Visible crew/equipment: A possible cameraman's hand with a wedding ring holding a bar with the camera is visible as one of the victim looks down a two way route. (00:24:50)
Visible crew/equipment: When Roy has trouble sleeping in the middle of the night, he gets up, and when he goes to the bathroom sink, there is a fully dressed crew member whose reflection is visible in the mirror, as he moves around and looks through the door window towards the actor. Then 51's tones drop, and in the next shot we see that all the other guys of Station 51 have been lying in their beds, before getting up and putting on their turnouts.
Visible crew/equipment: When Angel is fighting the demon, you can see an obvious camera and two hands in the bottom right corner. (00:27:10)
Star-Crossed Lovers and Other Strangers - S1-E16
Visible crew/equipment: When Rory asks Lorelai to call Emily to get her out of Friday night dinner so she can celebrate her and Dean's 3-month anniversary, a boom mic drops into the shot as Lorelai stands to get the phone. (00:07:05)
Visible crew/equipment: When Chester and Cassie are in The Cabin, Chester is looking through the picnic basket while Callie holds on the Indian's hand and talks to him. In the scene behind Callie is an unidentified man who disappears when the scene cuts to Chester. (00:47:00)
Visible crew/equipment: After Charles confronts Choi Sung Ho about the candy, Ho explains that he sold it on the black market to buy real food, and when Ho reenters the mess tent through the side door, we can see that outside there's a director's chair, which actors also use, with something printed on its back.
What We Owe to Each Other - S1-E6
Visible crew/equipment: You can see a crew member hand Janet a stack of papers behind her back.
Visible crew/equipment: At the very end of the episode, right after he tells Jesse how he used the red phosphorus to kill the gunmen, Walt leans down to vomit. You can see his microphone transmitter under his shirt. (00:54:20)
Visible crew/equipment: When Nina's just been shot, and makes it to the barn to call CTU (around 7.10am), while she's speaking on the phone there's a cameraman visible on the right hand side (DVD). (00:12:40)
Visible crew/equipment: As the train is pulling up you can see a car in the reflection in the train window and a man wearing a yellow shirt. Possibly a director or Michael Landon.
Visible crew/equipment: When Mulder and Scully enter the abandoned mine through a doorway, the viewer can see at right in the distance a number of people sitting on a wall, and one crouching in front of the wall with what looks like a dog. They are sitting still, but there is still movement there. (00:16:00)
Hell House - S1-E17
Visible crew/equipment: When Dean, Sam, Ed and Harry have just shot Mordechai, the cameraman's arm is visible on the right-hand side of the screen. (00:33:30)
Visible crew/equipment: When Gibbs and Ziva are in the "safehouse" Ziva set up for Ari, a crew member and his boom microphone are seen on the left of the screen, right before Gibbs climbs the ladder to remove the hidden camera spying on them. (00:30:10)
Snow Falls - S1-E3
Visible crew/equipment: When the horse carriage is ambushed, just as Princess Abigail can be heard screaming "Please, help me", the camera pans downward and a horse wrangler wearing a blue baseball cap can be seen in the lower left hand corner, hiding behind one of the horses. (00:03:20)
The Life Against Death Raid - S1-E2
Visible crew/equipment: In the background over Sgt. Moffit's right shoulder a crew member can be seen walking.
Visible crew/equipment: During the warehouse battle, around when the Doctor tells Donna, "Hold on, I'm coming", the film crew can be seen reflected in a door at the right of screen. (00:28:20)
Visible crew/equipment: A pick-up truck driver is driving recklessly, runs into the back of a light blue car and rolls over. The ramp attached to the back of the car is visible. Even in the next shot when the car driver gets out the car, the ramp is still there. Then in the next shot when Jon is trying to calm the driver down the ramp is gone. (00:05:45)
Visible crew/equipment: When Hurley is at the new house, after his mom hurts her ankle, he reaches into the car window to get the cell phone. When he begins to dial, the cameraman's arm moving about is reflected in the back chrome of the side view mirror. (00:12:10)
Thank You for Not Morphing - S1-E3
Visible crew/equipment: In the scene where Prue comes home and finds Andy inside the manor. There is a shot where if you look behind Andy's shoulder you can see half of the body of the director in the background in the observatory room sitting in a director's chair. (00:16:00)