Jacob La Cour

Continuity mistake: When predicting Bond's arrival the card with the ship moves between shots in relation to the orange card with the man.

Jacob La Cour

Continuity mistake: In the scene in the alley behind Filet of Soul, where Bond is saved by Strutter, the position of the right arm of the unconscious/dead goon in the light leather coat moves between shots.

Jacob La Cour

Continuity mistake: When Bond fans out the (fake) card deck to Solitaire, the card-fan changes between shots.

Jacob La Cour

Continuity mistake: When Bond is playing with Solitaire's cards at her house, the position of the cards changes between shots.

Jacob La Cour

Continuity mistake: In the boat chase, when Bond comes to the shipyard, the goon can't find him. But there would be obvious foam/wake marks and waves after Bond's boat for several minutes.

Jacob La Cour

Continuity mistake: When Bond meets Domino in the diving scene, when Domino is seen from below, the sky above her is overcast. In the following wide shots the sky is clear (or almost clear).

Jacob La Cour

Continuity mistake: When the second SPECTRE tape is being played, in the first shot the left tape wheel - where the tape which is still to be played is coming from - is almost empty. In the next shot it is full.

Jacob La Cour

Continuity mistake: When Bond removes the bandage from Duval's face, he first uncovers a large square area from the nose to the hairline. In the next shot Duval's face is again fully covered except for the eyes.

Jacob La Cour

Continuity mistake: When Bond is examining the canal behind Palymra and he comes swimming, he has bare feet. But when he climbs the stairs from the water he is wearing shoes.

Jacob La Cour

Continuity mistake: When Disco Volante drops the stern and speeds away, the right ski, where Bond is supposed to hang on, is visible. But he's not there.

Jacob La Cour

Continuity mistake: When Hellen kisses Madeleine at the party, the lip-mark is further to the right than it should have been, taken from the position of Hellen's head during the kiss.

Jacob La Cour

Continuity mistake: When Brody is out looking for the kids, and he sees Mike's boat approach - the sky in the background is overcast. When they meet, the sky is clear.

Jacob La Cour

Continuity mistake: When Brody and his wife are driving towards the harbour just after the diving accident, the sky is overcast. When they get to the harbour the skies are clear. When they sail away in the police boat the sky is overcast again.

Jacob La Cour

Continuity mistake: At the end of the food fight, when Peter stands on a tall rock and looks over the scene, he is smudged with paint. In the next shot, the paint smudges are very different.

Jacob La Cour

Continuity mistake: In the close-up scenes at Cable Junction, with water, the sky is clear. But in the scene where Brody is climbing on to the cable, the sky in the background is completely gray - and actually looks like a studio wall.

Jacob La Cour

Continuity mistake: When the kids are drifting around, a heavy rain shower comes. Seconds later, in the shot of Sean on the upside-down sail boat, you see reflections of sunlight and a large part of the boat he is sitting on is completely dry.

Jacob La Cour

Continuity mistake: When Bart and Homer are up on the roof, Homer puts the hammer on the roof next to his leg. In the next shot when he dares Bart to climb the antenna, it's gone. (00:07:40)

Jacob La Cour

Continuity mistake: In the motel room after escaping the dome, the circles of light made by the lamps on the walls and ceiling change between shots. (00:40:00)

Jacob La Cour

Continuity mistake: At the end of the film when Manny lifts Diego by his tusk, the position of Diego's left paw on Manny's tusk changes places between shots.

Jacob La Cour

Continuity mistake: When they perform the autopsy on the three victims, Metcalf is all grey and stiff, whereas the two exhumed victims look alive and fresh.

Jacob La Cour