Seinfeld
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The Slicer - S9-E7

Continuity mistake: When Elaine is woken up by her neighbor's alarm she looks at her own bedside alarm clock and it shows 3.30 AM. In the next shot when she buries her face in her pillow and screams, that clock shows 3.29 AM. (00:00:50)

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The Fatigues - S8-E6

Continuity mistake: At the start of the episode, Cynthia is drinking a glass of wine. While speaking near the end of the scene, she is holding the glass in her right hand and says, "You know, guides you in your career path." The next shot is of Jerry and instantly the glass has disappeared from her hand with her right hand resting on the table. You can also see the glass is closer to her left hand now.

Lummie

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The Jacket - S2-E3

Continuity mistake: When Elaine's dad says "Pipe down, chorus boy" to George, suddenly a hotel staffer in red appears in the recess by the lamp. In another blatant continuity mistake, in the shot that follows George is suddenly without glasses. (00:17:50)

Sammo

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The Trip (1) - S4-E1

Continuity mistake: While discussing Candice Bergen with Jerry, George picks up a menu and places it on the table; both he and Jerry have a menu. In the next shot showing the table (when George says, "I can't believe I missed Kramer,") both menus are flipped: in the first shot, white pages are facing up, and a yellow page is on the back of George's menu as he picks it up; in the second, the yellow sides are facing up. (00:01:02)

mesugalut

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The Letter - S3-E21

Continuity mistake: While George is talking to Nina about the painting, Jerry can be seen taking a bottle of water from the refrigerator. He's then seen holding the bottle when buzzing up Elaine, but then when talking to Nina about the "pop-in", the bottle's gone. It's then back in the next shot when Nina says she's leaving. (00:15:13 - 00:16:00)

mesugalut

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The Puffy Shirt - S5-E2

Continuity mistake: When the man from the hand modeling agency is talking to George about Ray, he lifts up his right arm to make a claw with his hand, and as he does so he has his left arm holding up his right. After a cut, the man's left arm is suddenly hanging down, no longer supporting the other arm. (00:16:05)

Mechanic1c

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The Money - S8-E12

Continuity mistake: The exterior of the video store in the episode looks different from the interior. From the inside, we see a neon "open" sign on the window and other writing, and also no exit sign on the door, all of which is contrary to the outside view of the store. (00:09:25)

Mechanic1c

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The Dealership - S9-E11

Continuity mistake: When George is at the window making a complaint, a cut reveals several inconsistencies. The man at the window has his arms in a higher position in the second shot (plus his facial expression is changed), the woman no longer has her hand up on the wall, and George's left hand is suddenly resting on the table. (00:15:55)

Mechanic1c

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The Reverse Peephole - S9-E12

Continuity mistake: Kramer is holding his hands in front of him with a back scratcher in his left hand, and then suddenly after a cut his hands are not up and we don't see him holding a back scratcher. He proceeds to close the door with his left hand, which is now holding nothing. (00:05:25)

Mechanic1c

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The Fatigues - S8-E6

Continuity mistake: When Frank breaks open an egg in the close-up of the pan, we see there are more than half a dozen eggs in the carton. However, in a wideshot of the kitchen, the carton appears to have only about three eggs. (00:16:15)

Mechanic1c

The Hot Tub - S7-E5

Plot hole: When Elaine is searching for Jean Paul in the streets, one of her verbal flashbacks is of Jean Paul saying, "I trust Elaine, she is my friend." However, Jean Paul made this remark to Jerry, and Elaine was not there to hear it. How could she have a flashback of it?

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The Wink - S7-E4

Elaine: So you're saying that 95% of the population is undateable?
Jerry: UNDATEABLE!
Elaine: Then how are all these people getting together?
Jerry: Alcohol.

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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