Smallville

Duplicity - S2-E3

Audio problem: After Pete confronts Clark about the missing space ship in his tool shed, Pete walks away and Clark tries to explain. We hear Pete say "wait 'til Chloe hears about this..." as he was getting into the car however, his lips were not moving.

Red - S2-E4

Visible crew/equipment: After the scene transition from when Clark throws Jonathan into the truck after being exposed to Red Kryptonite, the camera pans around Jonathan with his shirt off; on the left-side of the screen we see a man with sunglasses on who has no earthly right to be there just randomly on the Kent Farm. (00:16:23)

Duplicity - S2-E3

Plot hole: In this episode, Pete comes across Clark's spaceship in a field, where it landed after the tornadoes hit the town during the last episode of Season 1. The Kents knew the spaceship was gone, and of course it was important that they attempt to get it back as soon as possible so it doesn't fall into the wrong hands. With Clark's speed and X-Ray vision, he should have been able to find the ship after not too long of a search (especially since it was within a few hundreds yards of a road). It seems implausible that he would not have looked for it, given its importance.

Knever

Red - S2-E4

Other mistake: The physics of what happens to the mallet after it hits the ring are completely unrealistic. No matter what the actual composition of red kryptonite contains, there is no way that it could reflect all of the force that was impacted upon it. Clark was also weakened by the green kryptonite. Jonathan's swing of the mallet and Clark's weakened strength would not have allowed him to keep his arm out after being struck by the mallet.

Knever

Blue - S7-E8

Revealing mistake: When Clark has the Kryptonite and uses it against Zor-El in the fortress, Zor-El climbs upon a flat surface or hard ice for support. As he gets onto the surface, it shakes like a soft prop. (00:30:20)

Spirit - S4-E18

Revealing mistake: Clark/Dawn shoves Chloe away which sends her flying across the boiler room. If you watch closely you can see that the shove never makes contact with Chloe before she flies through the air.

Lucy - S4-E16

Revealing mistake: As Clark is chasing after the semi-truck with Lois and Lucy in the trailer you can see the Rocky Mountains in the background. Kansas doesn't have mountains. However, Vancouver, where the show is actually shot is home to part of the Canadian Rockies.

Velocity - S3-E13

Continuity mistake: During the scene when Jonathan comes home from the hospital the length of rolled up sleeve on Jonathan's left arm changes between shots. As Jonathan says "Low sodium turkey?" the sleeve is down to just about touch the watch he is wearing. When the camera jumps to Jonathan's left side, as Martha turns around, the sleeve is now several inches higher and further from his watch than it was before. Jonathan does nothing to his sleeve between shots.

Hereafter - S3-E12

Plot hole: Outside the school, as Clark is talking to Jordan, there is a lot of people in the surrounding area. Clark looks up and sees the coach standing in the street and the car slams on its brakes to avoid hitting him, this causes the tires to screech thus drawing attention to the incident. Clark realizes that the coach is about to be hit by the car and uses his super speed to save him. Yet nobody seems to wonder how he suddenly appeared next to the coach just in the nick of time.

Lineage - S2-E7

Continuity mistake: The woman uses her right hand to get a swab for DNA testing from Clark. At first, we only see her right hand near Clark's face. Cut to a different angle as she says "There, now that didn't hurt a bit did it?" but now her left hand is close to Clark's face.

Redux - S2-E6

Continuity mistake: When Clark arrives late for school in Lex's car, he is stopped by principal Reynolds who tells him that he should have been there four minutes ago and points at his watch with his right hand. Cut to a different angle but now he is pointing at Clark with his right hand.

Drone - S1-E18

Continuity mistake: In the intro to the final scene, the top half of the loft doors are open with the bottom half being closed, yet at the end of the scene during the pullout, both the top half and the bottom half of the doors are open.

Redux - S2-E6

Other mistake: Krissy's mutant aging reduces her to dust and ash within seconds. Oddly enough, it takes her non-mutant clothing with her. (00:36:45)

Phoenix

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Suggested correction: First off, we don't know what gave her powers, there's nothing to indicate a mutation. Second, we see beams of light or heat shooting out of her, indicating she's more than just rapidly ageing like her victims. Her body seems to be burning, turning her and her clothes to ash.

Bishop73

Facade - S4-E3

Continuity mistake: When the mirror falls on Lana and shatters on her, you can see that there are bleeding cuts on the left side of her face. However, for the rest of the episode, there are no cuts on the left side of the face (where they should be) but there are cuts on the right side of her face.

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: When the mirror falls, we only see her left side. But in the hospital you can plainly see both cheeks were cut up, the right one a bit more. Throughout the episode though, the cuts on the left side never disappear and there just seems to be more shots of her right side when she's out of the hospital.

Bishop73

Krypto - S4-E14

Continuity mistake: Before Clark throws the two bad guys against the side of the barn there is no snow falling at this point. When the shot switches to Krypto saving Hercules you can see that now it is snowing rather heavily. This is far too fast to happen naturally.

Memoria - S3-E19

Continuity mistake: When Lionel Luthor shows Clark the video clip of Belle Reve from the episode "Asylum", Lex says "I know your secret Clark". However, in the actual episode of "Asylum" he simply states "I know your secret", without saying "Clark" at the end.

Red - S2-E4

Continuity mistake: While Clark is talking to the agent that he has pinned to the wall, with the billiard table, the balls near the gun change their positions between shots.

Red - S2-E4

Continuity mistake: When the agent goes to the Luthor mansion and confronts Clark about Jessie's whereabouts, Clark uses his speed to push the billiard table into the agent and jams him against a wall. As he does, the billiard balls obviously move due to the force Clark put on the table. Cut to the agent and later on Clark and we still see the billiard balls on the table yet they are no longer moving. It was too quickly for an object in motion such as a billiard ball to come to a complete stop given the force Clark exerted on the table.

Devoted - S4-E4

Continuity mistake: As Lois and Clark talk about her leaving, Clark turns to talk to her. Before he turns around the shoulder protector is between his hand and his shoulder and the red side is facing out. In the next shot, even though he made no motion to alter the position, it is now fully on his shoulder with the black side facing out.

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Trivia: Clark always wears blue and red clothes (or at least one of these colors). No surprise that when he got his Superman costume, he chose those same colors.

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Answer: In the comics, Krypto is a dog from Krypton who was used as the passenger in a test launch by Jor-El, Superman's father, before he launched the actual rocket taking his infant son to Earth. Krypto's capsule was involved in a mishap, sending it out of Kryptonian orbit and eventually found its way to Earth where he linked up with the young Clark Kent. Like any native of Krypton, Krypto has superpowers on Earth. In Smallville, the dog is a standard Earth dog who has been experimentally injected with kryptonite, giving him super-strength for a limited period of time, who escapes and links up with Clark (who suggests the name Krypto, ostensibly because of the dog's cryptic origins). It doesn't take too long for the dog's strength to fade, and the Kents decide to keep him, although they ultimately name him Shelby, after a dog that Martha Kent had in childhood.

Tailkinker

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