Trivia: The world premiere of "Jurassic Park" in 1993 was organized in Washington, DC (rather than Hollywood), in hopes that newly-elected President Bill Clinton and First Lady Hillary Clinton would attend. Universal Studios was livid when the Clintons were a no-show at the premiere, so much so that the studio refused to provide a copy of the film when the White House later requested it for private viewing. The feud apparently cooled off within a couple of months.
Charles Austin Miller
31st Mar 2022
3rd Mar 2022
Question: At the end of the film, Phil finally wakes up in bed with Rita on the day after Groundhog Day (meaning he's finally broken out of the time-loop and temporal continuity is restored). Doesn't this necessarily imply that everything he did the day before will have repercussions for him? I mean, as far as everyone knows, Phil Connors just suddenly became a local sensation in one day, flashing a lot of money on the same day as the armored car robbery. Wouldn't Phil naturally fall under suspicion?
23rd Oct 2021
Question: Why is there is such an absence of love in this film? Two birthdays are observed. Dr. Haywood Floyd calls his little 5-year-old daughter on Earth, wishes her happy birthday, but never once says "I love you," which seems only a natural thing for a father to tell his child. Later, astronaut Frank Poole's parents wish him happy birthday, but never once say "I love you"; rather, his father says, "Give our love to Dave (Bowman). " Nobody ever says "I love you," despite the dire circumstances.
10th Oct 2021
Question: In this film, Marty suddenly appears and spends one week in 1955. So, how does Marty freely roam the hallways and cafeteria at Hill Valley High School (even getting into a physical altercation with another student) without challenge from teachers and administrators such as Mr. Strickland? All the kids are talking about Marty, but nobody in authority questions the fact that he's not enrolled, he's completely undocumented, he doesn't attend any classes, and he's apparently a troublemaker.
22nd Sep 2021
Audio problem: When Hutch re-enters the bus, Teddy tries to pull a gun on him. Hutch snatches up a bus grip (a pole made of lightweight, plastic-coated aluminum) and bashes Teddy into submission with it. After Teddy goes down, Hutch tosses the aluminum pole to the rubber-lined floor of the bus, but the sound it makes is that of a heavy iron pipe falling on concrete. Bad sound effects.
17th Aug 2021
Factual error: The film begins and ends with Hutch handcuffed in custody, being interrogated by two police detectives. He was apprehended at the scene of a major violent crime with many fatalities, he has a gunshot wound, and he's a likely murder suspect. In real life, Hutch would be strip searched and treated for injuries under tight security, and he would not be allowed to carry personal effects into the subsequent interrogation. But during the interrogation, Hutch impossibly produces a pack of cigarettes and lighter, a can of cat food, a metal can opener and a live kitten from inside his jacket.
9th Jul 2021
Trivia: During the restaurant scene with Mr. Creosote, John Cleese entices Terry Jones to finish his meal with a "wafer-thin mint," and Jones explodes in a shower of gastro-intestinal ejecta. In the chaos that follows, as dining guests flee in revulsion, we see Cleese in the background reach into Mr. Creosote's exploded torso and pluck out a very small object (presumably the wafer-thin mint) and start to place it in his own mouth. Cleese improvised this, adding another layer of disgust to the scene.
18th Apr 2021
Continuity mistake: At the end of the song "Just An Ordinary Man," Rex Harrison races around the room switching on several separate phonograph players (which are all mechanical devices), producing a dissonant, squabbling ruckus. But, a moment later, as he utters the last line of the song, "I shall never let a woman in my life," he switches off the one phonograph nearest to him, and ALL the mechanical phonographs in the room stop playing instantly. (00:44:36)
24th Mar 2021
Factual error: In Part Two, as Diana explains to Bruce Wayne the history of the Mother Boxes on Earth, we see an extended flashback of Earthly gods and warriors in an epic battle against Darkseid. When Diana says, "A golden age of heroes fighting together," we see a close-up of an Amazon archer drawing back an arrow right-handed, leaning right, and releasing it. However, the arrow is unsupported on the bow, so she couldn't possibly aim or control the arrow. (01:03:59)
7th Mar 2021
Deliberate mistake: For Hans Gruber's iconic death scene, Alan Rickman's fall was filmed at high speed (for slow-motion playback) against a green screen, and the skyscraper perspective footage was added later as background. However, while Rickman falls away from the camera in slow motion, papers are fluttering around him in the background at normal speed. This was done deliberately to make the shot even more surreal.
1st Mar 2021
Trivia: During the title sequence, as the camera is panning across all the clocks in Doc Brown's lab, we briefly see a simple electrical timer with its mechanical dial rapidly spinning. Electrical timer dials normally move at the same rate as a clock's hour hand, which is imperceptible. For this sequence, the timer's dial is spinning quickly as an inside tribute to the tabletop clock seen in the 1960 George Pal film, "The Time Machine" (the clock spun rapidly when the Time Machine was activated).
15th Feb 2021
Continuity mistake: Throughout the movie, fire axes seem to be the weapons of choice. Only two fire axes are used, but they appear recurrently. In the very first use, the protagonists grab fire axes to butcher the monster called Beverly. Blood and gore go everywhere; yet, the axes emerge from this bloodbath with no blood or gore on the handles - they're virtually pristine moments later. The axes are used again and again, right up to the ending, and blood comes and goes from the axe handles seemingly at random.
8th Jan 2021
Revealing mistake: Steve Trevor approaches and stands before an oval, wall-mounted mirror, incredulously looking at himself and seeing a stranger's face in close-up. Steve finally smiles approvingly, turns to Diana Prince and says, "He's got it! Y'know, I like him!" The camera immediately cuts to two wide shots from behind Steve standing directly in front of the mirror (only a couple of feet away from it), but there is no reflection of Steve in the mirror at all. This error reveals that the "mirror" is actually a hole in the wall (a low-budget practical effect used in films of decades past for such mirror illusions). They probably filmed a lot more footage of Steve mugging in front of the "mirror" but edited it out, because this old-school effect is notoriously difficult to get exactly right. (00:49:50 - 00:50:20)
12th Dec 2020
Continuity mistake: A whimpering housemaid rushes down the stairway, frightened by an intruder on the second floor. Doctor Watson gallantly charges upstairs to investigate, plunging his left hand into the right side of his jacket to retrieve his trusty Webley revolver as he advances on the camera. However, the shot immediately cuts to Watson withdrawing the revolver with his right hand from the left side of his jacket. (00:29:55)
8th Dec 2020
Trivia: During the protracted 11-minute car chase scene between the Ford Mustang and Dodge Charger, we repeatedly see a number of the same incidental cars in background traffic. For examples: In addition to the green VW Beetle that magically reappears in several nonsequential shots, the same white 1968 Firebird also repeatedly appears (as many times as does the Beetle), and the same lavender Cadillac nearly collides head-on with the Charger at two different points in the chase. This is mainly because many of the shots had up to 8 cameras shooting from different angles, and there was a lot of redundant footage. So, the same cars noticeably kept popping up time and again (and the Charger somehow threw 7 or 8 hubcaps). These were all blatant editing problems; however, strangely enough, Bullitt still won the 1969 Academy Award for Film Editing. Go figure.
4th Dec 2020
[Fran Davis accidentally collides with a stranger on foot at the airport.]
Fran Davis: Sorry! We almost locked bumpers!
Stranger: [Leering at Fran's hourglass figure] If there's any damage to the chassis, I'll be glad to pay for repairs.
Fran Davis: Buster, you couldn't even pay for the headlights.
20th Nov 2020
Trivia: Aside from his considerable talent and theatrical qualifications, the reason that Jeremy Brett's portrayal of Sherlock Holmes was so nuanced, meticulous and authentic is because the role was therapeutic to him. In real life, all throughout the various Granada Television series (from 1984 to 1994), Brett was plagued with manic-depression, erratic behavior and heart problems, from which he fatalistically felt he would never recover. Immersing himself in the mentally-disciplined character of Sherlock Holmes gave Brett much-needed focus and clarity in the last ten years of his life.
22nd Oct 2020
Trivia: Ozzy and Sharon Osbourne purchased a $6,300,000 mansion in Beverly Hills in 1999, three years before they starred in MTV's hit reality television show, "The Osbournes" (2002-2006). Bizarrely, the Prince of Darkness moved in next door to Pat Boone, the wholesome white bread Christian singing sensation of the 1950s and 1960s...and the two neighbors got on famously. Their neighborly friendship was such that Ozzy wanted to use Pat Boone's godawful 1997 cover of "Crazy Train" as the TV series theme song. MTV thought Boone would never agree to it, so they didn't even ask him; instead, MTV hired a Pat Boone impersonator to re-record the song. Later, MTV was amazed when Pat Boone himself said he would have gladly consented to them using his song, if they had only asked. Pat and Ozzy thought it was hilarious.
25th Sep 2020
Factual error: Although actor Gary Busey was a professional rock and roll musician portraying one of the pioneers of Rock and Roll, Busey almost never plays a rock and roll riff in the entire movie. During his biggest scene in the Apollo Theatre sequence, for example, he holds a steady chord all the way through three songs, even as the music is rocking.
28th Aug 2020
Trivia: Robocop nearly murders Clarence Boddicker at the cocaine factory but delivers the badly-beaten Boddicker to the police station and turns him in at the booking desk. Robocop says, "He's a cop killer," and all eyes in the station turn on Boddicker menacingly. At this point in the production, Director Paul Verhoeven and actor Kurtwood Smith discussed what to do next to show Boddicker's utter contempt for the police, even when he was in custody. The line "Just give me my fuckin' phone call" was added to the end of the scene, but Verhoeven and Smith still didn't think it was forceful enough, and they were at an impasse. So, on the last take, unbeknownst to the rest of the cast, Kurtwood Smith slipped a readily-available blood capsule into his mouth and unexpectedly spat the bloody mess onto the booking desk, right in front of the camera. The startled reaction of everyone on the set was genuine; even actor Robert DoQui, who played the sergeant at the booking desk, involuntarily recoiled in disgust and exclaimed, "Shit!" (which was kept in the movie). Clarence Boddicker thus ended up realistically intimidating the police, and Kurtwood Smith's improvisation made it an iconic scene.
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