M*A*S*H
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Death Takes a Holiday - S9-E5

Visible crew/equipment: After Charles confronts Choi Sung Ho about the candy, Ho explains that he sold it on the black market to buy real food, and when Ho reenters the mess tent through the side door, we can see that outside there's a director's chair, which actors also use, with something printed on its back.

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Welcome to Korea (60 mins.) - S4-E1

Visible crew/equipment: When Frank climbs into the jeep belonging to Major General Cornell Dickering, the MPs show up at the same time that BJ and Hawkeye walk up to join the fun, and during this scene there's a T-mark (albeit a dusty one) on the ground at the driver's side of the jeep.

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Snap Judgment (Part 1) - S10-E7

Visible crew/equipment: When Klinger's at Little Chicago he asks one of the black market vendors about cameras and he points to another vendor, and when it cuts to the next shot we can see the actor's T-mark on the ground where the man walks away (his foot even moves the T-mark) and Klinger is about to stand.

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Rumor at the Top - S10-E3

Visible crew/equipment: After Colonel Potter gets off the phone, he tells Klinger about Torgy Porgy and how after four years of medical school Torgy washed out, and just as Potter and Klinger stand up lighting equipment can be seen at the top right side of the screen.

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The Best of Enemies - S9-E1

Visible crew/equipment: When Colonel Potter and Charles exit the mess tent carrying the trays, so they can serve breakfast in bed to the winners, they split up and as Charles walks to the Swamp saying, "What a shame to have wasted all these years as a doctor," we have a great view of the boom and boom mic at the left side of the screen as it moves backwards away from Charles, outside the Swamp.

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War Co-Respondent - S8-E23

Visible crew/equipment: When they're all in the OR talking about Aggie being at the 4077, Charles compares Colonel Potter's art style to Aggie's, and in the next shot as Potter tells the art critic to tread softly, the boom mic is visible at the top, right side of the screen and just as the mic starts to pull up the shot zooms in on Aggie.

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Goodbye, Cruel World - S8-E21

Visible crew/equipment: While Klinger's practicing Colonel Potter's forged signature on the notepad, when BJ walks in on him and then picks up Klinger's notepad the boom mic moves across the top of the screen.

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For Want of a Boot - S2-E17

Visible crew/equipment: When Frank and Hot Lips are walking into the mess tent for Frank's surpise party, if you look in the window to the right of the door, you can see a person silhouetted, throwing leaves into the wind.

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Good-Bye Radar (Part 2) - S8-E5

Visible crew/equipment: After Radar tells Colonel Potter that he decided to go home after all it cuts to Hawkeye walking into the office, and just as Hawkeye opens the door we can see the top of the set.

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Goodbye, Cruel World - S8-E21

Visible crew/equipment: After Klinger gives the envelope with the forged discharge papers to the driver going to I Corps, just as he walks through the doorway we can see the two actors' tape marks on the ground, where the driver and Sidney were standing when they arrived.

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Goodbye, Cruel World - S8-E21

Visible crew/equipment: After the opening credits, in the very first shot in the OR we can see the boom mic dipping into view at the top, left side of the screen.

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Communication Breakdown - S10-E6

Visible crew/equipment: While Colonel Potter and Margaret are with Charles, a nurse sees them and announces the presence of a newspaper, then when everyone gathers around Charles while he sets the reading rules, there's a man with blondish shoulder length hair and a beard, wearing a blue button down shirt and white pants who's standing in the background, partially hidden by the signpost.

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The Smell of Music - S6-E15

Visible crew/equipment: While in the mess tent, after Margaret's grossed out by the smell and walks away we hear Charles start playing again, and when Colonel Potter says, "Just make sure the three of you work this out fast," in this shot we can see the actor's T-mark on the floor between Potter and Hawkeye, where Margaret stood a moment ago.

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The Trial of Henry Blake - S2-E8

Visible crew/equipment: After Henry's cleared of all charges, when Margaret drops the crumpled paper and storms out of the room with Frank, we can see chalk marks and a T-mark on the floor where Frank was standing.

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Radar's Report - S2-E3

Visible crew/equipment: When Klinger walks into Henry's office while Margaret and Frank are there, we can see the chalk T-mark on the floor behind Margaret where Radar was standing moments ago.

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Dear Mildred - S4-E7

Visible crew/equipment: In the scene where BJ, Hawkeye, and Radar are in the motorcade talking about the horse, Radar is talking about how he doesn't want to give away the horse. He is standing in front of some barrels and when he moves, you can see some of the crew, the horse owner, and what looks like another horse in the background for 1 second.

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The Grim Reaper - S6-E11

Visible crew/equipment: As Hawkeye is first approaching Danker during the triage scene, a boom mic can be seen at the top of the screen.

Goodbye, Farewell and Amen - S11-E16

Visible crew/equipment: While Klinger is on the phone trying to set up BJ's transportation home, just as Winchester walks into the office pointing out the company clerk the shadow of the moving boom can be seen on the wall, and it's also visible when Winchester takes the mailbag and dumps the contents. (00:42:50)

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Good-Bye Radar (Part 1) - S8-E4

Visible crew/equipment: When Radar arrives back at camp the Korean driver fixes Radar's stiff neck, and just as Radar gives him the money and we hear people cheer that Radar's back, the shadow of the boom mic can be seen on the ground at the bottom left side of the screen.

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Are You Now, Margaret? - S8-E2

Visible crew/equipment: When Williamson and Hawkeye walk into the Swamp and stand near BJ's cot, the edge of the tent set can be seen at the top, left side of the screen.

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