Prison Break (2005)

Buried - S2-E7

Visible crew/equipment: When Haywire climbs up onto the boat, a crew member in a dark blue cap is seen by the 4x4's in the background. (00:27:00)

Ssiscool ★

Buried - S2-E7

Visible crew/equipment: When Mahone is driving Tweener to the house, a white tent is reflected in Mahone's sunglasses. (00:29:10)

Ssiscool ★

Buried - S2-E7

Visible crew/equipment: When Linc is driving the blue car towards the end, the filming car can be seen in the paintwork by the door handle. (00:36:00)

Ssiscool ★

Buried - S2-E7

Visible crew/equipment: Just before Tweener is shot, there is a very clear shot of the production crew, equipment and more reflected in Mahone's glasses. (00:39:00)

Ssiscool ★

Buried - S2-E7

Visible crew/equipment: When Tweener gets out of the FBI truck in the desert they are in the middle of nowhere with lots of trucks and equipment reflected in the paint work. (00:39:30)

Ssiscool ★

Dead Fall - S2-E8

Visible crew/equipment: At the end, there is an aerial shot of the city, If you look in the lower right corner, you can see part of the filming vehicle. (00:40:00)

Ssiscool ★

Unearthed - S2-E9

Visible crew/equipment: When C-Note is making the stance about no guns, his friend in yellow says he's not going in without a gun. When he says this a boom shadow is visible on C-note's head and moves off it. (00:18:10)

Ssiscool ★

Rendezvous - S2-E10

Visible crew/equipment: At the start, Kellerman is on the phone to Kim. When he is, the stage lights and equipment is reflected in his glasses. (00:03:40)

Ssiscool ★

Bolshoi Booze - S2-E11

Visible crew/equipment: When Michael gets out of the red truck in the desert, the silver wing mirror reflects a black object that is at the exact angle of the camera shot. (00:14:05)

Ssiscool ★

Bolshoi Booze - S2-E11

Visible crew/equipment: Just as Alex works out of the numbers, the shot changes to Michael. In the closeup of his face, a white reflector screen is visible in his sunglasses. (00:20:30)

Ssiscool ★

The Killing Box - S2-E13

Visible crew/equipment: When Kellerman rings Mahone, the camera rig is reflected in Mahone's glasses. (00:25:24)

Ssiscool ★

The Message - S2-E15

Visible crew/equipment: When Paul, Link and Michael kidnap the camera man, a white T mark is visible on the floor. (00:03:36)

Ssiscool ★

Wash - S2-E18

Visible crew/equipment: When Mahone has been given the order to kill Franklin, there is a shot of the laptop in front of Franklin. In this shot, there's a reflection of someone moving. However only Franklin and Mahone are in the room and it's not them. (00:22:00)

Ssiscool ★

Wash - S2-E18

Visible crew/equipment: When Cooper Green is walking down the hallway in the museum, there is one shot where you can see his shadow on the (screen) left hand wall. There is a very quick shadow of a camera on the wall as well. (00:24:40)

Ssiscool ★

Wash - S2-E18

Visible crew/equipment: When Mahone is asking Kim why would the brothers return to Chicago, there is a nice reflection of a boom operator in his sunglasses. (00:31:40)

Ssiscool ★

Sona - S2-E22

Visible crew/equipment: We see Sucre as Bellick is being taken away. In this shot, the camera pans round Sucre, leaving a nice shadow on his shoulder. (00:18:20)

Ssiscool ★

Sona - S2-E22

Visible crew/equipment: Alex finishes talking to his wife, looks outside, and in the fan you can see the face of one of the crew members.

Good Fences - S3-E4

Visible crew/equipment: When Whistler is walking to talk to Sofia for the first time, the camera shadow can be seen to move down the metal fence. (00:11:10)

Ssiscool ★

Good Fences - S3-E4

Visible crew/equipment: When Link gets into an argument with Sofia, as she says about him not being the only one who has people they care about in there a shadow can be seen to move over her back. However she is stationary, Lincoln is in front of her and Sure is sat on the sofa on the other side of the room as shown by the next shot. (00:31:00)

Ssiscool ★

Good Fences - S3-E4

Visible crew/equipment: When Whistler talks to Sophia about Lincoln, the camera starts from a high angle. It moves down and to the right. During this time it casts a very obvious shadow on the fence.

manthabeat ★