Visible crew/equipment: On the patio at Hughes house a crew member can be seen through the windows inside the house.
Visible crew/equipment: Shadows of the boom, crew, and cameras can be seen moving about in overhead shadows during varied scenes.
Visible crew/equipment: Season 4, Episode 22, "Bonds of Steele": When Laura jumps from the moving car, a considerably more muscular stunt woman is apparent as she rolls down the hill and runs across the beach. (00:28:30)
Visible crew/equipment: When Max and 99 have reached the mansion, they both get out of the car to look in the trunk. As they start walking, some lightning occurs. If you look up at the top, you can see where the fake sky ends and the visible back of the stage begins.
Visible crew/equipment: Sam and Coleen are going to bed, and the camera shot pans around them and past a crew member standing by the edge of the bed. (00:24:00)
Visible crew/equipment: At the very end of the episode, as Poirot's car drives off headed to the harbor, filming equipment is neatly reflected in the door. (00:51:40)
Protect Them From the Truth - S1-E3
Visible crew/equipment: During a shot near the crashed plane, the camera and the crew can be seen in the reflection of the president's glasses. (00:10:55)
The Henderson Challenge - S3-E2
Visible crew/equipment: As Danny (who is supposedly naked) gets into the taxi, you can see he's wearing some kind of flesh-coloured thong. (00:11:35)
Visible crew/equipment: There are two men in the flat near Elizabeth, even though Elizabeth and Mr. Kaplan are alone in the room. (00:18:35)
Insane in the Membrane - S2-E6
Visible crew/equipment: After Hamilton tells Pride that he will arrange for Kendrick's grandmother to stay at the assisted living facility in his district, when it cuts to Kendrick and Percy walking toward Pride the red T-mark taped to the rug can be seen at Pride's feet.
Visible crew/equipment: When Detectives Velcoro and Bezzerides enter the victims home crime scene you can briefly see a clear reflection of the camera in the glass set of drawers next to the front door. (00:15:11)
Visible crew/equipment: As Friday and Gannon get out their car to talk to the officers, you see a boom mic at the top of the shot. (00:08:45)
A.K.A I Have No Spleen - S3-E3
Visible crew/equipment: Jeri Hogarth and her ex Kith Lyonne are alone in Hogarth's apartment. Lyonne takes her cello and walks across the room. The next shot is of Jeri. To Jeri's right, a crew member is crouching in the shadows behind the room divider. As the shot continues, the crew members stands up. (00:38:30)
Visible crew/equipment: When Luke and Bushmaster are fighting their way through the warehouse, there is a shot where Luke stands up after hitting a man against a conveyor belt and then runs underneath a small scaffolding, while Bushmaster is in the background climbing on top of the scaffolding. In this shot, while the camera is panning forward, just before the camera pans past the cardboard box on the floor, another camera can be seen briefly entering the shot toward the bottom left of the frame. (00:13:25)
The Blessing of Many Fractures - S1-E8
Visible crew/equipment: During the fight with Zhou Cheng, Danny's face is blurred during a shot, revealing it was a stunt double. (00:45:40)
Let the Great World Spin - S4-E2
Visible crew/equipment: Marty visits the FBI agent at her home. The camera starts far away from them in another room, and pushes in through the door frame. On the left side of the frame, the camera's shadow becomes very obvious as the shot moves.
Visible crew/equipment: While Michael sits outside of a hospital room in the hallway, there is a clear reflection of equipment in front of him. (00:21:00)
Mondays Are for Murder - S2-E13
Visible crew/equipment: Magnum and TC are hurrying to catch an elevator in the parking garage. As they approach the elevator, you can see a cameraman against the wall on the right side that should not be there. The next shot shows the scene from that cameraman's perspective. (00:39:30)
Prodigal Son - S5-E3
Visible crew/equipment: After Agent Hobbs reads the text that Zack sent to Clayton, Jubal tells ADIC Reynolds they need to evacuate Chapman, and in the next shot facing Reynolds there's an orange T-mark taped to the floor behind him. (00:19:35)
Visible crew/equipment: In the final minutes, it is possible to see a drone flying between the camera's point of view and the subject being filmed, the DEA agents' van going into Mexico. Likely filming equipment, but even if recreational it's hardly appropriate for the 80's. (01:06:30)