The Night of the Watery Death - S2-E9
Other mistake: After West escapes out of the room where he was tied, he is hiding behind a tall plant by the staircase. There is a person dressed in black lying at the top of stairs who ever so slightly moves. After the fight scene, West attempts to leave from the front door where he is met by the Marquis. When West is backing up into the room, as the Marquis says, "Boys!", one of them is now descending down from the top of stairs - no one is lying on the steps or getting up from steps. (00:31:15)
The Night of the Watery Death - S2-E9
Revealing mistake: When the Marquis meets West at the door, the landscape behind him has a give-away flaw: there are prominent wrinkles visible in the cloth backdrop "sky." (00:31:20)
The Night of the Watery Death - S2-E9
Continuity mistake: When West is untied from the pillar, a close-up shot of his foot shows him stepping on the wooden plank that activates the force field. The next shot shows him walking on the plank, but the force field was activated before he steps on it (from a wide angle shot). (00:38:50)
The Night of the Watery Death - S2-E9
Continuity mistake: Halfway through this episode, West's hands are tied to the bedpost. He frees a hidden knife from his lower right sleeve. The close-up of his right wrist shows two rope strands binding him. When West finally gets the knife in the position to cut the rope, only one rope strand is wrapped around his wrist.
The Night of the Watery Death - S2-E9
Continuity mistake: The knife West uses to throw at the button to turn off the disintegration machine is already embedded in the button before he throws it.
The Night of the Green Terror - S2-E10
Continuity mistake: When Loveless crawls into the hollow log for protection against the fire, he leaves the horn by the log's entrance. Its mouth piece side is almost touching the log and is parallel to the log. The next shot shows the charred horn perpendicular to the log. (00:45:30)
The Night of the Green Terror - S2-E10
Continuity mistake: As the delivery man opens the door of the personal train car to leave, the backdrop shows greenery directly by the door. The last shot shows the train amid a very arid area with the trees way off in the distance. (00:48:25)
The Night of the Ready-Made Corpse - S2-E11
Revealing mistake: The town of Wickenberg has very peculiar sunlight: it casts shadows in several directions at once. Also notable is the far end of its main street, where a distinct line of demarcation reveals the presence of a painted studio backdrop. (00:00:10)
The Night of the Ready-Made Corpse - S2-E11
Continuity mistake: Just after the street brawl at the beginning of the episode, all the dust vanishes from West's blue suit between one shot and the next. (00:01:20)
The Night of the Ready-Made Corpse - S2-E11
Continuity mistake: In pursuit of the photographer, West jumps out of the window and lands on a cart of stuffed burlap sacks. West's right shoulder area, back of his suit's jacket's right arm and right pant leg area are very dirty. As West runs after the photographer, his suit keeps getting cleaner and cleaner. (00:04:35)
The Night of the Man-Eating House - S2-E12
Continuity mistake: West tosses a small grenade at the French doors. We see it hit and explode without breaking a single pane or crosspiece. It just makes smoke and blackens the surface. After a shot of West and Gordon, we cut back to the door and it's now a broken ruin with no glass and the wood framing destroyed. Delayed action bomb? (00:13:00)
The Night of the Man-Eating House - S2-E12
Visible crew/equipment: When the old man gets up from his chair and moves toward the door, the camera shadow is moving on the wall behind him. (00:18:40)
The Night of the Man-Eating House - S2-E12
Continuity mistake: West and Gordon drag Day from the haunted house, prop him on the porch and turn away. When they turn back, they're stunned to see that he's aged 30 years. But if you look closely, you can see that the man they prop on the porch is already gray-bearded and shaggy. So why were they surprised? (00:44:30)
The Night of the Man-Eating House - S2-E12
Continuity mistake: Near the end, when they confront Liston Day outside the house, West and Gordon are standing close together in all the frontal shots, but several feet apart in all the reverse angle views. (00:45:30)
The Night of the Skulls - S2-E13
Continuity mistake: West crashes through the French doors, breaking out the center section and leaving a partial framework on either side. In the next several shots, the center support and one broken frame reappear and disappear repeatedly. (00:02:30)
The Night of the Skulls - S2-E13
Character mistake: There are seven mourners dressed in black surrounding Gordon's casket - three on each side and one by the funeral officiator (who is the disguised Gordon). Later in the scene when West is talking to the disguised Gordon, Gordon says, "How do you like that - six mourners..." (00:05:20 - 00:07:10)
The Night of the Skulls - S2-E13
Factual error: The bizarre centerpiece on the murderers' banquet table has colored electric light bulbs showing in the skulls' eye sockets. (00:26:50)
The Night of the Skulls - S2-E13
Continuity mistake: West's sword fight ends when his opponent falls through a window after dropping his weapon. In the next shot, the dropped blade has moved several feet to the center of the floor, and West's sword has vanished altogether. (00:30:00)
The Night of the Skulls - S2-E13
Factual error: Fenlow begins shouting about "one nation, under God, indivisible." This series is set in the 1870s. The Pledge of Allegiance, from which these lines are taken, wasn't written until 1892. And the words "under God" weren't added until 1954. (00:46:55)
The Night of the Skulls - S2-E13
Revealing mistake: In the livery stable fight scene between Gordon and Tigo, the tines of the pitchfork Tigo threatens Gordon with wobble, indicating they are made of rubber or a soft material and not metal.
