The Man in the Mansion - S2-E14
Continuity mistake: When we see Hodgins look at the picture he takes the frame backing off exposing some writing. We then get a closeup of the writing which has now completely changed. (00:04:50)
The Girl in the Gator - S2-E13
Continuity mistake: After Booth shoots the clown an additional bullet hole appears in the clown's head. (00:01:30)
The Santa in the Slush - S3-E9
Continuity mistake: Booth tells Sweets to take his hat off in the diner. When doing so, he is pointing a fork at Sweets. Camera cuts, and he is no longer pointing a fork at Sweets. (00:31:30)
The Santa in the Slush - S3-E9
Continuity mistake: When arguing in the truck and Bones says that Booth needs to accept he won't be having Parker for Christmas this year, Booth has a fist up to his head in one shot but not in the next. (00:15:15)
The Knight on the Grid - S3-E8
Continuity mistake: In the Judge's chambers, Bones puts her hand up to ask if she can something. When the shot changes to a different angle, her arms are crossed in front of her. (00:37:50)
Boy in the Time Capsule - S3-E7
Factual error: It's established that the victim disappeared on June 10th 1987 which was the day the time capsule was sealed. However, earlier in the episode the tank is being drained and a part of the album Appetite for Destruction by the band Guns N' Roses is in the capsule. The album was initially released on July 21st 1987. Further to this, the sleeve of the album shows the common 'Cross' artwork which wasn't used on the 1st press of the album. The 'Cross' artwork was first released later that year. (00:12:00)
Boy in the Time Capsule - S3-E7
Continuity mistake: Hodgins goes from holding the pocket watch in his right hand to holding it in his left hand instantly. (00:08:40)
Intern in the Incinerator - S3-E6
Continuity mistake: In the interrogation room Booth chucks the book on anaesthesiology down on the table and its position changes in relation to the folder it's on. (00:27:40)
Boy in the Time Capsule - S3-E7
Continuity mistake: When Hodgins says he took a sample of Roger, the way he's holding the liquid bottle changes between shots. (00:05:10)
Continuity mistake: The PI hands Angela a picture of a house and the way Angela holds the photo changes between shots. (00:22:30)
Visible crew/equipment: Just after the meeting Between Hodgins, Angela and the PI, we see a shot of Booth's FBI truck. In this shot you can see the silver camera car reflected in the black paintwork complete with open door for the camera. (00:09:10)
Continuity mistake: When Hodgins holds up the label from the clothes, the way he holds it changes between shots. (00:05:45)
Continuity mistake: At the start, the sweets that Hodgins has got in his hands changes from 1 red lolly to 2 gold coins. (00:04:30)
The Secret in the Soil - S3-E4
Continuity mistake: Just as the gang establish it's a pitchfork Hodgins has an open file in his hands. When the camera changes, he opens the folder. (00:32:10)
The Secret in the Soil - S3-E4
Continuity mistake: When taking her tablets near the start, she has left hand across her lap then up by her head in the next. (00:07:50)
The Secret in the Soil - S3-E4
Continuity mistake: When talking to the victims wife, the daughter givers her some tablets, and she grabs them with her left hand. The camera cuts and now they are in her right hand. (00:07:50)
Other mistake: While driving in the car both Booth and Bones have the windows wide open yet their hair never moves or blows in the wind. (00:14:20)
Continuity mistake: When they get the body back to the lab, both Cam and Bones have their fingers near the forehead wound. When the shot changes, Bones' fingers are now down in the cheek wound. (00:02:30)
Soccer Mom in the Mini-Van - S3-E2
Continuity mistake: Hodgins walks up onto the platform holding a tray of equipment when talking about the victims lawyer. The way he holds the tray and the hand that's holding it, however changes between shots. (00:15:40)
The Widow's Son in the Windshield - S3-E1
Continuity mistake: In the interrogation room Booth shows the girl a picture of her and the victim kissing, and he then clasps his hands together. However, when we see Booth on the screen behind the glass which is a live feed of what's happening inside the room, his hands are clasped.
Chosen answer: Pickering states the name "Juan Guzman" and during the run of the show we are never told who he is, or why Brennan had been in Cuba and met with this Juan Guzman. We don't know if there is any kind of "relationship" between Brennan and Guzman. A bit frustrating, but I like how this short scene shuts down Agent Pickering's entire review, and it hints at Brennan's career history and her level of security clearance.
Super Grover ★
Thanks for the clarification. It's been a while since I watched the series start to finish. It also adds to show how much power Brennan actually has.
Ssiscool ★
Do you remember when Bones was telling Angela about the time she was on one of her out of the country trips, and she was thrown in a dark cell for what she later found out was 3 days? She was crying and looked terrified as she remembered this. She had that same look as someone who was remembering past trauma when Pickering said this name. I kind of always thought that "Juan Guzman" was the one who did that.