6th Jul 2008
Continuity mistake: When Harry and Arthur Weasley head toward the sidewalk with the Ministry's phone booth, we see the asphalt they walk on. In the next shot of that street, there is a puddle of water precisely where they both walked puddle-free a second earlier. (00:17:20)
6th Jul 2008
Continuity mistake: When Harry is in Umbridge's office to do lines, there is a framed photo of her beloved Cornelius and a bowl of potpourri at the corner of her desk. In the overhead shot of Harry, as he begins to write, the frame has moved towards the center of the desk. (00:36:35 - 00:37:30)
18th Jun 2008
Continuity mistake: When the four Hobbits run out of the corn field, Pip stops short at the edge and there's a shot of the slope below. Next shot, when Merry and Frodo push up behind Pippin, Sam appears directly behind Merry, to his right, and stands there looking down. Yet, in the next side shot, from far behind, Sam is still running up to the rest of them, as his head is turned looking over his left shoulder. He then ends up on the opposite side from the first shot, to Frodo's left. (00:52:25)
16th Jun 2008
Continuity mistake: In Cody's room, when the color drawing is on the bed and when Cindy holds it in front of her, we see it includes the sky, the house/chimney with smoke, the boy, the arrow, etc. In the close-up of the drawing, there are now three large spaceships drawn under the sky, between the house and the boy. (00:58:50)
8th Jun 2008
Continuity mistake: When DeSoto joins Gage at the kitchen table they discuss Gage's bright idea of rodeos. In all the shots facing DeSoto his hands are clasped together with the coffee cup on the table, but in all the shots facing his partner, he's holding the cup of coffee. The magazine ends up under DeSoto's arms between shots as well.
3rd Jun 2008
Continuity mistake: When DeSoto starts to crack about what's upsetting him, Gage places a mop beside another mop, up against the door and it falls over. Next shot both mops are upright and in different positions as well.
3rd Jun 2008
Dinner Date - S2-E10
Continuity mistake: When the paramedics and the rest of the firemen gather round the failed pacemaker patient, their positions change and in DeSoto's close-ups the Captain isn't seen (for the camera angle's sake), although in other shots he's right beside Gage. As an aside, note when Captain Stanley first first gets off the engine and trips in the background.
3rd Jun 2008
Dinner Date - S2-E10
Continuity mistake: When DeSoto and Gage arrive on scene at the traffic accident, the boy and his bicycle lying on the ground change positions between wideshot and close-up.
3rd Jun 2008
Continuity mistake: When Christy walks into Station 51's kitchen, the bag strap is on her shoulder, but close-up it is gone, only to be back next shot when she removes it a moment later.
3rd Jun 2008
Continuity mistake: The shaving foam on DeSoto's face changes between the face-on shots and the reflection shots, and in the reflection he shaved from cheek to chin, but in face-on shots only to the neck.
3rd Jun 2008
Peace Pipe - S2-E5
Continuity mistake: To send the drug box up to Gage and DeSoto on the scaffolding, Kelly loops the rope and ties a knot, but in the next shot, when Gage pulls it up it's a different kind of knot and loop.
3rd Jun 2008
Peace Pipe - S2-E5
Continuity mistake: After Gage catches fire from flammable hose 'water' and removes his jacket outside, when DeSoto walks to his Engine Co., the gloves he holds switches hands between shots.
2nd Jun 2008
Peace Pipe - S2-E5
Continuity mistake: When DeSoto and Gage arrive at the corner shop for the gum ball machine rescue, in the overhead shot the front end of the parked RV is beside the lamppost, but in the next shot half its body is past the fixture.
2nd Jun 2008
Continuity mistake: Gage and DeSoto arrive at the apartment complex, home to the guy trapped in the couch. They park the vehicle and walk on the gated balcony to the apartment. In the exterior shot, when they enter the doorway the inside wall to their left is bare and the corner of the balcony's iron gate is to the doorway's left. Next interior shot, now there is a large painting on that previously bare wall and the iron gate is directly in front of the door. When they leave, their vehicle is farther away, positioned differently.
1st Jun 2008
Peace Pipe - S2-E5
Continuity mistake: Before being shot at, when Gage and DeSoto climb up to the scaffolding, Gage lifts the man's head to rest on the scaffolding and stays that way in each of the following close-ups, but in the following four wideshots his head still hangs over the side.
1st Jun 2008
Peace Pipe - S2-E5
Continuity mistake: When Kelly and Gage have at it about the portrayal of Native Americans in film, DeSoto quips, "What are you picking on me for?" as he faces Gage in front of him. Gage then walks to the other side of the table and after he says, "We call that white man royalty syndrome," he puts his arm around Kelly, standing beside him. We are then shown DeSoto's reaction shot, who still faces Gage in the same direction as his earlier quip, and we also see Kelly behind him, but no Gage.
29th May 2008
Continuity mistake: At the stationhouse, when DeSoto and Gage are discussing the detective, in the shots facing Gage, DeSoto holds a cup of coffee in his hands, but in the shots facing DeSoto his cup is on the table.
28th May 2008
Continuity mistake: During the raging brush fire, the scoop stretcher is sent down the cliff to the paramedics in the canyon. Once Gage has it and then drags it towards DeSoto, the boxes and gear switch positions between shots.
27th May 2008
Continuity mistake: After the guys lift the car engine off the man and Kelly maneuvers the car backwards, the same close-up of the officer and two women that was shown a few shots earlier is shown again, even though the car is now moving farther back.
27th May 2008
Continuity mistake: When the guys begin to use the pulley system to lift the car engine off the injured man, the women stand to the officer's left (viewer's right), but in the next close-up it is switched, then back again in the wideshot.
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