The Andy Griffith Show
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Helen's Past - S8-E24

Continuity mistake: When Andy finds the old newspaper clipping in Helen's box he tucks it into his pocket, but when he's looking at the clipping while he's at the office the newsprint on the back is entirely different. Then when Howard reads it the newsprint changes yet again.

Super Grover

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The Pageant - S5-E11

Continuity mistake: While Andy and Opie are sitting on the couch, Andy's on the phone talking about having to tell Aunt Bee to drop out of the play, and there are two candlesticks with candles on the server behind Andy, but in Andy's closeups they're gone.

Super Grover

Three Wishes for Opie - S5-E14

Other mistake: When Andy asks Floyd and Judd about who he's supposedly marrying it cuts to Helen walking down the street, and the grocery store has only one display window, when it should have two windows, and there's a brick wall adjacent to the window which shouldn't be there. (Shot at the soundstage not backlot).

Super Grover

Barney Fife, Realtor - S5-E16

Revealing mistake: While Barney's explaining to Andy his new interest in realty they both walk to the back room, and just as they pass through the doorway the camera tracks too far to the left, so we can see the edge of the set wall and the rest of the back wall is missing. (The following shot is from the direction of that missing wall).

Super Grover

Barney Runs for Sheriff - S5-E21

Other mistake: When Floyd tells Barney that he doesn't want to put Barney's campaign poster in the barbershop window because it spoils the decor, the reflection we see in the mirror behind Floyd is the church's front door and steps. This makes no sense at all because the reflection should be whatever is to the right of Floyd's, but the church is the opposite way - to the left, past the courthouse. The view in the mirror is a painted backdrop, but it's still quite wrong.

Super Grover

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The Arrest of the Fun Girls - S5-E28

Continuity mistake: When Helen and Thelma Lou walk into the courthouse and find Andy and Barney dancing with Daphne and Skippy, there are lipstick marks on Barney's cheek, but when Andy gives Skippy her sweater and radio then tells them both to go, in the closeups the lipstick marks are gone, though they reappear momentarily.

Super Grover

Aunt Bee, the Swinger - S6-E4

Visible crew/equipment: When Floyd and the other men are with John Canfield joking about Floyd's barber skills, a chalk T-mark is visible on the ground by the man with his foot on the bench. Then when Canfield walks away we can see more chalk marks on the ground.

Super Grover

Back to Nature - S4-E31

Revealing mistake: When Andy, Barney, Gomer, and the kids are at the campsite in the woods, during the daytime scenes the only shadows that should be seen are the ones being cast by the sun, but there are shadows being cast in different directions due to the set lighting.

Super Grover

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Man in the Middle - S5-E7

Continuity mistake: When Barney, Thelma Lou, and Andy are driving to Andy's blind date they're all in the squad car. When they're parked in front of Helen's house in the closeup shots the light mounted on the roof has vanished, the glass windshield's gone, the car's interior differs, etc., and then it changes back. The roof is black, then white, as well.

Super Grover

Andy's Rich Girlfriend - S3-E2

Visible crew/equipment: After Andy explains to Barney why he's taking Peggy to a nice restaurant 55 miles away, when Barney walks away from the cell we can see the leg and shadow of the tall wood ladder (presumably the crew's) at the right side of the screen, but when Barney and Andy are by the front door there's no such ladder behind Barney in his closeups.

Super Grover

Opie's Group - S8-E9

Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.

Super Grover

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Convicts-at-Large - S3-E11

Question: Beginning with the "Convicts at Large" episode in season 3, full width window boxes appear at the bottom of both front windows on the inside of the Sheriff's Office. Prior to this episode, they did not exist. Window boxes are often used to display decorative plants but I don't see any plants. And if they were supposed to partially block the background, the blinds were long enough to accomplish that. I find it hard to believe that the producers would spend additional money (for material and labor) for something that seems to serve no purpose. So why were they added?

Answer: Those "boxes" are valences that used to be very common, before air conditioning. They allow for windows to be open during rain storms. They permit air circulation, without letting the rain in.

Answer: As noted in the previous answers, in real life, things like this provided wind and/or rain deflection, and also maintained a bit of privacy when blinds were raised somewhat. The interior courthouse set was located in the studio, so the "outside" Main Street didn't exist. I believe these things were added to the courthouse windows for practicality, to avoid some crew movement being visible on the opposite side of those windows. These are not "window boxes" to hold anything, as they're actually bottomless; we can see the Venetian blind's long pull cords under them. They're made of plywood and simple to build, so the "material and labor" was inexpensive. Similar variations made of different materials are in other movies/shows. In 1957's "12 Angry Men," textured chicken wire glass panels are in the jury room windows, and in "Jesse Stone: Night Passage" another type is in Jesse's office windows.

Super Grover

Answer: I suspect these were common, as to block the wind from blowing the blinds and papers on the desk.

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