Dusty: Why do they call it PMS? Because Mad Cow was already taken.
Pierre Dulaine: To do something, anything, is hard. It's much easier to blame your father, your mother, the environment, the government, the lack of money, but even if you find a place to assign the blame, it doesn't make the problems go away.
Olive: Do you think there's a Heaven?
Frank: Well, it's hard to say, Olive. I don't think anyone knows for sure.
Olive: I know, but what do you think?
Frank: Well... um... uh.
Olive: I think there is.
Frank: Think I'll get in?
Olive: Yeah.
Frank: Promise?
Olive: Yeah.
Lorenzo Council: Kiss my ass, brotherfucker.
Will Francis: Hi. I'm sorry.
Liv: You smell of perfume.
Will Francis: Well, I don't know how I do.
Liv: Nor do I.
Will Francis: I love you.
Liv: Is that an answer?
Will Francis: It's the truth. I feel as if I'm tapping on a window. You're somewhere behind the glass but you can't hear me. Even when you're angry, like now, it's like someone a long long way away is angry with me.
Brooke Taylor: Grant Taylor, I just want you to know that you've made a team.
Grant Taylor: What team?
Brooke Taylor: The daddy team.
Kitty Fane: It's raining cats and dogs.
Kitty Fane: I said it's raining cats and dogs.
Walter Fane: Yes, I heard you.
Kitty Fane: You might have answered.
Walter Fane: I suppose I'm not used to speaking unless I've something to say.
Kitty Fane: If people only spoke when they had something to say, the human race would soon lose the power of speech.
Kristy: It's never too late to become what you might have been.
Nikki: Some men change. Well, they don't change - they reveal. They reveal themselves over time, you know?
Louis XVI: Ooooh! Your feet are like icicles.
Ben Willis: I read once about a woman whose secret fantasy was to have an affair with an artist. She thought he would really see her. He would see every curve, every line, every indentation and love them because they were part of the beauty that made her unique.
Chev Chelios: Don't pop a blood vessel, you little penis.
Mikal: Where are you going?
Eugene: East-ish.
Mikal: East-ish?
Dakin: What happened with Hector? On the bike?
Scripps: As per. Except I managed to get my bag down. I think he thought he'd got me going. In fact it was my Tudor Economic Documents, Volume 2.
Katherine "Katie" McLoughlin: Are you going to kill Flicka?
Rob McLaughlin: I'm just going to have a look at her, baby.
Katherine "Katie" McLoughlin: It's okay, Daddy. You can shoot us.
John Newton: Although my memory's fading, I remember two things. I'm a great sinner and Christ is a great Savior.
Georg Dreyman: You are a great artist. I know that, and your audience knows it, too. You don't need him. You don't need him. Stay here. Don't go to him.
Christa-Maria Sieland: No? I don't need him? Don't I need this whole system? What about you? Then you don't need it either, or need it even less. But you get in bed with them, too. Why do you do it? Because they can destroy you too, despite your talent and your faith. Because they decide what we play, who is to act, and who can direct.
Roy Washburn: What were you doing at 100 miles per hour?
Catherine Tramell: He was making me cum. And it was 110. We must've hit a pothole.
Roy Washburn: Kevin Franks died. You don't seem very worried.
Catherine Tramell: I'm devastated... I may never cum again.
Rachel Carlson: Why is it everyone paints their boats the exact same color as their houses?
Angus McCulloch: Well, that's actually a tradition here. The wife needs to be able to look out on the water and know her husband's okay.
Rachel Carlson: That's very romantic.
Angus McCulloch: And we also get a tax-break on the paint, which is also very romantic.
Reverend Williams: The important thing about that freedom train, is it's got to climb mountains. We ALL have to climb mountains, you know. Mountains that go way up high, and mountains that go deep and low. Yes, we know what those mountains are here at Glide. We sing about them.