Continuity mistake: When Dave gets his supper, the order of the slop from right to left is yellow, light brown, light brown, dark brown. Later when he's eating, the order is yellow, orange brown, dark brown, light brown. (00:59:00 - 00:59:50)
Mistakes in the IMDb top 250 - page 5
91: Reservoir Dogs
Continuity mistake: When they bring Marvin Nash to be tortured, his hands are cuffed behind his back. They start kicking him and his hands are then seen cuffed in front. Then, they switch back just a few moments later and his hands are back behind his back again.
Continuity mistake: After Elsie has been kidnapped, there is a scene where a little girl walks up to an old man to ask him for the time. A man notices this and walks towards the old man. The old man is standing in front of a light pole which casts a shadow onto the pavement. In another shot, there are no shadows near the light pole.
96: Citizen Kane
Character mistake: During the dancing girl scene, as they are singing the praises of Kane, the girl to the immediate right sings out of time with the rest of the dancers during the line "His favorite son." Even though she forgets to sing the line, she can be heard singing it a bit too late. (00:41:00)
Continuity mistake: Harry stands on top of a building with a girl folding paper planes. The plane they fold is folded with a blunt front. He throws it off the building and then the plane flies, all of a sudden the nose is sharp, this is visible. (00:12:10)
Continuity mistake: When Howard's wife is leaving Joel's apartment, the first two shots show her trench coat belt hanging from the bottom of the driver's door. In the third shot the belt is no longer hanging from the door. (01:19:30)
103: Lawrence of Arabia
Continuity mistake: The shadows in the scene with Lawrence sleeping on his camel are short because it's the middle of the day. In the next shot you see long shadows on the sand. When Ali wakes up Lawrence they are short again. (01:01:41)
104: The Kid
Continuity mistake: After the Tramp has found the Kid as a baby, he sits down by a drain and contemplates dropping the baby in. He puts his cane alongside him, so that it is at right-angles to the pavement (pointing towards the camera). The shot changes, and suddenly it is now parallel with the pavement.
105: Full Metal Jacket
108: The Apartment
Continuity mistake: During the second round of drinks, the amount of ice left in the frozen daiquiri changes depending on the camera angle. It's poofy and opaque in the side view, and deflated and almost fully transparent in the tighter close-up on Shirley MacLaine, with an intermediate angle and state. (00:38:10)
109: Double Indemnity
Factual error: There's a scene when Barbara Stanwyck hides behind an open door to avoid beeing seen by Edward G.Robinson leaving Fred MacMurray`s apartment. To make this possible the apartment door opens outside into the corridor, which is an elegant solution for this situation in the movie. But in the real world no apartment door would open by swinging into the corridor because this would give a visitor standing there a punch on the nose when the resident opens the door.
Continuity mistake: When Freder exits the Moloch machine hall, in the shot of Freder descending the stairs the two motorized utility carts are missing. (00:15:55)
113: Taxi Driver
114: A Clockwork Orange
115: The Sting
Continuity mistake: When Lt. Snyder breaks the phone booth window with his gun and points it at Hooker, Hooker's hat falls off. Yet in the next shot over Lt. Snyder's shoulder you can see that Hooker's hat is back on his head.
Continuity mistake: In the motel chainsaw scene, before the Colombians pull out their guns, there are several food containers, a bag of cookies and a soda can lined up neatly on a table, seen in multiple shots. After the skirmish, Hector pulls the chainsaw out of its box and Tony is leaning against the table with the items now all scattered in different positions. A few minutes later, Manny shoots his way in. You can see the table in multiple shots and the items are back in their original positions.
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