Visible crew/equipment: When Catherine puts on Corrado's CPAP mask/headgear while he's asleep, it then cuts to the stove at Satriale's where Paulie is cooking up sauce, and at the start of this shot, a red tape mark is visible on the floor at Silvio's feet.
Visible crew/equipment: Livia tells Tony that Junior was looking for him and that he sounded agitated. It then cuts to a long shot of Satriale's, and at the right side of the screen, we can see the reflection of the boom operator holding up the boom pole/mic.
Continuity mistake: When Tony shows up at Livia's house with a bouquet of flowers, in the exterior shot note the transparency of the screen door's glass, the front door silver-color knob with its back plate, as well as the deadbolt cylinder. As Tony enters the doorway in the next interior shot, we cannot see out through the screen door's glass, the door knob is gold-color, and both the knob's back plate and the deadbolt cylinder have vanished.
Visible crew/equipment: At the hotel's complimentary breakfast buffet, Paulie loads up a plate filled with Danish and Yoplait for the drive down to Florida. It then cuts to the Wycoff Therapeutic Center, and at the start of this first shot, we can see the boom operator (papers in the back pocket) with left arm up, at the right side of the screen. The reflection of the moving boom pole is also visible over the fireplace mantle.
Denial, Anger, Acceptance - S1-E3
Visible crew/equipment: When Tony and the other guys visit Jackie at the hospital, there's an actor's tape mark (toe box type) on the floor, between the bed and the green chair.
Visible crew/equipment: After Dr. Melfi tells Tony, "I know seniors who are inspired and inspiring," when it cuts to Christopher and Brendan waiting outside the club, the red T-mark taped to the ground is visible at Adriana's feet.
Pax Soprana - S1-E6
Visible crew/equipment: When Mikey Palmice arrives at the poker game and begins to pummel Sammy, an actor's red tape mark is visible on the floor under the card table.
Continuity mistake: At the hospital, when Agent Harris presents his business card in case Tony changes his mind, Harris holds his card at its bottom so it's up over his hand, but in the next shot facing Tony, Harris holds the card at its top so it's below his hand, and it continues this way in the next shot as Carmela takes it from his hand.
Visible crew/equipment: While Corrado and Mikey are at Mariolina's wake, just as Corrado says, "Where he spills his guts on some shrink's carpet," we can see the yellow tape mark on the carpet where Corrado had been standing.
Visible crew/equipment: After Paulie and Silvio hug AJ and Meadow at the hospital, when Meadow tells them Tony is with Carmela, we can see the boom pole and mic's moving reflection on the glass, at the top of the screen. Then, as AJ tells Meadow that he doesn't believe it was a carjacking, the mic's reflection dips into view again on the glass.
Visible crew/equipment: When Carmela and the kids exit Tony's room in the hospital, just as Agent Harris walks toward Tony, we can see the reflection of the boom pole and mic on the cabinet glass, near the right side of the screen.
Visible crew/equipment: At dinner, when Tony bends down to kiss his mum, the moving boom mic's reflection becomes visible on the glass behind Livia. The reflection of the moving boom pole and mic continues to be seen during the dinner scene.
Continuity mistake: Valentina is sitting and reading a magazine when Tony enters her hospital room. She places the magazine on her lap. Throughout the scene the magazine appears on her lap when the camera is on Tony and disappears when the camera is on Valentina. (00:18:57)
Continuity mistake: The scene where Hesh and Massive Genius are sitting down and drinking. Massive Genius has just requested that Hesh pay reparations money. Paulie then steps forwards, aggressively demanding "or what?" Behind him, Chris is standing by the white pillar. However, two shots and 2 seconds later, when the camera cuts back to Tony's holding Paulie back, Chris has completely disappeared from the veranda - he is neither behind Paulie or Silvio.
Answer: I'm not sure which person you're referring to here specifically, but the meaning is someone who makes a habit of constantly going to funeral calling hours (normally 2pm-5pm and 7pm to 9pm) for morbid entertainment or gossip purposes (elderly ladies, for example).
Ryan Grubb