Visible crew/equipment: When they're all in the OR talking about Aggie being at the 4077, Charles compares Colonel Potter's art style to Aggie's, and in the next shot as Potter tells the art critic to tread softly, the boom mic is visible at the top, right side of the screen and just as the mic starts to pull up the shot zooms in on Aggie.
M*A*S*H (1972)
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