Visible crew/equipment: After burning the car, when Dave takes the trash out there is a camera operator at the end of his driveway. (01:11:00)
Continuity mistake: Gimli is lying with his face under the water, after jumping off the Deeping Wall and landing on the Uruk-hai. In the close-up, the right arm that grabs Gimli's shoulder to help him out of the water is Legolas' right arm. Yet, in the wide shot, suddenly it is Aragorn helping Gimli to his feet, not Legolas. (01:11:10)
Other mistake: When Ace rescues the dog and replaces it with a toy dog, the toy dog is in an impossible position. Ace had to place it there when the door was still open, but if the door was closed after that the man would have knocked it over. (00:03:25)
Factual error: Basic physics - Hancock throws Michel from a dead stop to above cloud level in about eleven seconds. The clouds are bog standard cumulus which form at around 7,000 metres in temperate zones. This means that Michel accelerates to about 700 metres per second instantly, from a dead stop. Obviously he cannot accelerate during his ascent, so his starting speed has to be at least that. (In fact he would have to start his ascent much, much faster than 700 metres per second as he would be constantly decelerating due to gravity and air resistance, but it will do as a start point.) Michel accelerates from 0 to 2,520 kilometres per hour - twice the speed of sound - in zero seconds. He would be accelerating at around 5000 Gs, turning him into a very long streak of fine, pink mist.
Plot hole: The idea that Marlow would simply take a taxi to his wife's address after being missing in action for thirty odd years is stupid beyond belief. He was on a ship sailing from the central Pacific for days and those ships have radios! The US military would have known he was coming. Someone, somewhere would have notified the authorities that a US serviceman long thought dead was actually alive and on his way home and his wife and son would have been there on the docks to greet him, not standing slack-jawed in the kitchen dropping trays of drinks on the floor when he turned up! What would have happened if she had remarried? Or moved house? Or she was dead? Don't tell me the US military didn't know he was coming - he is wearing a brand new uniform, clean and pressed.
Continuity mistake: Throughout the entire film the tattoo on George Clooney's neck moves position and changes shape.
Character mistake: Jim Sturgess uses a sentence that contains the word 'me'. He is corrected, being told that the word 'I' would have been correct. However, he was grammatically correct in his use of the word 'me'. The correction was in error.
Revealing mistake: In one shot when the boat is pulling away from the waterfall, you can clearly see that the shot is the same one they used earlier in the movie. The water from the waterfall now is going up the cliff! They have just put it in reverse.
Visible crew/equipment: When Dr. Okun is about to unlock "the vault", and says, "The freak show," a crewmember wearing a black and white striped shirt is hiding under the vault's floor, right behind Okun. (Only visible on fullscreen DVD.)
Factual error: During CONTROL's paintball training session, a barrel view of a bullet exiting the gun is shown as it travels to its target. However, the entire bullet is shown, casing and all, instead of just the bullet. (00:09:10)
Plot hole: When Sarah Paulsen pulls the necklace out of the water, the necklace clasp is obviously closed. Since the circumference of the necklace is too small to fit over the top of Anne Hathaway's head, why would anyone believe that it fell off her when she was running to the bathroom? The only way that could have happened is if the clasp (which we were earlier told can only be opened by a magnet) had opened. The trained security guards wouldn't have suspected something wasn't right about a closed necklace falling off over of her? They were following her. They saw that at no point did she lower her head on her way to the bathroom for the necklace to fall off over her head to begin with. It also could not have fallen off her when she was vomiting into the toilet in the bathroom since the clasp was closed. (01:18:25)
Other mistake: When Adam comes in and says "when I woke up this morning, the pain was gone", Connie is mouthing his lines behind him.
Factual error: Twice in the film it is made clear that the Pym particle works by reducing the space between atoms in order to shrink an object, and by increasing it to enlarge them. This means that the object will weigh the same, whether shrunk or enlarged - it cannot be otherwise. A 90kg man the size of an ant would punch a hole through any surface upon which he stood (and couldn't ride ants), Doctor Pym has been walking about with a 60 tonne tank in his pocket, Darren Cross lifts a full grown sheep between finger and thumb, and the supersized Thomas The Tank Engine would be far too light to crush the police car (in fact it would float harmlessly away as it would probably weigh less than the air it displaced).
Continuity mistake: The tyres on the crotch rocket motorcycles they were riding kept changing from knobbly tyres to road slicks, back and forth depending on what terrain they were on. Easiest to see when Ethan skids on the road to avoid the white van - clear shot of slick tyres - then about 30 seconds later they're on the dirt, he skids into the old car and you can easily see that he's got off-road tyres front and back.
Plot hole: Necros had absolutely no way of knowing that Bond and Saunders had arranged to meet at the café when they did and wouldn't have had anywhere near enough time to track them down and set up his elaborate booby trap. Saunders only suggested the meeting place and time a few hours earlier, and it was kept strictly between him and Bond. The scene in Tangier, where Whittaker tells Necros to kill another British agent, takes place on the same day Bond arrived in Vienna; meaning that Necros got from Tangier to Vienna (a 5-hour plus flight), tracked down Saunders, acquired the materials to booby trap the café doors (or had planned this ahead of time - unlikely), and set the trap up well in advance of him and Bond getting to the fairground. There was nowhere near enough time for all of that to happen without Necros having psychic knowledge of Saunders' movements.
Factual error: The movie is supposed to take place in and around New York City, however during the car chase where Angelina and Brad are fighting off the three BMW's, a wide shot clearly shows a street sign announcing Los Angeles.
Continuity mistake: In the final battle, Wasp and Ant-Man are in the van trying to get the quantum tunnel operational. We cut back to the fight and we can see Ant-Man there too, fighting in his giant form. (02:22:20 - 02:23:00)
Suggested correction: He needed to hot-wire the van. It's quite possible he could have left the van for parts (he's seen slamming a Leviathan to the ground) or to protect it. It also could have been an illusion by one of Dr. Strange's people.
Sorry but the suggested correction makes no sense. For one Dr Strange's people have no idea what Ant-Man looks like, and secondly Ant-Man would have no idea where to get parts from in the middle of a battlefield, let alone know if alien technology would be compatible. Also the time frame given when the scene plays out allows no time for him to leave the van, this is a legitimate mistake.
Dr. Strange's people don't know what Ant-Man looks like? He entered the battle with them long before they went to the van. Earth has had access to the same Leviathan parts since the original Avengers. If Toomes can make wings out of it in Spider-man Homecoming, it's possible he can figure something out. Clint had passed the glove to Black Panther before Ant-Man is seen in the background. There was plenty of time. He also could have been defending the van while they brought the glove.
There is plenty of time for Ant-Man to have left the van and returned to it. As the scenes play out, Ant-Man and Wasp are in the front of the van trying to hot wire it. The film then cuts to the battle for several minutes, as we see the passing off the gauntlet, which includes the brief shot of Giant-Man in the background. A few minutes later the film cuts back to the van and we see Scott opening the rear door of the van. So there's plenty of time for him to have gotten out of the van, saw potential trouble with the Leviathan, turned into Giant-Man to stop it while letting Hope finish activating the tunnel, and then returning to check the final settings. Now, all this raises another question that has to do with the apparent ease Giant-Man has in traversing the battlefield, as in why not just give Scott the gauntlet, have him turn into Giant-Man, take a few steps over to the van, and then shrink back down to take the stones back in time?
Plot hole: There is a barely credible explanation for the fact that a guest cannot be injured or killed by being shot in Westworld, but what about the vicious fistfight we see in the bar? People are injured or killed in bar brawls all the time, and this one was incredibly violent. How do they prevent guests from being injured or killed by the cutting and stabbing weapons we see in Medieval and Roman World? Guests are supposed to fight each other, not just robots - they cannot be 'programmed' to lose! Delos is going be sued into bankruptcy within a week of the first guest arriving. Quite apart from the legal position, think about the bad publicity! Who is going to pay the huge fees demanded by the parks owners when the media is constantly reporting on the guests who wound up dead or with life changing injuries?
Suggested correction: The explanation given in the TV show would seem to easily apply to the original film as well: guests can be injured, but not to the point that it would leave a lasting mark. The park has access to futuristic medical techniques, so they can heal most non-life-threatening injuries easily. Also the guests almost certainly sign waivers, so in the event of serious injury the park isn't liable.
Suggested correction: It's easy to nitpick the factual details of "Westworld," the screenplay of which was written on-the-fly on a fairly limited budget, even by early 1970s' standards. Author Michael Crichton (who also wrote "The Andromeda Strain," "The Terminal Man," "Congo," "Sphere," "Jurassic Park" and several other technological thrillers) himself acknowledged that Westworld was more a visual story (like a comic book) than a cerebral piece of science fiction, and he learned on this movie that suspension of disbelief outweighed technical or even factual details, if he wanted to expedite the story in an hour-and-a-half. Crichton said he was having more fun and devoting more time to shooting the film than actually writing it, comparing the experience to playing cowboys and indians as a child. So, yes, Westworld is not much more than an adult fantasy with a number of plot holes that we are supposed to gleefully overlook, rather than analyze.
Except for blatant continuity mistakes you just invalidated every single entry on this site.
Suggested correction: Westworld ensure that any interactions with the robots are entirely safe for the patrons of the park. They cannot prevent humans fighting amongst themselves, just as Disneyland can't prevent people fighting there. People are also injured or die all the time in horse-riding accidents, but that won't lead to people suing Westworld. Due to the nature of the park, all the guests likely sign a waiver stating that any injuries are not the fault of the park.
Utter rubbish. Guests who were completely innocent bystanders could be killed or injured by the actions of other guests, notably in the bar brawl or by the explosion used in the jailbreak. We see one guest smash a barstool against the back of another guest - not a robot - which could easily have broken his spine. There is no question whatever that the owners and managers of the park would be held liable in this and many other cases, just as amusement park owners and managers nowadays are held liable when roller coasters or other rides go awry, injuring or killing guests.
The most plausible explanation would be a waiver that visitors to the park have to sign. The waiver would explain that while the robots cannot harm humans, other humans can, and the park is not held responsible. In the event of death or serious injury, the guest who caused it would face criminal charges and possibly a civil lawsuit. But a waiver would protect the park. Also, the rules of the park may be similar to those in the HBO Westworld series, where the robots cannot cause a "permanent mark", meaning they can injure guests as long as the injury is repairable.
Continuity mistake: In the British Museum, when Rick and Ardeth are saving Evie, Rick gives her a .45 pistol and they start to shoot the guards, her pistol fires once and the slide locks back meaning the pistol had no ammo, but she keeps firing as if the magazine was still full. (00:39:47)
Visible crew/equipment: The scene where Spencer throws the boomerang for the first time and misses the bikers they take off running. While they are running from the bikers, there is a shot right before the boomerang hits the bikers where you can see a camera man sitting in the bushes on the left side. You don't have to pause it, but can to see it better. (00:36:30)
Suggested correction: The implication is that Marlow went through an extensive debrief and nobody had contacted his family until the debrief had concluded, based on the top secret nature of the mission. As you say, the fact he has a brand new uniform suggests that he has contacted the US Military prior to ever contacting his family. The fact that his wife would have moved and re-married is irrelevant, he still would have made an attempt to contact her so he could see his son.
BaconIsMyBFF
And they wouldn't have contacted her after the debrief had been completed? What utter nonsense. Allowing him to just turn up on the doorstep without notifying his wife first is an utterly irresponsible and even dangerous act. She could have fainted with shock or even had a heart attack. She would absolutely, definitely, 100% carved in stone, been advised of her husband's survival and return.
Since we know very little about the completely fictional organization Monarch, we obviously cannot say they would "carved in stone" do anything. In order to be a mistake in the movie, it would have to be something that is impossible. A secret government organization that doesn't even exist in real life not behaving the way the real military would is not impossible. At least not by the rules set forth in the film. It's perhaps improbable but it is most certainly not impossible.
BaconIsMyBFF
It is an inviolable, carved in stone, fur lined, ocean going, top of the list rule that the next of kin are immediately advised of the change of status of military personnel. MIA, now confirmed dead? They'd be the first to know. MIA, now confirmed to be alive, same outcome. His wife would know he was on that ship coming home.
This is true in real life but in the fictional world of the movie Monarch is a secret, government agency that has some degree of control over the military. You can't apply the same rules as in real life in this situation.
BaconIsMyBFF