant scene, Charlie's left hand is either on the table or off, depending on the scene cut.

Scott215

Continuity mistake: While trying to find a restaurant on Christmas Eve, Scott and Charlie are discussing Neil. Scott's head is pointing straight ahead, but when Scott says, "Where did you hear that?" he turns his head, which is pointing to the left (the driver-side window), to his right.

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Continuity mistake: When Jacob Marley's housekeeper is telling Bob Cratchit that Marley doesn't have long to live, Cratchit's ink quill pen disappears then reappears on the pages of his ledger.

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Continuity mistake: In the luggage shop, the suitcase Joe is showing George alternates between close to Joe's face or further from him as the scene cuts.

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Continuity mistake: When young George returns to Gower's shop after visiting his dad at the Building and Loan, George is about to hang up his hat. In the next shot, he is next to Gower as Gower talks on the phone, about six feet from where George was going to hang his hat.

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Continuity mistake: During Tracy's performance for Scott in the restaurant, a white napkin appears and disappears on the plate between them.

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Continuity mistake: While Clark is having his difficult conversation with Mary, the department store counter girl, the knot on his tie alternates between being cinched tight to loose around his collar.

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Continuity mistake: When Clark begins his rant about Mr. Shirley, Grandma Frances is directly behind Grandpa Art, with Rusty. The next shot of her and Rusty is almost standing next to Art.

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Continuity mistake: Before Clark goes off on his rant about his boss, Grandma Frances places her hand on Rusty's shoulder, but the next shot has her hand on the side of Rusty's head.

Scott215

Continuity mistake: During the big battle of the toy soldiers versus the elves, one soldier is approaching a screaming Abbie as his arms alternate between hanging straight down at his sides to bent at a 30-degree angle as the shots change.

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