Buffy The Vampire Slayer

The I In Team - S4-E13

Continuity mistake: At the end of the episode, as Spike's getting his T-shirt on, from one angle he gets his arm completely through a sleeve, then we cut to a different view and he's still pulling it on.

Jon Sandys Premium member

The I In Team - S4-E13

Continuity mistake: In every other episode it's seen in, room 314 is a room directly off a corridor, but in "The I In Team" Walsh walks through the door off the corridor, then there's another shot of her walking through a door. Where did the second door come from? (00:13:50)


The I In Team - S4-E13

Continuity mistake: The first shot of Maggie Walsh being impaled from behind with the skewer indicates that there is no one standing close by, judging by the amount of negative space around her. However, following shots reveal that the skewer is coming straight out of Adam's wrist, therefore he should have been visible in the previous shot.

The I In Team - S4-E13

Continuity mistake: When you first see Adam lying on the bed, before he wakes up you see his human side of his face on his right side. In the next scene the camera is over Maggie Walsh's shoulder and the human side of his face is now on the left side. Then just after he stabs Maggie it switches back again.

Join the mailing list

Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.

Add something
Buy the booksMost popular pagesBest movie mistakesBest mistake picturesBest comedy movie quotesMovies with the most mistakesNew this monthTitanic mistakesPretty Woman mistake pictureThe King of Queens mistakesThe Game endingMan on Fire questionsReady Player One triviaSuper Troopers quotesShrek plotDenzel Washington movies & TV shows25 biggest mistakes in classic Disney moviesStar Wars mistake video
More for Buffy The Vampire Slayer


Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.



The accent that Giles uses as his teenage self is Anthony Head's natural accent.