Visible crew/equipment: When Dr. Van Gelder tells Kirk that he wants asylum and his word that he won't be taken back to Tantalus, in the wideshot from behind Kirk as he moves to his right the two tape marks can be seen on the floor beside Van Gelder's feet.
Plot hole: For a penal colony, Tantalus V has really poor security. Van Gelder manages to escape with ease, by hiding in a box - the only box - beamed up to the Enterprise.
The Corbomite Maneuver - S1-E11
Other mistake: When Kirk is in sickbay with McCoy he uses sickbay's desktop monitor to contact Spock on the bridge, then when Kirk is in his quarters he uses his own desktop monitor to contact Spock again. Both have the same paint dings and smudges around the console screens, revealing the same one was used during filming. (00:04:30 - 00:06:30)
The Corbomite Maneuver - S1-E11
Continuity mistake: After they've blasted the cube, Kirk and Spock are discussing repairs on the bridge. Spock's earpiece is in place one minute, but vanishes the next when the camera angle changes. (00:13:30)
The Corbomite Maneuver - S1-E11
Visible crew/equipment: After the Fesarius destroys the recorder marker, when Balok declares that Enterprise must also be destroyed, in the next wide shot there's a tape mark on the floor near Bailey, and another one in front of Kirk's feet. (00:21:50)
The Corbomite Maneuver - S1-E11
Continuity mistake: Spock states that the Fesarius (Balok's ship) "must be a mile in diameter". Yet any one of the small spheres that make up the Fesarius dwarfs the Enterprise. If the Enterprise is about 300m long, the Fesarius would have to be around 6 km in diameter - considerably larger than a mile.
The Corbomite Maneuver - S1-E11
Continuity mistake: As Balok's 10 minutes are counting down, McCoy comes onto the bridge wearing a standard blue velour uniform. A few minutes later, when Spock says he can bring up Balok's image, McCoy is suddenly wearing his medical tunic with the different fabric and collar. Then when Bailey starts losing it, McCoy is back in the regular velour costume again.
The Corbomite Maneuver - S1-E11
Continuity mistake: As McCoy first appears from the elevator behind Kirk, then follows him in, his hairline changes from a widow's peak to straight across.
The Corbomite Maneuver - S1-E11
Continuity mistake: When the cube first meets the Enterprise, it's spinning clockwise on its axis. Later, it's spinning counter-clockwise.
The Corbomite Maneuver - S1-E11
Continuity mistake: While beaming to the alien ship, McCoy has his hands on his knees. When materializing, they are beside his thighs.
The Corbomite Maneuver - S1-E11
Revealing mistake: In Kirk's quarters, as he touches the desk top comm panel, it noticeably slides a little rather than being fixed in place.
The Corbomite Maneuver - S1-E11
Continuity mistake: As the bridge shakes after the object is destroyed, Bailey's chair goes from tilted to upright between angles.
The Corbomite Maneuver - S1-E11
Continuity mistake: The cube holding the ship in place is spinning counter clockwise, from left to right, on its axis. When the camera is looking at the bridge, the colors are going from left to right, rather than right to left to match the cube's movement.
Continuity mistake: The landing party beams down in daylight, but the window inside Mendez's office shows that it's night outside. In the next exterior shot, it's day again. Next shot back in the office: night. (00:00:30 - 00:05:20)
Other mistake: While on Starbase 11, Kirk and McCoy watch Pike on a starbase desktop monitor as his light keeps blinking no. When Kirk is with Mendez in his office discussing the Talos IV top secret file, Piper watches Pike on the desktop monitor in the office. Then Spock uses the monitor in his quarters to watch Kirk. All these monitors have the same dings and markings around their screens, which are also the same as other desktop monitors on Enterprise in the previous episode, The Corbomite Maneuver. (00:11:10)
Continuity mistake: Kirk introduced Spock as "Lieutenant Commander" instead of "Commander".
Plot hole: Apparently there is some confusion over the distance between Earth, Starbase 11, and Talos IV. When Spock first meets Pike on Starbase 11 he tells Pike Talos IV is only six days away. Yet when Pike (in the recording) speaks to the Talosians for the first time, he says he is from a star system on the other side of the galaxy. If Talos IV was on one side of the galaxy and Earth was on the other side, it would take hundreds of years at maximum warp to travel from one planet to the other.
Continuity mistake: As Veena (as the Orion Slave Girl) dances, the water in the pool is still, then in the Observation room, as Kirk and party watch, the water is disturbed. A moment later, it's flat calm.
Deliberate mistake: At the very end, the Talosians send a final visual transmission of Vina and Christopher Pike, now whole and happy and reunited after 13 years, holding hands as they enter the Talosian elevator in the hillside. However, in this last shot, the elevator is still half-disintegrated, exactly as it was 13 years earlier when the Enterprise crew destroyed the hillside with a laser cannon. Within the context of "The Menagerie" storyline, this suggests that the Talosians never attempted to repair the elevator for 13 years (even though they continued using it). This incongruity is due to Gene Roddenberry cannibalizing his Star Trek pilot "The Cage," which contained zero footage of Jeffrey Hunter and Susan Oliver entering the intact elevator together (only the destroyed elevator). So, Roddenberry deliberately tried to "slip one by" the audience in this brief shot.
Suggested correction: There are reasons why the elevator would appear damaged. As the Talosians were in control of everything shown on the ship's viewer, the entire scene could be an illusion, or at least the elevator's condition may have been, with the Talosians choosing to allow the viewers to see the elevator in the same condition they last saw it. Just as likely, however, is that the Talosians truly never did reconstruct the elevator, as the whole point of their having a menagerie of other beings was an attempt to breed a race that could physically serve them, for their concentration on their mental powers had led to a complete inability and unwillingness to perform physical tasks (like repairing an elevator).
Still, as long as the Talosians are creating the illusion of Christopher Pike and Vina in their "restored" bodies, why not create an illusion of the elevator and hillside restored, as well? One big illusion of restoration, rather than a composite of dismal reality and happy-ending illusion? Again, to the point of my original post, the obvious incongruity is due to Roddenberry using the only happy-ending footage he possessed, that of Pike and Vina entering the half-obliterated elevator as they did at the end of "The Cage." Certainly, if Roddenberry only had the foresight to shoot Jeffrey Hunter and Susan Oliver entering the intact elevator, he would have used that footage instead. Any attempt to explain away the 13-year incongruity is mere wishful thinking.
This would qualify as a question, not a mistake. It is entirely plausible that the Talosians wouldn't bother to repair the elevator. It's also possible, as the previous correction points out, that the entire scene is an illusion. Remember, Captain Kirk sees Vina and Pike together on the planet literally moments after Spock wheels Pike out of the room. It's unlikely Pike had already been beamed down.
Revealing mistake: When the Talosians place Christopher Pike and Vina into the "picnic" illusion (in the countryside on Earth), Pike wanders around marveling at how real it all seems. Well, "real" except for the fact that Pike's body is casting 4 distinct shadows in 4 different directions on the ground, the result of studio set lighting.
