Emergency!

The Mouse - S4-E20

Visible crew/equipment: After Chet tells the guys that they have to get rid of the mouse, when he says "You don't understand, these things are like rabbits," the moving shadow of equipment, probably the boom mic, is visible on the top cabinet behind Chet.

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The Mouse - S4-E20

Visible crew/equipment: After the guys decide to eat lunch before resuming their CPR practice, when Chet picks up the CPR mannequin and walks toward the fridge, the top of the set is visible at the corner, between the fridge and the stove. We can see the top of the set again later, after Chet picks the losing matchstick and has to set the mousetrap himself.

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Insanity Epidemic - S6-E14

Visible crew/equipment: When the guys are at the gas station with the broken pump nozzle, after Marco and the stretcher are loaded onto the ambulance, the reflection of the location array lighting can be seen on the back of the ambulance, when Johnny shuts its doors.

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Daisy's Pick Blind Date - S4-E7

Visible crew/equipment: After the hypothermic victim is rescued from the ice house, just as the attendants wheel the stretcher into the ER, at the end of the hallway, the top of the set is visible where the ceiling should be.

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Surprise - S4-E6

Visible crew/equipment: While Roy is hanging off the side of the building with the second victim, Johnny's trying to tie off the swaying sign, then after he asks for some slack the second time, there's an overhead shot from the roof, and we can see the shadow of the camera and a bit of a crew member, at the bottom of the screen. Then a few shots later, from the same POV, we still see the camera's shadow, and we also see the leg of a crew member (white sneaker and dark pants) walk into the shot and back out, at the left of the screen.

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Heavyweight - S3-E5

Visible crew/equipment: When Roy and Johnny are with the man who was injured by a gunshot, Johnny goes across the street to treat the stabbing victim, and just as Johnny and the others enter the living room, the shadow of the moving boom is visible on the wall to the right.

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It's How You Play the Game - S4-E19

Visible crew/equipment: At the scene of the traffic accident, when the injured driver starts shouting just before they load the stretcher onto the ambulance, a ducking crew member's head dips into view at the bottom, right corner of the screen.

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It's How You Play the Game - S4-E19

Visible crew/equipment: After John is punched in the nose at the scene of the traffic accident, when the ambulance arrives the reflection of set lighting is visible on the surface of the ambulance.

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Kidding - S4-E17

Visible crew/equipment: After Station 51 is dispatched to the plane in trouble, just as Engine 51 makes the right turn into the lot, before they park beside the squad, a crew member's/cameraman's sleeve gets into the shot, at the left of the screen.

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Foreign Trade - S4-E9

Visible crew/equipment: When Johnny and Roy are at the top of the open drawbridge, beside the car hanging over the edge, just after Roy says "Be careful, this could go at any minute," the moving shadows of the cameraman and another crew member are visible on the bridge surface. That shadow is visible in two other previous shots from the same angle.

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The Bash - S4-E14

Visible crew/equipment: After Station 51 is dispatched to the bomb threat, when the squad and engine pull into the alley, just as Roy stops the squad, the reflection of the cameraman/camera are visible in the spotlight's chrome surface.

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Quicker Than the Eye - S4-E8

Visible crew/equipment: When Station 51 is dispatched to a man trapped at World Picture Studios, just after they pass the studio's gate, in the moving shot from the left side of Squad 51, the reflection of the cameraman is visible on the lightbar atop the squad's roof.

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Quicker Than the Eye - S4-E8

Visible crew/equipment: After the fake eye exam 51's guys are sitting around the kitchen table, and when Chet tells them that he was sitting in the front row at the movies, there are moving shadows at the bottom, right corner of the screen, which do not belong to the guys.

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The Bash - S4-E14

Visible crew/equipment: When Roy and Johnny enter stage 3 to search for both Vic and the bear, just after Johnny and Roy split up, as the camera moves forward in Johnny's direction, the moving shadow of the cameraman/camera are visible on the filing drawers, to the left.

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The Bash - S4-E14

Visible crew/equipment: After Squad 51 is dispatched to a man injured at the movie studio, just as they reach the studio, in the shot from the back of the squad, the reflection of cameraman is visible on the lightbar atop the squad.

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The Firehouse Four - S4-E11

Visible crew/equipment: When Station 51 is dispatched to a man over the cliff, while en route there's a shot from the top of Engine 51, with the dome light in front of the camera, and the reflection of the covered camera, which is mounted on the engine's roof, is visible in the dome light's chrome surface.

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Communication Gaffe - S4-E5

Visible crew/equipment: When Station 51 is dispatched to a vehicle accident in the canyon, en route there's a shot from the POV of the top of Engine 51, with the dome light in front of the camera, and the reflection of the covered camera, which is mounted on the engine's roof, is visible in the dome light's chrome surface.

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Transition - S4-E15

Visible crew/equipment: At the start of the episode, when Captain Stanley leans over to hang up the telephone and walks out of his office, the outlines of the lavalier mic transmitter and wire are visible on the back, left side of his shirt.

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Gossip - S4-E3

Visible crew/equipment: When John and Roy help the driver out of the overturned armored truck, the bulging outline of the mic transmitter is visible on the left side of the driver's shirt, and when Roy's arm is around the man's waist, Roy even puts his palm over the mic transmitter as he bends to pickup the man's gun.

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Propinquity - S3-E20

Visible crew/equipment: When the ambulance that Roy is riding in is involved in a traffic accident, the ambulance driver, Hal, comes out to help, and the outline of the mic transmitter is visible on the back of Hal's white shirt.

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More for Emergency!

Quotes

[Henry, the dog who is never ever off the couch, whimpers.]
Johnny: [Talking to Henry, while typing on the typewriter.] Sorry. Didn't mean to disturb you. Acting kinda uppity aren't you? I may put you in the script. Yeah. A dog that does nothing. [Henry whimpers.] Just sits there. People like that, y'know. A schleppy dog. You'll schlep out on stage and schleep on the couch. Dumb dog! [Henry whimpers.] Making me feel guilty. Why don't you howl or something?

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Mistakes

When Roy is electrocuted and falls from the roof, after Karen uses the defibrillator paddles on Roy, she lifts both paddles, looks at the EKG monitor and says "He's converted." How exactly could Karen have known that he's converted? It's impossible for the EKG monitor to show anything at all. Either the defib paddles have be in contact with Roy's body for the “quick-look” to get a reading, which they weren't, or the ECG electrode discs have to be on Roy's chest connecting him to the EKG monitor, and they weren't. As an aside, just watching Marco having problems attaching the air mask, and quickly glancing up towards the camera frustrated, then giving up is priceless.

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Trivia

In addition to Randolph Mantooth's brother Donald appearing in this episode, while Roy and John are in Mrs. Johnson's apartment, when Roy's telling John some of the plants' names, John picks up a plant from the table and asks Roy what its name is. And when Roy answers, "Sadie", John smiles at the plant and says, "Hey, Sadie, how you doing?" Sadie is Mantooth's mother's name.

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