The Legend of Tennessee Moltisanti - S1-E8
Visible crew/equipment: When Tony goes to the nursing home to hide all his weapons and the money into Livia's room, the camera and a big light panel are reflected on the car's door when Tony closes it, as well as the dolly track, which is on the steel bumper before the shot goes forward on Tony while rescuing the bag from the trunk. (00:23:01)
Visible crew/equipment: In the show's opening title sequence, in the moment where Tony Soprano passes with his car through the tollbooth, the cameraman's legs, sitting next to him, are reflected on the windshield.
I Dream of Jeannie Cusamano - S1-E13
Continuity mistake: When Tony has a talk with his mother Livia while she's lying on the stretcher and has been carried by paramedics, he puts first his hands on the stretcher's supports; then in the next shot, he puts them on Livia's face. (00:53:26)
The Legend of Tennessee Moltisanti - S1-E8
Visible crew/equipment: When Agents Harris and Russo knock on Tony's glass door from the backyard to ask him to open the door from the main entrance in order to explain to their kids that they're "having visits", as Tony closes the glass door, a stage light is reflected on it. (00:36:24)
Continuity mistake: Tony and Paulie rent a boat. After they cast off and get underway, Paulie is standing at the aft of the boat, not moving. Behind Paulie, there's a closed door with the boat rental information posted on it. As the boat continues to head out to sea, in the next shot of Paulie, the door is now open, but he is standing in the same spot. (00:45:20)
In Camelot - S5-E7
Continuity mistake: When Christopher is with J.T. in his kitchen, things on the fridge vanish and reappear between shots, depending on the camera angle.
In Camelot - S5-E7
Continuity mistake: When Tony is with Fran in her apartment, he's wearing an abstract pattern polo. Then they drive to the racetrack. At the racetrack, Tony's shirt is the same style, but the pattern is different. Then, when Tony is with Hesh, his polo reverts back to the original pattern.
Continuity mistake: Valentina is sitting and reading a magazine when Tony enters her hospital room. She places the magazine on her lap. Throughout the scene the magazine appears on her lap when the camera is on Tony and disappears when the camera is on Valentina. (00:18:57)
Continuity mistake: The scene where Hesh and Massive Genius are sitting down and drinking. Massive Genius has just requested that Hesh pay reparations money. Paulie then steps forwards, aggressively demanding "or what?" Behind him, Chris is standing by the white pillar. However, two shots and 2 seconds later, when the camera cuts back to Tony's holding Paulie back, Chris has completely disappeared from the veranda - he is neither behind Paulie or Silvio.
Answer: I'm not sure which person you're referring to here specifically, but the meaning is someone who makes a habit of constantly going to funeral calling hours (normally 2pm-5pm and 7pm to 9pm) for morbid entertainment or gossip purposes (elderly ladies, for example).
Ryan Grubb