Continuity mistake: In every other episode it's seen in, room 314 is a room directly off a corridor, but in "The I In Team" Walsh walks through the door off the corridor, then there's another shot of her walking through a door. Where did the second door come from? (00:13:50)Shay
Continuity mistake: When Spike is looking out the window at the demons rampaging in the street outside Buffy's house, Dawn can be standing behind him with her hair trailing down below her breasts. In the next shot, when Spike pulls her away from the window, her hair is pulled back behind her shoulders despite her not having moved. (00:53:10)
Revealing mistake: Early in the final fight, Vi makes a flying kick to knock an Ubervamp off the cliff. As she lands, she swings back and twists slightly, suspiciously like one would do if suspended on a wire. There is no way she could gain this motion by kicking straight off the vamp as shown. (00:29:00)Phoenix
Continuity mistake: In the episode 'Anne' when the latest people to be brought into hell are lined up with a demon talking to them, there are 3 or 4 people standing between Buffy and Lily. When the demon asks them all in turn 'Who are you?' we see him asking Lily and after that the shot rests on Buffy, but in the background we only hear him ask one more person before he gets to Buffy. (00:35:50)Shay
Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.
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