Visible crew/equipment: The scene where Spencer throws the boomerang for the first time and misses the bikers they take off running. While they are running from the bikers, there is a shot right before the boomerang hits the bikers where you can see a camera man sitting in the bushes on the left side. You don't have to pause it, but can to see it better. (00:36:30)
Continuity mistake: When the real 'manager' comes outside to yell at "Mr. O'Donnell', you see the manager walk back into the club. If you look in the background of the next shot, you can see the manager walking through the door again. (00:13:25)
Revealing mistake: Gracie hugs the Russian waitress in order to have a better view of the disc hand-off appear on the monitor. As she raises her left hand that holds the book/camera lens, we see that the digital feed that appears on the monitor stays steady and level, even though she is raising the book/camera lens higher and closer to her face. Obviously the feed that we see on the monitor is not taken from the book/camera lens. (00:04:10)
Continuity mistake: In the scene where Page (Jennifer Love Hewitt) follows Jack onto the beach, and she falls over into the mud while clambering through the bushes, Jack finds her on the floor in the mud and helps her up. When she stands in front of him, she's clean, with no mud in sight.
Factual error: Basic physics - Hancock throws Michel from a dead stop to above cloud level in about eleven seconds. The clouds are bog standard cumulus which form at around 7,000 metres in temperate zones. This means that Michel accelerates to about 700 metres per second instantly, from a dead stop. Obviously he cannot accelerate during his ascent, so his starting speed has to be at least that. (In fact he would have to start his ascent much, much faster than 700 metres per second as he would be constantly decelerating due to gravity and air resistance, but it will do as a start point.) Michel accelerates from 0 to 2,520 kilometres per hour - twice the speed of sound - in zero seconds. He would be accelerating at around 5000 Gs, turning him into a very long streak of fine, pink mist.
Continuity mistake: When Danny & Debbie are having their New Year's dinner at home, the champagne foam instantly disappears in the very next camera angle after pouring it.
Continuity mistake: In the beginning of the movie he is not taken onto the hockey team. After he is hustling at the driving range he goes to toughen up. As he is toughening up, Chubbs unplugs the machine. The kid tries it, but he never plugged it back in and the machine still manages to work. (00:15:10)
Audio problem: When Focker is going back to Chicago the woman who is typing stops moving her hands for a little while the clicking noise is still going.
Other mistake: In the scene where the kids are shooting arrows and the coach gets hit by one, they send a girl to call 911. If you look closely and follow her in the background, after she runs a few yards, she slows down and eventually stops and stands there playing with her hair. Talk about help... (00:57:05)
Continuity mistake: Agatha's nightgown strap switches between hanging down on her arm, or being up on her shoulder, normally.
Factual error: The whole Bowfinger scenario is impossible. They are using a 35mm Panavision cine camera which cannot be focused through the lens; it needs precise measurements on the set in order to be properly in register. Then there are the light readings required to ensure proper exposure. Wouldn't Kit Ramsay notice the man with the light meter, or the one with the tape recorder? Both measurements would have to be done with him or an identically dressed and made up stand-in (a "lighting double") on the spot. Then there is the sound. Any sound recordist worth his salary will have the microphone within centimetres of his subject, and he'll have a boom operator keeping in there. We don't even see a microphone in use! Please don't tell me this is based on the clandestine filming of Mary Pickford during her Russian visit: that was done with old black and white film which has very wide tolerance to exposure and most of all it was silent, and she was aware of the camera crew, she just thought they were news crews. (And the results were rubbish anyway).
Other mistake: Ginger is adamant that she will not approve any plan of escape that does not get all the chickens on the farm out and to freedom. The problem is, not one of her plans gets anywhere close, and it is not that they fail to liberate the whole farm - they are never planned that way. We see her trying to escape by herself three times. The mannequin of Mrs Tweedy would (had it worked) have allowed nine chickens to escape, the upturned feed tray just seven. Even the 'crate' appears to hold not more than thirty chickens - and there must be several hundred on the farm, at least.
Visible crew/equipment: When Mrs. Peacock turns on the cellar lights, a piece of lighting equipment is visible to the left of the screen. (00:47:45)
Plot hole: At the start of the movie, a great deal is made of the boom mic that enters the shot. This is ridiculous, because Bolt's view would not be restricted to what was onscreen, he'd have a perfect view of the person holding the boom mic (as evidenced by it not being stable). There's no possibility of him not seeing the person holding the mic either. As Bolt completely and utterly believes the world he lives in, and thinks the situations he finds himself in (saving Penny) are real, someone holding a boom mic would break the illusion for him. In all instances in the movie where an outside force (i.e. a dog handler) interacts with him, Bolt never gets to see the person handling him (handler approaches from behind), the boom mic operator however is literally right in front of him.
Suggested correction: He wasn't paying attention and considering that his focus was only on the "action", how the hell would he notice a boom mic when he's trying to protect Penny? His "reality" is never broken even AFTER he's in his trailer.
Continuity mistake: When Joaquin enter the bull fighting ring before Manolo's bull fight, Joaquin removes his cape and drops it on the ground. When Joaquin's horse gallops by and Joaquin grabs onto his steed, the cape is missing. (01:35:00)
Continuity mistake: When Melinda Dillon breaks the lamp, it is broken into many pieces, but when Darren McGavin is gluing it back together it is now in much fewer and bigger broken pieces. Obviously different broken lamps were used.
Other mistake: Nadia appealing for a lawyer to act on behalf of Mrs Yakamoto in her divorce is pointless. An American lawyer would be of no value to her: her divorce (should she decide to go through with it) would be heard in front of a Japanese court, and they are extremely stingy with women who divorce their husbands. Nadia may not know that, but Mr and Mrs Yakamoto are Japanese nationals - she is wearing traditional dress! The American lawyers would know perfectly well that the divorce would be handled by a Japanese court - the US would have no jurisdiction at all.
Continuity mistake: The train that transports The Haynes Sisters and Wallace and Davis from Florida to Vermont is shown as being of the Atchison, Topeka and Santa Fe Railway in one sequence, and of the Southern Pacific Railroad in another. Neither railway ran on the east coast of the U.S.
Character mistake: When Sir informs Kelly that she made the drill team, he says Captain Rigby instead of Major Rigby.
Deliberate mistake: When MIB agents exit the lift to get into the main hall of the MIB Office, the lift opens halfway up the wall and they need to go down a little platform. But when K and J return during the lockdown and face the trashcan with guns, the lift opens at floor level, so it can be conveniently peppered with bullets. (01:02:05)
Suggested correction: Can you be sure we see the whole escape plan from start to finish or just one of the phases?
dizzyd
Of course we are sure. The "crate", with thirty six chickens on it, is flown away from the farm and is dismantled. They cannot go back to the farm for the rest of the chickens. Escaping by herself will achieve nothing for anyone except herself, totally contradicting her own principles. The posting is absolutely correct.
I believe the original correction makes sense. For example, we see them attempt to impersonate Mrs. Tweedy. While this would only liberate some of the chickens, we don't know that's the entire plan. It's likely they're trying it to see if it's successful, and if so the rest of the chickens would repeat it until they were all out. Similarly, digging out would leave a tunnel for the rest to use. When Ginger tries alone, she's likely trying to find a way out that she could tell the rest about.
This isn't a chatroom so this will be my last word. The "crate" is a single use, one-off device. The chickens fly it away from the farm, escaping to their island. They cannot go back and there is absolutely no reason to think that they do. Mrs Tweedy is still in residence at the farm and now is forewarned about the ability of the chickens to organise and act intelligently. Even if they wanted to they could not fly back, and Tweedy would be waiting for them if they did. The crate holds thirty eight chickens. That's it. There is no plan in effect that will allow all of the chickens to escape - especially this one - and Ginger makes it clear she will not consider any plan unless it does. The posting is absolutely correct.