johnrosa

Trivia: The "Weapons Locker" being used by the 'new' Cylon foursome as a meeting place is designated "1701D", a clear reference to producer Ron Moore's previous work on "Star Trek: The Next Generation" where the U.S.S. Enterprise was designated "NCC-1701D".

johnrosa

Continuity mistake: As Jerry is being driven away, Harper runs into the street to chase the car. From outside the car, we see Jerry's door window is all the way up. But his view of Harper in the door mirror shows the window is fully down. The shot changes again and the window is up. (01:47:15)

johnrosa

Factual error: At the motel where Brolin's character first hides the money in an air vent, and when the hitman arrives to look for him, a silver 1985-1990 era Dodge Aries is parked prominently in the parking lot, despite the film's events taking place in 1980. (00:45:20)

johnrosa

Factual error: Despite the film's events taking place in 1980, several scenes feature a much newer 1986-1990 series Chevy Caprice (evidenced by the flush-mounted tail lights). The most obvious example is in the very first scene showing the rear of such a police car. (00:02:00)

johnrosa

Continuity mistake: When Cillian Murphy's character is recording his message prior to entering the 'dead zone', our viewpoint is from within the monitor in front of him. As such, we see the on-screen image he sees, but reversed, floating between our vantage point and his image. At the bottom of the screen are touch-screen function 'buttons', again in reverse, which read (our left to right) 'RECORD', 'SEND', 'DELETE' and 'REVIEW'. But when our view changes to see the screen as we look over his shoulder from behind him, the visible buttons now read (right to left) 'SEND' and 'REVIEW' (he presses 'SEND'). They should be 'SEND' and 'RECORD'. (00:06:15)

johnrosa

Continuity mistake: Asoke tells Gogol that when he was injured in the train accident, he had just one book with him: 'The Overcoat' by Gogol. Yet when he is rescued in the flashback, he holds pages from the book 'The Collected Tales and Plays of Nikolai Gogol' (01:03:10)

johnrosa

Factual error: The helicopter believed to be carrying Howard Hughes is a Eurocopter AS-350, a design that had its first flight in 1974, three years after the events of this film. (00:02:00 - 01:18:40)

johnrosa

Factual error: The opening shots of the New York City skyline, supposedly representing the area in October 1971 show the MetLife building, complete with such markings at the top, but in 1971 it was actually still the Pan Am building. (00:02:00)

johnrosa

Continuity mistake: When Mike steps off the elevator, he is between the elevator doors and a dark statue in the middle of the hallway. The statue is seen behind him, slightly to our right. When the elevator doors close, Mike's location is different as he begins to walk down the hall. Relevant to the earlier shot, he is much further to our right and farther from the elevator doors, as now has to walk around and past the statue he was originally already past. (00:25:15)

johnrosa

Revealing mistake: The quick shot of the Bible landing in the drawer is reversed. (00:29:20)

johnrosa

Continuity mistake: When Mike goes to the window to call for help, his doppelganger across the street is mimicking Mike's every move. After waving their arms in mirror-image synchronicity, Mike leans to his right slowly, and so does the doppelganger, but it should have leaned to its own left to mirror Mike's movement. All its other movements are exact mirror images. (00:45:10)

johnrosa

Continuity mistake: As Mike is checking his mail in the diner, a lick of hair hangs down above his right eye until he comes across an envelope he finds interesting. As he opens it, the lick is gone, his hair is suddenly near-perfect. (00:10:25)

johnrosa

Continuity mistake: When Mike is speaking with Olin the first time, Olin has a handkerchief in his chest pocket, and two 'points' stick out. But after Olin tells Mike that he thought the "father was a bastard", there are three points sticking out for the rest of the conversation, even through the elevator ride. (00:16:30 - 00:22:30)

johnrosa

Continuity mistake: As Mike scrolls through the microfilm, we see his view as the pages scroll from right to left. The shot then reverses to show his face through the scrolling film, but while the film is now properly reversed, it's still moving right to left in our view. But this reversed angle should show it moving left to right. (00:12:05)

johnrosa

Continuity mistake: When Gator is delivering shine to a bar, his shirt is almost entirely soaked with sweat as he is about to enter the building and as he emerges from it. But while inside, there are just a few damp spots scattered around the shirt. (01:10:50)

johnrosa

Continuity mistake: During the first moonshine run chase, and after dealing with the passing train, Gator's car alternatively does and does not have the back glass installed. This is most noticeable while in the lumber yard and afterwards. It isn't lost or damaged during the chase. It's just there, or not, at random. (00:40:50)

johnrosa

Continuity mistake: When Gator parks his car in front of the courthouse, it is between the white painted lines on the ground. But when he returns to the car to show its engine, it is straddling the line and very crooked. (00:29:30 - 00:32:30)

johnrosa

Continuity mistake: As Gator is pulling his brown Ford into a parking space, the front bumper has a pipe bolted to its leading edge in a mild 'V'. This feature is not seen elsewhere in the film and was added to protect the car during filming of a collision later in the film. (00:29:25)

johnrosa

Audio problem: After Gator's car hits the police car and drives off, the police give chase. Despite both cars being in a corn field, Gator's tires squeal as if on pavement when he drives off. (01:34:15)

johnrosa

Continuity mistake: After being given the brown Ford sedan, interior shots of Gator reveal the interior is blue. Yet when being shown shifting the transmission in close-up, the interior parts are all black. (00:14:05)

johnrosa