Seinfeld

Seinfeld (1990)

168 mistakes since 24 Dec '17, 00:00

(14 votes)

Season 1 generally

Continuity mistake: In the pilot episode "Good News, Bad News", look out when the waitress discusses the two coffee pots. She says "Trusts me George, nobody wants to see you on caffeine", and the unbuttoned top of Jerry's jumper is noticeably folded - but straightens instantly in his reaction shot. Also it should be noted that she walks away without actually pouring coffee to George - you have to assume a little amount of time elapsed between that reaction shot with Jerry and the following on George. (00:01:45)

Sammo

The Bookstore - S9-E17

Factual error: When Peterman is making a toast at his party, he quotes what he says is something said by the Papa New Guineans, and he proceeds to pronounce a sentence filled with clicks (lingual-ingressive consonants). However, this is impossible, as clicks are only used in southern African languages and three east African languages. (00:03:10)

Mechanic1c

The Understudy - S6-E24

Continuity mistake: When Elaine gets kicked out of the nail salon it is a clear day (in fact the whole episode is) then the next scene she meets J Peterman at night and in the rain. When she left the salon she is wearing a red blouse, no jacket. When she meets Peterman she is in a trench coat with a white blouse. The Peterman portion of this episode really makes no sense.

Video

The Voice - S9-E2

Factual error: With the size of that red ball (approximately 2.5 foot diameter) and the density of oil (approximately 60 lb/ft^3), the giant ball of oil would weigh 491 pounds. This would be impossible for Kramer and Darren to lift out of the window and would definitely kill anyone it beaned.

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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