Visible crew/equipment: After Charles confronts Choi Sung Ho about the candy, Ho explains that he sold it on the black market to buy real food, and when Ho reenters the mess tent through the side door, we can see that outside there's a director's chair, which actors also use, with something printed on its back.
Visible crew/equipment: In the opening scene where General Clayton is explaining the 4077 to the psychiatrist, the scene changes to the outdoor set and the camera pans to the right. As the camera pans past the hospital, a white 1970s era shuttle van can be seen driving into the set in the upper right corner of the screen. (00:01:35)
Visible crew/equipment: When Frank climbs into the jeep belonging to Major General Cornell Dickering, the MPs show up at the same time that BJ and Hawkeye walk up to join the fun, and during this scene there's a T-mark (albeit a dusty one) on the ground at the driver's side of the jeep.
Factual error: When Klinger's walking with Captain Allen and the Stars and Stripes photographer, just before their introductions to "Ben" they pass an empty corrugated box with its flap open, and the recycling symbol can be seen on the flap. Recycling symbols were not in use until about 20 years later.
Factual error: In surgery Trapper John is singing Frank Sinatra's version of "I got you under my skin". Although it was written in 1936, Sinatra did not release it until 1956, after the Korean War ended. The 1936 version sung by Al Bowlly sounds nothing like the version Trapper John was singing, which was mimicking Sinatra's version.
Other mistake: When Frank's with Margaret in her tent and she tells him that she thinks they should reevaluate their friendship, there's a Life Magazine lying on her bed which is dated over 15 years in the future - August 25, 1967, with "The other war in Vietnam" written on its cover.
Plot hole: Hawkeye calls a number of people into the mess tent over the PA - the ones he allegedly suspects of being behind the thefts he is suspected of himself. Interestingly enough, Ho Jon, later revealed to be the guilty party, is not on Hawkeye's list - yet he shows up uninvited, just to be ensnared by Hawk's clever ploy. Note also that he had no way of knowing what the purpose of the meeting was, so we cannot ascribe to him the motive of wanting to find out how much Hawkeye knew.
Visible crew/equipment: When Klinger's at Little Chicago he asks one of the black market vendors about cameras and he points to another vendor, and when it cuts to the next shot we can see the actor's T-mark on the ground where the man walks away (his foot even moves the T-mark) and Klinger is about to stand.
Visible crew/equipment: After Colonel Potter gets off the phone, he tells Klinger about Torgy Porgy and how after four years of medical school Torgy washed out, and just as Potter and Klinger stand up lighting equipment can be seen at the top right side of the screen.
Continuity mistake: There are two sets of the 4077 compound - the outside Fox Ranch set located at Malibu Creek State Park, and the second set inside the studio's Stage 9. The layout of both sets are quite different - Studio 9's set was vastly smaller than the Ranch set, so things such as the proximity of the Swamp to the mess tent are different between the shots filmed at the Ranch and shots filmed at Studio 9, when seen within the very same episodes.
Visible crew/equipment: When Colonel Potter and Charles exit the mess tent carrying the trays, so they can serve breakfast in bed to the winners, they split up and as Charles walks to the Swamp saying, "What a shame to have wasted all these years as a doctor," we have a great view of the boom and boom mic at the left side of the screen as it moves backwards away from Charles, outside the Swamp.
Visible crew/equipment: When they're all in the OR talking about Aggie being at the 4077, Charles compares Colonel Potter's art style to Aggie's, and in the next shot as Potter tells the art critic to tread softly, the boom mic is visible at the top, right side of the screen and just as the mic starts to pull up the shot zooms in on Aggie.