Guy Walks Into a Psychiatrist's Office - S2-E1
Visible crew/equipment: In the scene right after Tony is talking to Janice by the pool, when it cuts to the Bada Bing and we see Chris in the mirror, there is a very noticeable cameraman standing behind him. (00:26:50)
Guy Walks Into a Psychiatrist's Office - S2-E1
Plot hole: In this episode Tony tells Janice that he has just put their mother's house on the market. In season one, the house had already been sold.
Suggested correction: Tony and others say many things that aren't accurate. While season one gives the firm impression that the house is sold, it's not confirmed on screen. There may have been a deal where the intended buyer couldn't get financing or a closing never took place for other reasons.
Guy Walks Into a Psychiatrist's Office - S2-E1
Revealing mistake: Christopher is seen sniffing some lines of coke, but he is just moving the dollar bill up and down not sniffing anything at all.
Guy Walks Into a Psychiatrist's Office - S2-E1
Visible crew/equipment: While Janice and Barbara are talking at the backyard barbecue, when Paulie appears, Janice makes a crack about him not being dead yet. It then cuts to Carmela and Janice walking down the home's outdoor steps, and the reflection of the moving boom mic is visible on the front door's glass, behind Carmela.
Continuity mistake: When Tony and Janice are discussing the DNR, there is a piece of black ribbon hanging from Janice's necklace in some shots, which is not there in others.
Continuity mistake: When the nurse brings Livia her ice cream, the apple juice carton on the tray moves between shots. Sometimes it is in front of the tapioca, sometimes beside it.
Continuity mistake: When Meadow is driving Janice's car, Janice's right arm moves around on the window sill from shot to shot, and the cigarette Janice is smoking gets longer instead of shorter as she smokes it.
Continuity mistake: Meadow takes the carton of milk out of the fridge and leaves it on the counter. Tony gets up and opens the fridge and the carton of milk is back inside. (00:11:01 - 00:11:53)
Continuity mistake: In the scene in the pizza place, the coffee pot's handle moves around between shots, and the design changes completely. Sometimes it's round then triangular.
Continuity mistake: When Silvio Dante is talking to Richie Aprile, from a back shot Silvio rests his head to the back but in the next shot it's straight and down.
Continuity mistake: When Janice goes to Livia's mailbox and retrieves the envelope with her disability check, the words "TOTAL DISABILITY" only appear on the check in the close-up, but not in the previous shot. Additionally, the silver screen door is gone between the first wide shot when Janice pulls the mail out of the mailbox, and the next close-up as Janice looks through the mail in her hands (she did not open the screen door between shots).
Visible crew/equipment: After Carmela and Janice apologise to each other, Carmela asks Janice to lower her music, and when Janice closes the bedroom door, lighting equipment is visible at the right side of the screen.
Commendatori - S2-E4
Continuity mistake: When Tony watches Annalisa getting a pedicure from his hotel room's balcony, a glass table next to her shows a phone and a scissors case on it, changing position in two different shots. (00:29:35)
Commendatori - S2-E4
Continuity mistake: Christopher is shown exiting through the revolving door twice. (00:49:45)
Visible crew/equipment: When Furio goes into the massage parlour, Furio is going towards the back, and the door on the side gets flung open. You can see that it doesn't open all the way, and tube lights are visible. (00:40:45)
Visible crew/equipment: Right at the beginning of the episode, Chris pulls over in front of the Bahama Skies tanning salon to pick up his pay. The shot shows him in the car. As he exits the vehicle, the cameraman can be briefly seen in the reflection.
Continuity mistake: The amount of bites out of the slice of pizza Chris is eating changes between shots.
Continuity mistake: When Chris is talking to Jon Favreau in his hotel room, Chris leans across Jon and grabs a pad from the end table next to him. In the next shot the pad is on the table again, then disappears.
Visible crew/equipment: After Tony enters the garage and finds AJ smoking pot with his friends, when Carmela walks in and comments about the smell, the reflection of the boom pole/mic moves across the car's windshield.
Visible crew/equipment: While Sal and AJ are at the batting cage, Matt starts telling AJ about the German philosopher Nietzsche. As the camera moves backwards in this dolly shot, we can see two metal T-marks on the ground, as well as the dolly track at the left side of the screen.
