27th Jul 2012
9th Mar 2011
Continuity mistake: When we see the train from the front just before the collision at the end of the film, the staircase on its front/right corner is already heavily damaged/crushed. Then, as the car is about to collide with the train, we see the train in a side view and these stairs are perfectly fine. The approaching front view was obviously filmed after the crash. Note the same damage is on the train in the film's opening shot (just before the credits and theme song start).
17th Jan 2011
6th Jan 2011
Continuity mistake: As Cobb is finishing describing how powerful a dream is, his right arm hangs down out of sight as his left thumb touches his forehead, then drops to rest on the table. A wine glass stands to his left. When the viewing angle reverses, his left arm is instantly hanging so that the hand is in his lap, and his right hand is bringing the wine glass to his mouth, yet the conversation is real-time continuous.
19th Sep 2010
Revealing mistake: When Batman flees from Gordon after their first meeting, he leaps across an alley and catches himself on the railing on a fire escape. This fire escape fails, dropping him (as well as the clothing left to dry on the railing). Batman grabs the next railing and again, this second fire escape collapses. Exactly the same as the first, with the same clothing falling off. When he climbs onto the 'third' fire escape, we see he's only come down one level, not two. The scene was artificially lengthened by using two perspectives of the same stunt. This isn't the same as showing one explosion from multiple angles because it is timed/edited precisely to appear as a longer fall in continuous time, not as repetition of the same moment.
Continuity mistake: After colliding with the tail end of the freight train, Manny looks forward along the right side of the runaway train and announces that all the hand rails are gone (torn off in the collision), yet for the rest of the film, all the hand rails on the right side of the locomotives are present and undamaged. The left side of the train (the side that has much more contact with the freight train in the collision) is never seen again in the film, presumably to suggest that is the side that lost its railings, which explains the twisted railing debris between the locomotives seen when the characters are moving between them (along the right sides).
Factual error: During the collision with the freight train, a long shot shows the right side of the runaway passing as debris rains down on and around it. As the third locomotive passes, a 'truck' (the 4-wheel carriage that the freight cars ride on) bounces off the top, then bounces off the cab of the fourth locomotive. And never causes any damage to either locomotive! The first hit should have mangled, even torn off some of the bodywork covering the engine of the 3rd loco, and the second hit should have torn open the cab of the 4th. It hits that cab exactly where Manny is sitting, so he would have been killed. Of course, this footage is of scale models, so they didn't sustain damage the way the real locos would have.
7th Apr 2010
Revealing mistake: After the XO orders all stop, we see a close-up of the ship's yoke being pulled back. The next wide shot shows the interior as the bow of the sub is rising, and just before this shot ends, note the console that the man with headphones is working at. A pair of crewmembers cross paths in the foreground, then the entire console wobbles, proving it isn't attached to the floor at all.
18th Mar 2010
Continuity mistake: After flight testing the suit the first time, Tony crashes through his house, landing on and partly crushing his blue Cobra roadster, as building debris litters the ground around and on the car. Later, when Pepper finds Tony being fitted by robotic arms, we see the same garage area in the background and the Cobra and debris have been cleared away, replaced by the 1932 Ford hot rod. Still later, when Tony suits up for the final battle, the damaged Cobra and all the debris is back in place in time for him to shove the car out of the way. Note the same location in all three shots is below the second set of windows on the wall.
18th Mar 2010
Audio problem: As Shelton is about to drive away from City Hall, we see him operate a lever on the steering column of the van and we hear the familiar sounds of a transmission shifter clunking through a few settings into "Drive". The problem is that he used the lever on the left side of the column, which is the turn signal lever. The transmission shift lever is on the right side of the column. In reality, Butler used his left turn signal before steering left into the travel lane, and the sound editors added the shifter sound to try and cover the fact he's never actually seen putting the van into gear in the scene.
16th Feb 2010
6th Feb 2010
Continuity mistake: When we first see Agent Holloway viewing the crime scene photos taped to the wall, he is facing camera looking at transparent pictures on a transparent wall (as if we are behind that wall, seeing through it). When the angle changes to see the Agent from behind, the photos are now paper photos on a normal, opaque wall and the pictures are arranged somewhat differently - most notably to Holloway's right near the top where two wider photos are vertically aligned atop and below each other in the second shot when they were misaligned in the first shot by nearly half their width. The transparency versus opaque materials issue is a stylistic choice of the director and not a mistake, but the mismatched alignments is a mistake.
Continuity mistake: When the truck rams a silver wagon that is blocking its path, a dark-color 1970s Firebird is parked nose-to-nose with the wagon, at the roadside, and just beyond the Firebird, a silver 1990s minivan is parked on the same side of the road. When the shot changes to show the moto-terminator analyzing the airborne wagon, the Firebird and minivan are gone, replaced by a silver modern sedan. Then, as the wagon crashes to ground after the bike passes under it, nothing is parked on that side of the road except a 1970s Cadillac sedan which is further back along their path of travel.
Continuity mistake: As the tow truck flees the fuel station after believing the Harvester has been destroyed, a car explodes just ahead of the truck in the right lane. The shot immediately following this has Reese facing the camera looking back at the Harvester, but ahead of the truck we can see the road and the exploding car and all the smoke, fire, and debris have all vanished and the lane is clear, even though they can't have passed this car yet.
Continuity mistake: When the Harvester destroys the Saab sedan that is fleeing the fuel station, the car's chassis is shown sailing through the air, stripped of its interior and drivetrain, throwing random sparks, but not on fire in any way because there's really nothing left that would burn. But moments later, it is completely engulfed in flames as it crashes through the awning over the gas pumps.
Continuity mistake: When Marcus stops the Jeep at a ruined fuel station, he parks it between the two gas-pump islands. The Harvester blows the Jeep up and its remnants rain down back on the spot where the Jeep stood: between the islands. We can clearly see the Jeep's grille fall to this exact spot. Marcus and the others are thrown against the wall of the building when this occurs. As Reese crawls to Marcus, he does so across the Jeep's grille, which is now 30 feet or more from where it actually landed.
Continuity mistake: When Marcus hits the side of the compartment that contains Kyle and Star with an axe for the second time, we see the panel's left edge separate from the vertical column, bent in a large "V" inward into the compartment. The next exterior shot as Marcus is grabbed by the harvester shows the panel has only the one small hole in it that Marcus created with his first axe strike. The damage from the second hit is gone.
Continuity mistake: Once the tow truck is attached by cable to the HK, it is spun around. As the truck's rear end is approaching the Honda Element, we can see Kyle making his way into the cab for protection. But a quick external shot of the rear of the tow truck shows Kyle is behind the cab, holding onto the exhaust stack. Then a high shot showing the Honda get hit shows Kyle is gone, apparently safe inside the cab.
Continuity mistake: At the end of the tow truck chase, an HK appears overhead, turns and fires at a completely empty portion of the bridge's road surface (tho Honda Element is between the truck and explosion in the left lane). Yet when we see it from within the truck, the explosion is shown to be of a car of some kind.and the Honda has vanished. Then, as the truck spins-out and comes to a stop, the external view shows that Honda is back and undamaged.
Continuity mistake: As the tow trucks crosses the bridge at the end of the chase, it passes three cars (one is overturned) to the truck's right that will act as a ramp for the bike in a moment. Then, as the truck spins to a stop, a shot from beneath the truck looking rearward shows the three cars it has already passed are not there behind it. Yet the very next distant shot shows the cars are back in place in time to send the bike into the air.
22nd Jan 2010
Continuity mistake: When the two Jeeps arrive at the Kasserine Pass to survey the results of the battle, the second Jeep comes to stop just short of running over a dead soldier. At the end of the scene, the same Jeep drives away, going forward as if to run over that body, but the body has vanished.
Factual error: During the early portions of the film, General Bradley's Jeep is a proper WWII Willys Jeep Model MB (wipers on top of windshield), but the second Jeep that follows Bradley's is a 1950-1952 Model M38 (wipers below windshield) which won't exist until five years after WWII ends.
Continuity mistake: When the three small boys run up and salute Patton, the middle boy stops with the other two slightly behind him to each side, and is the first to salute. When the camera angle changes to view them from in front, the middle boy is instantly behind the other two, and is the last to salute.
8th Jan 2010
Continuity mistake: Pusher loads the revolver with one bullet, leaving five chambers empty. When Mulder picks it up and points it at Pusher, the bullet can be seen in the cylinder, just to the right of the gun barrel. Later, when Mulder begins to slowly pull the trigger for the third time (aiming at Scully), we see the cylinder turn to Mulder's left. Problem is, with the bullet situated as it was when Mulder picked it up, the bullet would have moved to the barrel and been fired the first time he pulled the trigger, killing Pusher. Instead, it fires on the third pull.
7th Dec 2009
5th Dec 2009
Visible crew/equipment: In both EVA scenes, first when Dave retrieves the AE-35 Unit, and when Frank goes to re-install it, there are shots of Discovery in the background, the pod in the foreground and the astronaut floating between. And in both of these shots, the pod rotates 180 degrees. In the front window of the pod, we can see reflected images of the film set and equipment as the pod rotates.
2nd Dec 2009
Continuity mistake: When Bowman attempts to rescue Poole, he enters "C-pod" which, from HAL's vantage point, is the right-most pod. But when we see a close-up of the pod's door closing, we see it is located on the center pod platform, meaning this is B-pod, not C-pod - yet B-pod is the one Poole was using and it is tumbling away in space at this time. We can also see, just barely, that all three pods are present in this same shot.
2nd Dec 2009
Continuity mistake: In several scenes, we are given HAL's visual perspective as if seeing through his lens. This is done with an overlayed image of the lens on whatever area is in sight of the lens. As Dave is entering HAL's memory circuit room (red lighting), one shot again suggests we are again seeing what HAL sees, but there is no HAL lens located and oriented to provide the angle we see. A lens would need to be mounted on the narrow wall directly opposite the circular doorway, yet HAL's lens in this room is mounted on the 'ceiling'.
Continuity mistake: When Bowman leaves Discovery to retrieve the AE-35 Unit, he asks HAL to prepare the "B Pod" and HAL powers up and rotates the middle of three pods. Later, when Bowman asks Poole to help him with a problematic transmitter in "C-pod", they go to the pod bay and enter the middle pod which must still be B-pod as no two pods have left the ship and returned to shuffle their positions.
30th Nov 2009
Continuity mistake: After the car accident, a man in a black hat and coat runs up to the left-side rear window of Patton's car, taps on the glass, then peers into the car. The camera angle changes to show the Jeep arriving and we see the same man in black arrive again to repeat all the same moves exactly.
28th Nov 2009
Factual error: The filmmakers here forgot how a centrifuge works to mimic the effects of gravity. It is centripetal force wherein an object is pulled away from the center of rotation (you feel its effect on a merry-go-round when it spins really fast and you are tossed off by the centripetal forces). No gravity is actually created. So when the two astronauts are walking along the outside of Discovery and Curnow announces he is getting heavier, it is impossible. First, he's not within Discovery (and if he were, the force would pull him toward the ends of the ship - correctly depicted later when the men are shown walking on the inside of the pod bay doors). The area they are walking on is dropping away from their feet. Both men should be motionless in space as the ship falls away 'below' their feet, then rotates around and kills them when it clobbers their heads half a rotation later.
Continuity mistake: In "2001", Bowman steals aboard Discovery through the emergency airlock. In the airlock's alcove is a spare spacesuit, green in color. He takes and uses the green helmet to cross the decompressed pod bay to access HAL's memory. After disabling HAL, Dave wore his red suit and helmet to leave Discovery for the last time, and would have had no reason to move the green suit before leaving, and no one else is aboard to have done so. In this film, we see the same alcove is entirely empty - the green suit has vanished.
Continuity mistake: When doctors are discussing the medical condition of Dave Bowman's mother, a close-up of the African-American doctor shows a framed newspaper on the wall behind him. It is the front page and has prominent pictures of Bowman and Poole taken during their mission. In the next, wider shot, we see this wall suddenly has nothing on it - the newspaper and frame have vanished. They return when Bowman's mother sits up in bed.
Factual error: While the Leonov has a centrifugal section to simulate gravity, the ship's bridge is not part of it (evidenced by the stationary views outside its portholes). Yet in various scenes, including the one when Floyd rushes in to discuss his plan to return to Earth sooner with Tanya, gravity seems quite evident. Floyd marches across the compartment onto the raised pilot area's floor, then steps down from it, his foot landing audibly. Tanya's open jacket also hangs down normally as she moves about. Yet when Floyd demonstrates his plan using two pens, they float in mid air.
Revealing mistake: When the Russian pod is launched, a wide shot shows the Monolith at top/right with Jupiter in the background and both the Leonov and Discovery at bottom/right with the pod nearby. Just before this shot ends, all three spacecraft vanish, leaving only Jupiter and the Monolith for a very short but obvious moment.
Factual error: In the vast majority of cases, U.S. Astronauts wear the US flag on their left arm. On the rare occasion the flag is on their right arm, the flag is reversed so that the blue field remains toward the front of the person wearing it. The patch on Dr. Chandra's space suit during the launch countdown to leave Jupiter is on his right sleeve but is a left-sleeve patch.
22nd Nov 2009
Continuity mistake: When Dave begins to disconnect HAL's circuits, one angle shows him unlock the first, second, then third unit. Just as he's about to remove the key from the third lock, the angle changes and he's pulling the key from the second lock and then goes for the third again. We know this is consecutive time as HAL is pleading with Dave the entire time.
22nd Nov 2009
Revealing mistake: During the "Dawn of Man" sequence, the ape-man scenes were shot on an indoor stage with projected background images on a huge screen behind the stage. The screen itself was a highly reflective cloth. In most shots, it is quite convincing, but in several (especially when facing the aggressive, victorious group during the first fight, then again when facing the tool-using group in the last fight), the rear screen appears to be a patchwork of smaller pieces of cloth as very obvious puzzle-like shapes of varying reflectivity appear in the sky. Once you notice them, it's incredibly distracting. It was originally parallel strips, but they were VERY visible as vertical lines so they were torn into a patchwork to make lines less obvious.
19th Nov 2009
Continuity mistake: When young Spock approaches the three bullies at school, the shot from behind Spock shows he is at least as tall if not slightly taller than the other three boys. But when the shot reverses to see Spock between two of the bullies, he is instantly much shorter than they are. This isn't a matter of camera angle, but rather the choice to have young Spock positioned lower to make the bullies more intimidating - a choice the earlier angle didn't take into consideration.
19th Nov 2009
Continuity mistake: In "The Ultimate Cut" version of the film (and perhaps the original), Laurie and Dan have a discussion in a restaurant about the attack on Ozymandias. Outside, across the street we see people milling about. As the camera cuts between shots of both characters at the table, then close ups of Spectre, then of Night Owl, and back again, the positions of these people vary randomly, including a seated girl that appears instantly out of nowhere, then a man in a brown jacket walks over to join her, but instantly is seated next to her, then he's seen approaching and sitting down with her. (Timecode is for The Ultimate Cut).
18th Nov 2009
Continuity mistake: When Kovacs is being interviewed before being given the Rorshach test, a pill bottle is shown on the table in front of him. The front label of the bottle faces Kovacs when first seen, but a moment later, with nobody touching it, the bottle has turned 90-degrees so that the label faces left of Kovacs, toward the camera. (Timecode is for The Ultimate Cut).
18th Nov 2009