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The Ringer - S1-E1

Continuity mistake: The shot from behind Ganon's throne shows a view of the walls at the base of his stair case. On the left there are some brown, thick stalagmites rising from the top of the wall on the left, and parts of them are drooping over the wall hanging down. You can also see on the right side of the screen that no such wall exists on that side and it opens up into a different path. When Ganon teleports down from his throne and is standing down there, the stalagmites and their hanging parts are gone. Also there is now an identical wall on the other side that was not there before. It also appears that the stairs coming down from his throne are more of a straight line shape now instead of fanning out. And lastly, the tall curved walls out in the middle are very tall, but in the other shot they are barely half the height they were compared to the other wall. (00:06:00)

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The Ringer - S1-E1

Continuity mistake: Ganon teleports to his throne after killing the Moblins for their failure and it shows two column like structures sticking up from it. In this shot they appear shaped more like melted wax candles and droopy. When it cuts to a view from the other side after Ganon's close up, they look very different, with jagged edges like broken rocks. It also appears that his throne also becomes wider between shots with him having more room to sit. (00:05:45)

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The Ringer - S1-E1

Continuity mistake: Ganon states that if he wants the Triforce of Wisdom, he's going to have to get it himself. At the end of the shot, he's looking straight ahead with his hand hovering below his face but not touching. It cuts to a further away shot and now his head is tilted down and his hand on his chin as he's thinking. (00:05:55)

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The Ringer - S1-E1

Continuity mistake: When it shows the Evil Jar that the Moblins were zapped to, the one on the left is moving up and down quite a bit, with the center one barely moving and the one on the right not moving at all. It cuts to an overhead view and still shows that the one on the left is moving up and down suspended in the Jar. But then it cuts again to a view of the them as the middle one apologizes and suddenly the one on the left is now not moving at all any more. (00:05:20)

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The Ringer - S1-E1

Continuity mistake: As Ganon zaps the Moblins inside the Evil Jar with lighting to destroy them, it cuts to a shot from a distance by Ganon's throne showing the Jar. In that shot, the artist seems to have forgotten to draw the podium holding the Triforce of Power under the Jar as it has vanished. (00:05:45)

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The Ringer - S1-E1

Continuity mistake: After the Moblins apologize to Ganon for failing, it cuts to Ganon's eye as he states that they will be sorrier before he kills them, and it shows them reflected. For the most part, the reflection is pretty close to correct, with the right and left Moblins being flipped to opposite sides and facing like a reflection. However the Moblin in the center is not a reflection, and the tale tale sign is his feet. In both shots, his left foot is hanging down lower than his right. If it were a reflection it would show his right foot hanging down further in the second shot. (00:05:25)

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The Ringer - S1-E1

Continuity mistake: While Ganon is teleporting around shouting in anger at the Moblins for failing to get the Triforce, you get a clear view of the Evil Jar in his lair. It has one face on it with some horns sticking out beside the head on each side of it with some distance between them. When Ganon strikes the Moblins inside with his lightning to kill them, the camera pans up showing the face again but now there are three faces on the jar, and the horns have gotten much thicker, coming out from right behind the head. Also the ears on the face change from being more elf like ears to resembling more like bat ears. (00:05:35)

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The Ringer - S1-E1

Continuity mistake: As Ganon is teleporting around angry at the Moblins before he kills them, he stops just short of his giant evil jar and he has no shadow behind him, even though the Triforce of Power's podium casts a shadow. It cuts to a high angle and suddenly he has a long shadow behind him. (00:05:20)

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The Ringer - S1-E1

Continuity mistake: As Zelda is walking out of the room after patting Link on the cheek, you see a view of him from behind and his hair is mostly behind his head. But then it cuts to a close up of his face and now the bottom of his hair is curled a bit around his neck. (00:05:10)

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The Ringer - S1-E1

Continuity mistake: As Zelda is patting Link on the cheek saying she knew she could count on him, you see the door next to her but it's different, with it only having apparently one small red metal part in the middle of a brown wooden door. But in the next shot it goes back to how it was, with two large red metal pieces on the door with a small area of wood between them. (00:05:10)

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The Ringer - S1-E1

Continuity mistake: Once Zelda walks into Link's room after slapping him, you get a good look at the debris and destruction supposedly caused by the fight. But through their entire conversation before Zelda leaves, the broken items and debris constantly change locations and amount. (00:04:15 - 00:05:10)

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The Ringer - S1-E1

Continuity mistake: Once Zelda walks into Link's room and they start talking about the mess and the Moblin attack, during their entire conversation the two of them keep moving around to different spots in the room depending on the angle. Without themselves moving. Sometimes closer to the bed, sometimes closer to the closed window, sometimes facing the open window then the closed window, and Zelda's position to the stand the Triforce sits on is always different between shots. (00:04:15 - 00:05:10)

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Continuity mistake: When Steve is telling Kenny to run as fast as he can to the other side of the police car, you can see the front passenger door is still wide open where Kenny got out. It cuts to a shot of the merc firing at them and in the distance you can see the police car, but now the door is closed. Also the windows in the car are miraculously undamaged for being in a shoot out lasting several minutes. (00:46:55)

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Continuity mistake: Once the mercs start to shoot at Mike's squad car, they back up quickly and there is a close up of the passenger front tire being shot out and blown. A couple of shots later as they are driving backwards off some parking spots, the tire is perfectly fine. Also the damage to the vehicle appears to lessen. (00:42:50)

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Continuity mistake: The Apocalypse/Mayhem: When War asks where are his brothers, it cuts to a close up of his face and suddenly a red Hell spike appears behind him.

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Continuity mistake: The Apocalypse/Mayhem: As War walks up to Abaddon, he questions what is going on and reaches towards his back to draw his sword. In the close up of him grabbing the sword's handle, it appears there is a wall very close to War behind him that's glowing red with one of the red Hell spikes right behind him with burning fire suggesting he's standing with the lava pit in the road behind him. But as he's drawing his sword it cuts to a different angle and now War is back to being in the middle of the street with nothing behind him having been able to make the appearance of what was seen in the previous shot.

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Continuity mistake: The Apocalypse/Mayhem: During the cut scene before Straga, War walks up to Abaddon and you can see a double yellow line on the road beside War. It cuts to a close up of War's face, then to Abaddon, and then to War drawing his sword. And then back to him on the road and now the double yellow line has vanished off the street.

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Continuity mistake: The Apocalypse/Mayhem: During the cut scene before fighting Straga, a Minion Demon pins down an Angel Soldier and proceeds to rip his throat out. In one shot, you see the Demon's teeth hitting their mark, going into the Angel's neck and jaw line. But it cuts to a different angle during this first bite and suddenly the Demon's teeth are sinking into the Angel's upper torso just below his neck.

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Continuity mistake: The Apocalypse/Mayhem: Just before the first battle with Straga, you walk down a street where there is a large hole in the road filled with lava and some Angels are fighting some Minion Demons. On the other side of the hole, there is nobody. But once the cut scene starts on an angel in the sky, he swoops down towards that spot and suddenly Abaddon and another Angel Soldier appear standing on the far end of the hole.

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Continuity mistake: Interpol agent Sarah approaches a location given to her by the arms dealer trying to find the armed mercs that gunned down the team at the start of the film. As she sneaks up to the door and is peaking in, her gun is holstered on her hip visibly with nothing in her hands. This by itself is a stupid mistake for any police agent to approach the location of a suspected killer merc team without the gun at the ready. When she steps inside and walks into a room, it suddenly shows her holding her gun in her hand. (00:31:45)

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