M*A*S*H
M*A*S*H mistake picture

That's Show Biz - S10-E1

Visible crew/equipment: At the end, after Father Mulcahy says goodbye to Sarah, when it cuts to a wideshot we can see two actors' rubber T-marks on the ground. The first is behind Father Mulcahy's feet, a white T-mark (albeit dirty) where Sarah had been standing, and the second becomes visible when Klinger runs over and bumps into Kellye, he kicks up some dirt which causes the black rubber T-mark to flip up off the ground.

Super Grover

M*A*S*H mistake picture

Crisis - S2-E21

Continuity mistake: While Trapper and Hawkeye are lying on their cots, one by one everyone joins them in the Swamp, and in Trapper's closeups the "USA sterilized" that's printed on his pillow is upside down, but in the wideshots his pillow's flipped over with the print right-side up.

Super Grover

M*A*S*H mistake picture

The Winchester Tapes - S6-E5

Continuity mistake: While Colonel Potter is painting the portrait of Charles, the portable military field desks behind Potter are all open - note the front doors are flipped down, but in the closeup of Charles holding the painting of himself the doors are folded up. And the books, etc. atop the field desks change as well.

Super Grover

M*A*S*H mistake picture

Fade Out, Fade In - S6-E1

Continuity mistake: When Colonel Potter, BJ, Hawkeye, and Charles are in the changing room, Charles wants to be alone so he takes his tan jacket off the first nail on the right and leaves, but in BJ and Hawkeye's closeups the tan jacket is still hanging on that first nail, then it vanishes again.

Super Grover

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Dear Mildred - S4-E7

Visible crew/equipment: In the scene where BJ, Hawkeye, and Radar are in the motorcade talking about the horse, Radar is talking about how he doesn't want to give away the horse. He is standing in front of some barrels and when he moves, you can see some of the crew, the horse owner, and what looks like another horse in the background for 1 second.

zj816717

M*A*S*H mistake picture

Divided We Stand - S2-E1

Continuity mistake: Margaret is shampooing Frank's hair; she raises her foam covered hands to allow him to kiss her. The camera angle changes and her hands are nearly foam-free. (00:03:25)

jle

M*A*S*H mistake picture

Kim - S2-E6

Continuity mistake: In the first scenes of Kim in the minefield, he is sitting on a big white rock. During the scene where he is rescued by helicopter, he is standing on flat ground and the rock is on the other side of the shot, near Trapper. (00:22:00)

jle

M*A*S*H mistake picture

For the Good of the Outfit - S2-E4

Revealing mistake: Frank is shaving; when he bends down to pick up the envelope containing shrapnel fragments, the foam on his face and ear suddenly all dries up. The shot must have needed a lot of takes. (00:07:20)

jle

M*A*S*H mistake picture

The Kids - S4-E8

Continuity mistake: When Margaret pins on Frank's purple heart, his scrubs are very damp with sweat. When he enters the swamp, they're practically dry. (00:03:50)

jle

M*A*S*H mistake picture

Dear Dad, Again - S1-E18

Continuity mistake: When Frank is getting drunk he spills gin down the front of his vest. A few shots later, just before he collapses, it suddenly dries out significantly. (00:13:20)

jle

M*A*S*H mistake picture

Death Takes a Holiday - S9-E5

Visible crew/equipment: After Charles confronts Choi Sung Ho about the candy, Ho explains that he sold it on the black market to buy real food, and when Ho reenters the mess tent through the side door, we can see that outside there's a director's chair, which actors also use, with something printed on its back.

Super Grover

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Abyssinia, Henry - S3-E24

Trivia: There were no American planes shot down over the Sea of Japan during the Korean conflict. It is rumoured that producer/director Larry Gelbart knew that, but wrote Henry Blake's death scene as he was very unhappy with the way Mclean Stevenson had left the show, and was determined to make it clear that there was no way he would be coming back.

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That's Show Biz - S10-E1

Question: Talking with stripper Candy Doyle, Potter remarks that he still remembers how she used to spin her tassels and that he is reminded of this every time he sees a C 42 revving up. On the net I do find references to a C40A, a C47 and others, but no reference to an aircraft of the time called a C 42. What would he have been referring to?

Answer: The C-42 was a military variant of the Douglas DC-2. Very few C-42's were built, so it's questionable that Potter would specifically have seen that particular model, but, given his military background, it's not entirely unreasonable that he might use the military designation even when the aircraft in question is actually a civilian DC-2.

Tailkinker

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